THE DEATH FACTORY

Albert raised his hand and gave Deputy DeLillo an exaggerated shake of his head, indicating that he’d seen neither hide nor hair of his employee. For a few paralyzed seconds, Albert worried that DeLillo would come inside to question him again, which would lead to the big deputy kicking open the door that separated him from the loudly copulating couple, and then to death for either DeLillo or Willie Hooks. The violent repercussions of Willie killing the deputy were almost unthinkable. Thankfully, after a few awful seconds, Big John waved his mitt and drove on. An invisible band around Albert’s chest loosened, and he remembered to breathe.

 

He wondered how Pooky was doing. The fool of a boy had been hiding in the Hammond when his girlfriend’s father and a Klansman named Frank Knox had burst into the store, cursing Albert for “fomenting miscegenation” and threatening to kill him if he didn’t produce Pooky Wilson. Albert had summoned all his courage and lied with the sincerity of Lucifer himself; if he hadn’t, both he and Pooky would already be dead.

 

As the bedsprings sang in the back of the store, Albert prayed as he never had before. He prayed that the Klan hadn’t stationed anybody outside to watch his store. He prayed that Willie and the schoolteacher would finish soon, would get away clean, and that darkness would fall. Anything less meant the end for all of them, except maybe the white woman.

 

The sofa springs groaned at about E above middle C, so Albert tuned his voice to their accompaniment. “There was two hundred folks a-dancin’,” he belted as he negotiated his way through the pianos in the display room, “laughin’, singin’ to beat the band.” He’d already run out of verses, so he’d taken to making up his own, describing the tragic fire that would likely have killed him, had he not been away in the navy. “Yeah, there was two hundred souls a-dancin’, lawd—laughin’, singin’ to beat the band.” Entering his workshop, he sat beside the Hammond organ, picked up a tonewheel, and pretended to work on it. “Two hundred souls on fire, locked indoors by the devil’s hand.”

 

After a quick look back at the display window, he tapped on the Hammond and said, “How you doin’ in there, Pook?”

 

“Not good. I’m ’bout to pee in my pants, Mr. Albert.”

 

“You got to hold it, boy. And don’t even think about lifting that trapdoor. Somebody outside might see your water hit the ground.”

 

“I can’t breathe, neither. I don’t like small spaces. Can’t you let me out for a minute? It feels like a coffin in here.”

 

“There’s plenty of air in there. That small space is the only thing that’s gonna keep you out of a coffin tonight.”

 

Albert heard a ripping sound. Then part of the grille cover beneath the organ’s keyboard was pulled back, and an eye appeared in the hole. It looked like the eye of a catfish gasping in the bottom of a boat.

 

“Quit tearing that cloth!” Albert snapped.

 

The eye vanished, and two dark fingers took its place. “Hold my hand, Mr. Albert. Just for a minute.”

 

With a lump in his throat, Albert reached out and hooked his forefinger in Pooky’s. The boy hung on like Albert was the only thing still tying him to the earth.

 

“Is there somebody else in the store?” Pooky asked.

 

“Willie Hooks. He’ll be gone soon. Listen, now. When it gets dark, I’m gonna turn on the lights in the display room and start playing piano. That’ll draw any eyes watching the place. Once I get goin’ good, open that trapdoor and drop down to the hole. If the coast looks clear, make your way two blocks over to Widow Nichols’s house. She’ll hide you in her attic till tomorrow. When I think the time is right, I’ll pick you up in my panel truck and carry you to the train station at Brookhaven. From there, it’s the Illinois Central straight up to Chicago. You got that?”

 

“I guess so. What I’m ’posed to use for money? Man can’t ride the train for free.”

 

Albert leaned over and slid five twenty-dollar bills under the bottom of the organ.

 

“Tuck that in your pants. That foldin’ money’s gonna get you started in Chi-town.”

 

Pooky whistled in amazement inside the organ box. “Can we really make it, Mr. Albert? Them fellas mean to lynch me for sure.”

 

“We’ll make it. But we wouldn’t even be in this mess if you’d listened to me. I told you that girl was just trying to prove something to her daddy, messing with you.”

 

Pooky whimpered like a frightened dog. “I can’t he’p it, Mr. Albert. I love Katy. She loves me, too.”

 

The boy sounded like he was barely holding himself together. Albert shook his head, then got up and returned to the display room, once more belting the blues like a bored man working alone.

 

He’d met Howlin’ Wolf back in ’55, at Haney’s Big House up the street, back when the Wolf was playing the chitlin circuit. Wolf’s keyboard man had been sick, so Haney called Albert down from his store to fill in. Albert had met most of the great ones that way, over the years. They’d all swung through Ferriday at one time or another, since it lay so close to the Mississippi River and Highway 61. Ray Charles, Little Walter, B.B., even Muddy himself. White boys, too. Albert had taught Jerry Lee Lewis more than a few licks on piano. Some of the black acts had tried to lure Albert onto the road with them, but Albert had learned one true thing by watching musicians pass through his store: the road broke a man down fast—especially a black man.

 

The white woman screamed in the back. Albert prayed nobody was walking through the alley. Willie was working her hard. Mary Shivers had been married five years and had two kids, but that wasn’t enough to keep her at home. Two months ago, she’d struck up a conversation with Willie while he was working on a house next door. Next thing you know, Willie was asking Albert to set up a meeting somewhere. That was the way it went, most times. The black half of the couple would ask Albert to set something up. Might be the man, might be the woman. A few times over the years, a particularly bold white woman had set up a rendezvous in the store, whispering over the sheet music for some hymn or other she was buying. Albert had reluctantly accommodated most of them. That was what a businessman did, after all. Filled a need. Supplied a demand. And Lord knew there was demand for a place where black and white could meet away from prying eyes.

 

Albert had set up a couple of places where couples could meet discreetly, far away from his shop. But if the white half of the couple had a legitimate interest in music—and enough ready cash—he occasionally allowed a hasty rendezvous in the back of the store. He’d got the idea for using his radio show to set up the meetings from his stint in the navy. He’d only been a cook—that’s about all they’d let you be in World War II, if you were black—but a white officer had told him how the Brits had used simple codes during music programs to send messages out to French Resistance agents in the field. They’d play a certain song, or quote a piece of poetry, and different groups would know what the signal meant. Blow up this railroad bridge, or shoot that German officer. Using his Sunday gospel show, Albert had found it easy to send coded messages to the couples waiting to hear their meeting times. And since whites could tune in to his gospel show as easily as blacks, the system was just about perfect. Each person in an illicit couple had a particular song, and each knew the song of his or her partner. As disc jockey of his own show, Albert could say something like “Next Sunday at seven o’clock, I’m gonna be playing a one-two punch with ‘Steal Away to Jesus,’ by the Mighty Clouds of Joy, followed by ‘He Cares for Me,’ by the Dixie Hummingbirds. Lord, you can’t beat that.” And they would know.