‘No?’
‘No. I have no intention of letting you or anybody else truss me up like a pig for the slaughter.’
Suddenly Kane lunged. He was fast for a big man, amazingly fast. Something small and shiny flashed by McCabe’s face. McCabe dodged the blade and fired, point-blank, into Kane’s chest. The slug had to have hit, but Kane kept coming.
‘You can’t kill me, McCabe,’ he said. ‘Didn’t you know I’m already dead? Murdered in Florida?’
Kane advanced slowly. McCabe backed away. He felt pain and wetness in his left hand, the one holding the Maglite. The scalpel, if that’s what it was, must have sliced the flesh between his thumb and index finger. He let the light fall to the floor, but it stayed on, illuminating the hall in a shadowy semidarkness.
Kane slashed again, this time at McCabe’s face. McCabe fired again. Kane staggered but kept coming. Now there was blood leaking from his mouth. ‘I’m a ghost, McCabe. A ghost that’s going to slit your throat.’ Kane’s words came out in a choking cough.
McCabe drew back farther, amazed Kane was still walking, still upright. Either one of those shots should have killed him. McCabe felt the edge of the banister press against the small of his back. Behind him, he knew, there was nothing but air, three stories down to a stone floor. Finally Kane threw himself forward, his arm swinging the scalpel wildly. McCabe crouched, ducking under the slashing blade. Then he lunged forward himself, rising up and under. The camera in McCabe’s mind recorded the next few seconds in slow motion. Kane’s momentum, aided by McCabe’s shoulder as he rose, lifted him up and over the rail. McCabe stared. Freeze-frame. Kane stared back, suspended for an instant, like a cartoon character, in midair. Then he was falling, still clutching the scalpel, his arms flapping as if he could fly. Kane landed headfirst on the flagstone floor below.
McCabe felt blood trickling from his wounded left hand. He holstered the .45, found some Kleenex in his back pocket and pressed it against the wound. He retrieved the Maglite and shone it down on Lucas Kane’s body three floors below.
51
Saturday. 12:30 A.M.
‘Is he dead?’
McCabe turned and saw Maggie leaning against the door frame, watching, her weapon in her hand. Even in the dim light, she must have been able to see his left hand covered with bloody Kleenex, because she walked toward him and raised it over his head like a child in class who knew all the answers, though he knew he really didn’t. ‘How’s Lucinda?’ he asked.
‘Physically okay, I think. Otherwise? Who knows. The wound in her chest is superficial,’ Maggie said. ‘He must have been drawing the process out. Killing her slowly.’
‘Sadistic bastard,’ he said. He paused. ‘Kane’s dead.’
‘I know. I heard the shots and came out to help. Saw him go over the rail.’
McCabe looked straight into Maggie’s eyes. They were practically the same height. ‘He came at me with a scalpel,’ he said. After an awkward moment, he waved his bloodied hand in her direction as a kind of proof that he hadn’t done anything wrong.
She touched her hand to his cheek. ‘You don’t have to convince me, McCabe.’
Then she took the Maglite, and together they went back into the room where Lucinda Cassidy lay on a steel autopsy table, still naked, her hands and feet still bound to the table, her eyes wild with fear. A thin red line of blood ran neatly from just below her neck to just above her navel. It was already drying.
Maggie bent down and retrieved the hospital gown from the floor. She covered Lucinda’s body, tying the strings around her neck. ‘Lucinda,’ she said, pointing the light at her own face, ‘you’re safe. I’m a police officer. Detective Margaret Savage.’ She shifted the beam to McCabe. ‘This is Detective Sergeant Michael McCabe. Nobody’s going to hurt you.’ She handed the light back to McCabe. ‘You’ll be all right now. You’re safe,’ she said, speaking gently like a mother trying to comfort an injured child. Lucinda’s frantic eyes darted rapidly from one to the other of them.
‘I’m going to take the tape from your mouth now,’ Maggie continued, ‘and unbind your hands and feet.’