The Forbidden Door (Jane Hawk #4)

“She’s not an actress,” Hollister assures him. “She’s just an obedient little bitch. She destroys them because I tell her to.”

Just then Tom Buckle’s gaze shifts from his host to the wall of glass behind him. “What on earth … ?” Tom rises from his chair.

Wainwright Hollister gets to his feet as well and turns to the window.

Mai-Mai stands naked on the terrace, in the swiftly falling snow, facing them and smiling serenely, seeming more mystical than real.

“Her body is as perfect as her face,” says Hollister, “but one can grow tired even of such perfection. I’ve had enough of her.”

A scarlet silk scarf drapes Mai-Mai’s right hand. It slides to the snow-carpeted terrace, revealing a pistol.

“Performance art,” Tom Buckle tells himself, for he is both confused and in denial.

Soundlessly snow falls and falls, cascades of white petals, as Mai-Mai puts the barrel of the gun in her mouth and seems to breathe out the dragon fire of muzzle flash, seems to fold to the terrace in slow motion, the flowerfall of snow settling silently on her silent corpse.