Heroes Are My Weakness: A Novel

Heroes Are My Weakness: A Novel

Susan Elizabeth Phillips



Dedication

In memory of Mary Stewart, Anya Seton, Charlotte Bront?, Daphne du Maurier, Victoria Holt, and Phyllis Whitney. I owe my love of reading to your magical novels. Without you visionary women, I would not be a writer.




Chapter One

ANNIE DIDN’T USUALLY TALK TO her suitcase, but she wasn’t exactly herself these days. The high beams of her headlights could barely penetrate the dark, swirling chaos of the winter blizzard, and the windshield wipers on her ancient Kia were no match for the wrath of the storm that had hit the island. “It’s only a little snow,” she told the oversize red suitcase wedged into the passenger seat. “Just because it feels like the end of the world doesn’t mean it is.”

You know I hate the cold, her suitcase replied, in the annoying whine of a child who preferred making a point by stamping her foot. How could you bring me to this awful place?

Because Annie had run out of options.

An icy blast rocked the car, and the branches of the old fir trees hovering over the unpaved road whipped like witches’ hair. Annie decided that anybody who believed in hell as a fiery furnace had it all wrong. Hell was this bleak, hostile winter island.

You’ve never heard of Miami Beach? Crumpet, the spoiled princess in the suitcase retorted. Instead you had to haul us off to a deserted island in the middle of the North Atlantic where we’ll probably get eaten by polar bears!

The gears ground as the Kia struggled up the narrow, slippery island road. Annie’s head ached, her ribs hurt from coughing, and the simple act of craning her neck to peer through a clear spot on the windshield made her dizzy. She was alone in the world with only the imaginary voices of her ventriloquist dummies anchoring her to reality. As sick as she was, she didn’t miss the irony.

She conjured up the more calming voice of Crumpet’s counterpart, the practical Dilly, who was tucked away in the matching red suitcase in the backseat. We’re not in the middle of the Atlantic, sensible Dilly said. We’re on an island ten miles off the New England coast, and the last I heard, Maine doesn’t have polar bears. Besides, Peregrine Island isn’t deserted.

It might as well be. If Crumpet had been on Annie’s arm, she would have shot her small nose up in the air. People barely survive here in the middle of the summer let alone winter. I bet they eat their dead for food.

The car fishtailed ever so slightly. Annie corrected the skid, gripping the wheel more tightly through her gloves. The heater barely worked, but she’d begun to perspire under her jacket.

You mustn’t keep complaining, Crumpet, Dilly admonished her peevish counterpart. Peregrine Island is a popular summer resort.

It’s not summer! Crumpet countered. It’s the first week of February, we just drove off a car ferry that made me seasick, and there can’t be more than fifty people left here. Fifty stupid people!

You know Annie had no choice but to come here, Dilly said.

Because she’s a big failure, an unpleasant male voice sneered.

Leo had a bad habit of uttering Annie’s deepest fears, and it was inevitable that he’d intrude into her thoughts. He was her least favorite puppet, but every story needed a villain.

Very unkind, Leo, Dilly said. Even if it is true.

The petulant Crumpet continued to complain. You’re the heroine, Dilly, so everything always turns out fine for you. But not for the rest of us. Not ever. We’re doomed! Doomed, I say! We’re forever—

Annie’s cough cut off the internal histrionics of her puppet. Sooner or later her body would heal from the lingering aftereffects of pneumonia—at least she hoped so—but what about the rest of her? She’d lost faith in herself, lost the sense that, at thirty-three, her best days still lay ahead. She was physically weak, emotionally empty, and more than a little terrified, hardly the best state for someone forced to spend the next two months on an isolated Maine island.

That’s only sixty days, Dilly attempted to point out. Besides, Annie, you don’t have anywhere else to go.

And there it was. The ugly truth. Annie had nowhere else to go. Nothing else to do but search for the legacy her mother might or might not have left her.

The Kia hit a snow-packed rut, and the seat belt seized up. The pressure on Annie’s chest made her cough again. If only she could have stayed in the village for the night, but the Island Inn was closed until May. Not that she could have afforded it anyway.

The car barely crested the hill. She had years of practice transporting her puppets through every kind of weather to perform all over, but even a decent snow driver had limited control on a road like this, especially in her Kia. There was a reason the residents of Peregrine Island drove pickups.

Take it slow, another male voice advised from the suitcase in the back. Slow and steady wins the race. Peter, her hero puppet—her knight in shining armor—was a voice of encouragement, unlike her former actor-boyfriend-slash-lover, who’d only encouraged himself.

Annie brought the car to a full stop, then started her slow descent. Halfway down, it happened.

The apparition came from nowhere.

A man clad in black flew across the bottom of the road on a midnight horse. She’d always had a vivid imagination—witness her internal conversations with her puppets—and she thought she was imagining this. But the vision was real. Horse and rider racing through the snow, the man leaning low over the horse’s streaming mane. They were demon creatures, a nightmare horse and lunatic man galloping into the storm’s fury.

They disappeared as quickly as they’d appeared, but her foot automatically hit the brake, and the car began to slide. It skidded across the road and, with a sickening lurch, came to a stop in the snow-filled ditch.

You’re such a loser, Leo the villain sneered.

Tears of exhaustion filled her eyes. Her hands shook. Were the man and horse indeed real or had she conjured them? She needed to focus. She put the car into reverse and attempted to rock it out, but the tires only spun deeper. Her head fell against the back of the seat. If she stayed here long enough, someone would find her. But when? Only the cottage and the main house lay at the end of this road.

She tried to think. Her single contact on the island was the man who took care of the main house and the cottage, but she’d only had an e-mail address to let him know she was arriving and ask him to turn on the cottage’s utilities. Even if she had his phone number—Will Shaw—that was his name—she doubted she could get cell reception out here.

Loser. Leo never spoke in an ordinary voice. He only sneered.

Annie grabbed a tissue from a crumpled pack, but instead of thinking about her dilemma, she thought about the horse and rider. What kind of a crazy took an animal out in this weather? She squeezed her eyes shut and fought a wave of nausea. If only she could curl up and go to sleep. Would it be so terrible to admit that life had gotten the best of her?

Stop it right now, sensible Dilly said.

Annie’s head pounded. She had to find Shaw and get him to pull out the car.

Never mind Shaw, Peter the hero declared. I’ll do it myself.

But Peter—like her ex-boyfriend—was only good in a fictional crisis.

The cottage was about a mile away, an easy distance for a healthy person in decent weather. But the weather was horrible, and nothing about her was healthy.

Give up, Leo sneered. You know you want to.

Stop being such a douche, Leo. This voice came from Scamp, Dilly’s best friend and Annie’s alter ego. Even though Scamp was responsible for many of the scrapes the puppets got into—scrapes heroine Dilly and hero Peter had to sort out—Annie loved her courage and big heart.

Pull yourself together, Scamp ordered. Get out of the car.

Annie wanted to tell her to go to hell, but what was the point? She pushed her flyaway hair inside the collar of her quilted jacket and zipped it. Her knit gloves had a hole in the thumb, and the door handle was icy against her exposed skin. She made herself open it.

The cold slapped her in the face and stole her breath. She had to force her legs out. Her beat-up brown suede city boots sank into the snow, and her jeans were no match for the weather. Ducking her head into the wind, she made her way to the rear of the car to get her heavy coat, only to see that the trunk was wedged so tightly into the hillside that she couldn’t open it. Why should she be surprised? Nothing had gone her way in so long that she’d forgotten what good fortune felt like.

She returned to the driver’s side. Her puppets should be safe in the car overnight, but what if they weren’t? She needed them. They were all she had left, and if she lost them, she might disappear altogether.

Pathetic, Leo sneered.

Susan Elizabeth Phillips's books