13 Ways of Looking at a Fat Girl

13 Ways of Looking at a Fat Girl

Mona Awad




for Rex





There was always that shadowy twin, thin when I was fat, fat when I was thin, myself in silvery negative, with dark teeth and shining white pupils glowing in the black sunlight of that other world.

   —Margaret Atwood





When We Went Against the Universe


We went against the universe at the McDonald’s on the corner of Wolfedale and Mavis. On a sunny afternoon. Mel and I hate sunny afternoons. Especially here in Misery Saga, which is what you’re allowed to call Mississauga if you live there. In Misery Saga, there is nothing to do with sunny afternoons but all the things we have already done a thousand times. We’ve lain on our backs in the grass, listening to the same Discman, one earphone each, watching the same clouds pass. We’ve walked in the woodlot pretending to pretend that it is Wonderland, even though when you stand in the heart of it, you can still hear cars going by. We’ve eaten dry cupcakes at that dessert place down the road where all the other kids go. We don’t like other kids but we go anyway, just for the bustle. We’ve sat behind the bleachers sharing Blizzards from Dairy Queen, the wind making our Catholic school kilts flap against our stubbly knees. Our favorite was the one with the pulverized brownies and nuts and chocolate sauce, but they don’t make it anymore for some reason. So we’re at the McDonald’s on the corner eating McFlurries, which everyone knows aren’t as good as Blizzards, even when you tell them to mix more things in.

We’re bored out of our minds as usual, having exhausted every topic of conversation. There is only so much Mel and I can say about the girls we hate or the bands and books and boys we love on a scale of one to ten. There is only so much we can play of The Human Race Game, which is when we eliminate the whole human race and only put back in the people we can stand and only if we both agree. There is only so much we can talk about how we’d give it up and what we’d be wearing and with which boy and what he’d be wearing and what album might be playing in the background. We’ve established, for the second time today, that for Mel it would be a red velvet dress, the drummer from London After Midnight, Renaissance wear, and Violator. For me: a purple velvet dress, Vince Merino, a vintage suit, and Let Love In, but it changes.

So we decide to do the Fate Papers. The Fate Papers is Mel’s name for when you tear off two small bits of paper and write No on one piece and Yes on the other. You shake the two balled-up pieces in your hands while you close your eyes and ask the universe your question. You can ask aloud or in your mind. Mel and I both prefer in your mind but sometimes, if it is an urgent matter, like now, we ask aloud. The first paper that drops is the answer. Now we are asking if Mel should call Eric to see if he likes the CD she made him of her favorite Lee Hazlewood songs. The Fate Papers already said No, but we’re doing two out of three because that can’t be right even though the Fate Papers are never wrong. Next, we are going to ask if I should try talking to Vince Merino again after yesterday’s fiasco attempt.

The Fate Papers say No to Mel again, then No to me.

The universe is against us, which makes sense. So we get another McFlurry and talk about how fat we are for a while. But it doesn’t matter how long we talk about it or how many times Mel assures me she’s a fucking whale beneath her clothes; I know I’m fatter. Not by a little either. Mel has an ass, I’ll give her that, but that’s all I’ll give her.

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