The Dead Play On

And torture wasn’t carried out in a red haze of fury.

 

“Come around and stick close to the wall, Quinn,” Detective Jake Larue said. He was standing behind the couch, his ever-present notepad in hand, slowly looking around the room as the crime scene techs carefully went through it and the ME examined the corpse. Quinn was surprised at Larue’s directive; the detective knew damned well that Quinn was aware he needed to avoid contaminating the scene.

 

But this kind of scene unnerved everyone—even a jaded pro like Larue. Most cops agreed that when crime scenes stopped bothering you, it was time to seek new work.

 

Quinn looked at the walls as he walked around to Larue’s position. He noted a number of photographs of musicians on display. He thought he recognized some of the people in them, although he would have to take some time to remember just who they were.

 

“What the hell took you so long?” Larue asked.

 

Quinn could have told him that he’d made it to the house in less than ten minutes once Larue had called him, but it wouldn’t have meant anything at the moment. Frankly, after quickly scanning just the living area, he was wondering why he’d been called. The place was equipped with a large-screen television and a state-of-the-art sound system, so presumably the dead man had had money. There was drug paraphernalia on the coffee table to the side of the couch. A bag of what he presumed to be weed lay out in the open. Glancing toward the kitchen counter, he saw an impressive array of alcohol.

 

People didn’t tend to get stoned on grass and suddenly turn violent, but they were known to become killer agitated after enough bourbon or absinthe. Was this the result of escalating tensions between associates in the drug trade? There was a wad of twenties lying on the table by the bag of weed—which, he saw on closer inspection, looked to have been tossed carelessly on top of a spill of white powder that he didn’t think would prove to be baking soda or talc.

 

Drug deal gone bad? Someone holding out on someone?

 

“Were you first on scene?” Quinn asked, reaching Larue’s side. The detective stood still. Quinn knew he was taking in the room—everything about it.

 

Larue was a good-looking man with short-cropped hair. His face was a character study—the lines drawn into his features clearly portrayed the complexity of his work and the seriousness with which he faced it. He’d been a damned good partner when they’d worked together, and now that Quinn had been out of the force for several years and worked in the private sector as a PI, they got along just as well together when Larue called him in as a consultant. Even when they’d been partners, Larue had never really wanted to know how Quinn came up with his theories and conclusions. What he didn’t know meant he couldn’t question Quinn’s credibility or his methods.

 

Larue gave him a questioning glance. “First on the scene were two patrol officers. Since it was pretty evident this man was dead and most likely Lawrence Barrett, who’s lived at this address for several years, they steered clear of him and did their best to check the premises for the killer without touching anything. Then I arrived. Damned ugly, right? And no sign of a clear motive. It looks like drugs were involved, but you and I both know looks can be deceiving. It’s about as ugly as anything I’ve ever seen, though.”

 

It was possible to learn a lot about murder—and murderers. But no amount of profiling killers, studying the human mind—or even learning from those who had committed horrendous crimes and been caught—could fully prepare anyone, even those in law enforcement, for the next killer he or she might encounter.

 

“Ugly and brutal,” Quinn agreed.

 

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