The Blinding Knife

Chapter 115

 

 

Gavin woke to someone slapping his face. He felt awful. The cabin was dark and stank of men who hadn’t washed in ages and bilgewater and seaweed and fish and human waste. There were manacles on his wrists, and he was naked except for a breechclout.

 

Another slap cracked across his cheek, hard enough to put the taste of blood in his mouth. He opened his eyes. He looked at the man in front of him. His lungs and throat felt raw from the seawater he’d tried to breathe.

 

“Gunner, you son of a bitch,” Gavin said. His voice was raw, too. Last night was a dim memory. “What are you doing?”

 

“Can’t draft, can ya?”

 

Gavin held up his hands, empty, helpless. It was so dim in the cabin it would take him a couple of minutes to draft enough to be a threat to anyone. And summoning the will would be a problem, too, with how terrible he felt.

 

“Give me a couple minutes,” he said. His left eye was swollen. There was—Oh, Orholam! Gavin checked his chest. It was uninjured. What the hell kind of nightmares had he been having? Thinking he’d been stabbed? Had he been drugged and smuggled off the flagship?

 

“Your eyes are as blue as Ceres’s, Lord Guile. Not a touch of halo in ’em. Always hated luxlords putting on airs. Ordering people around. Not willing to pull their own weight.” He laughed low, as if he’d said something clever. “But I gots my own solution to the little injustices life brings under my purview. It ain’t quite the ship of state, but she is a stately ship, is she no?”

 

“This your boat?” Gavin asked, still disoriented. He was seated on a bench next to a skinny man with white hair and beard, big eyes, half clothed. All of the men down here were skinny and half clothed, all drinking water or tearing into hardtack. All wearing chains. All watching him.

 

“Yes, my boat. The Bitter Cob, I call her, for how she’ll leave your nethers raw. She belongs to me, and now you belongs to her. Serve well, Guile. For if this old girl goes down, you go down with her.”

 

The other end of his manacles snapped shut around the oar.

 

“Gunner…” Gavin said, warning.

 

“Captain Gunner, Number Six. Or you get a whipping.”

 

“Orholam damn you, don’t you know who I am?!” It had been almost two decades since Gunner had worked for Gavin. Maybe time had changed him too much for the man to recognize him without his rich clothes.

 

Gunner grinned. “He who asks, ‘Don’t you know who I am?’ is the one who doesn’t know the answer. But here’s the thing, Gavin Guile. I’m going to give you the opportunity to find out.”

 

“Not Gavin,” Gavin said defiantly. “Dazen. My name is Dazen Guile.”

 

Gunner threw open the door and daylight poured in. “Whatever guile you use makes no matter to me. You’re Galley Slave Six. Third row, middle seat. But don’t worry, you row strongly and obey alacritously, and you’ll get a head seat in six months. Good to have goals, ain’t it?” He grinned toothily. “Boys?”

 

Gavin said nothing. He didn’t resist, for in the open door he’d seen something worse than bondage. In the dim near-night of the reeking cabin, he hadn’t noticed: colors were always muted by darkness. But with the opening of that door, with the sky and the birds and sails, and the pure puissant light that Gavin had been waiting to soak up to use to break these chains and escape, he saw something worse. He couldn’t split the colors from that pure white light. He couldn’t split the colors because he couldn’t draft the colors. He couldn’t draft the colors because he couldn’t see the colors. The ignorant speak of subchromacy as color-blindness, when it really is only color confusion.

 

But Gavin was color-blind. All the world was gray. It was as Gunner had tried to tell him. In one instant, everything that was special about Gavin Guile had been stripped away. He not only wasn’t the Prism anymore, he wasn’t even a drafter. The door to the deck slapped closed, and chains rattled through the handles, trapping Gavin in a blacker darkness than any he had ever known.

 

 

 

 

 

Acknowledgments

 

 

From millimeter waves to martial artists to Magic: The Gathering, I needed a lot of help with this one. In addition to those I’ve thanked in previous books (whom I still owe), a few people deserve repeated or new thanks. Thank you first to my wife, Kristi, without whom I’d be working some job I hated. Thanks for tolerating the six-day workweeks for the last couple years, honey. I’ll try to be more sane… eventually. Thank you to Elisa, for taking on so many of the business duties so that I can write more. Thank you to Don Maass, Cameron McClure, and the rest of DMLA for finding the right people for us to work with, for guidance, for expert explanations, and for excellent story advice and encouragement. The writer’s life is too often solitary, and you’ve been sanity and wisdom.

 

Thank you to Orbit Books (Devi, Anne, Alex, Tim, Susan, Ellen, and Lauren P. especially), who all continue to amaze me with the hard work they do, their innovation, and their responsiveness. I hear horror stories from writers who landed elsewhere, and I’m glad to call Orbit home. Thank you to all those behind the scenes who make the whole machine run so smoothly.

 

Thank you to Mary Robinette Kowal (Shades of Milk and Honey) for being my first ever beta reader. Excellent feedback, and great catches. You made the book better. Plus, that one thing, that place in book 3 where things look really bad, and you suggested something to make it utterly horrible? Yeah, I’m totally stealing that.

 

Thank you to mathematics professor Dr. N. Willis, who read The Black Prism and immediately asked me if I’d played Magic: The Gathering. (His sneaky way of seeing if I would play with him, without admitting his geekery straight out.) I had never played MtG, but soon saw the mathematical beauty of the game. The seed for the in-world game Nine Kings was planted there (though the mechanics and play are different). To forestall some emails I know I’ll get about this: Yes… but it’ll be years. Thanks also for helping me structure the Blackguard trial, which somehow got incredibly complicated. Go figure.

 

Thank you to a certain special forces friend of mine, E.H., who got me the (declassified, totally legal!) brief on millimeter wave technology. Who says fantasy can’t use cutting-edge science?

 

A big thanks to Sergeant Rory Miller, whose books on violence should become necessary texts for those who wish to depict violence convincingly in their fictional worlds, and for those who wish to avoid it in the real one! (Start with Meditations on Violence.) For one thing only I don’t forgive him: talking about rates of adrenaline release in a world and time period that doesn’t yet have the word “adrenaline” was hell. (Thanks to Peter H. at Powell’s for hand-selling that book to me—and hand-selling mine to others!)

 

Thank you to Alfred, Lord Tennyson, whose “Ulysses” I quoted briefly in both The Black Prism and The Blinding Knife as being written by Gevison. Immortal lines, sir. Meant to acknowledge you in the last book and overlooked it. My apologies.

 

Last, thank you to my readers. I love what I do, and I get to keep doing it because of you. That’s a huge privilege and an honor, and I feel a debt of gratitude to you. I can’t promise you much except that I’ll work my hardest to tell you the best stories I can. How about I do that, and you keep forcing my books on your friends. Deal?

 

—Brent Weeks

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