Gunmetal Magic

Gunmetal Magic by Ilona Andrews

 

 

 

To the fine people of Texas,

 

who have taken us in and treated us as their own

 

 

 

 

 

ACKNOWLEDGMENTS

 

 

At the core, Gunmetal Magic is a book about a deeply damaged person finding her place in life, and in the beginning stages, it was also a very damaged book in need of help. We would like to thank Anne Sowards, our editor, for once again making it better, and our agent, Nancy Yost, for invaluable advice and friendship.

 

We’d like to thank the following people for making the book a reality: Production editor Michelle Kasper and assistant production editor Andromeda Macri for overseeing the production and putting up with our craziness, and editorial assistant Kat Sherbo for her patience and attention to detail. Special thanks to the long-suffering art department, cover designer Judith Lagerman, and artist Tony Mauro. We deeply appreciate everything you’ve done on our behalf. We’re grateful to the interior designer Laura K. Corless for making a manuscript into a beautiful book, and to publicists Rosanne Romanello and Brady McReynolds for tirelessly promoting the book.

 

In addition, we owe thanks to Marsheila Rockwell, Sue Staltare, Susann Max, and Shannon Martinez for their expertise with reclamations, construction, and fallen buildings. Thank you to Shiloh Walker for her knowledge of snakebites and explanation of medical terms, and to Cassandra Brulotte for her legal expertise. Any errors of law, medicine, or construction found in this book are due purely to us and not to them.

 

Thank you to our beta readers for suffering through the first draft.

 

Thank you to Jeaniene Frost for being there and to Jill Myles and Meljean Brook for the tea war.

 

Finally, we’d like to thank our readers—thank you for making it all possible.

 

 

 

 

The world has suffered a magic apocalypse. We pushed the technological progress too far, and now magic has returned with a vengeance. It came like an invisible tide, ripping planes out of the sky, dropping monsters onto crowded streets, sucking the power plants dry, and jamming firearms. Some people awoke and found themselves shapeshifters. Others died, cut down by a magic-fueled disease, and rose again as mindless undead, robbed of their ability to reason and driven only by their all-consuming hunger. Gods became real, curses gained power, and telekinesis and telepathy were no longer the products of illusion and special effects.

 

For three days the magic raged and then it vanished without warning, leaving the world reeling, its population decimated, its cities in tatters.

 

Since that day, the day of the Shift, the magic comes and goes as it pleases. It floods the planet like a wave crashing on the shoreline, hissing and boiling, leaving its dangerous gifts, and then recedes once again. Sometimes a wave lasts half an hour, sometimes three days. Nobody can predict it and nobody knows what our future holds.

 

But we are resilient. We will survive.

 

“40th Anniversary of the Shift”

 

The Atlanta Journal-Constitution