Ash squeezed my hand as if reading my thoughts, his smile promising more times like this.
I expected to see his motorcycle, but he walked me to a black Jaguar and opened the passenger door for me.
"I figured this would be easier for you while you recover."
The car gleamed and had that telltale new car smell. I raised an eyebrow. "When did you buy this?"
"Yesterday," he admitted.
"So, you bought a new car, just so you could drive me to a date?"
"There are probably other uses for a car," he said.
"Like what?"
"Like, grocery shopping would be easier."
"Do you do your own grocery shopping?"
He smiled. "Not specifically."
I laughed. "You're impossible." I couldn't even conceive of buying a car on a whim like that. I thought about the Bruiser, probably turned to spare parts by now. "Now tell me where we're going."
"We'll be there soon enough. Have patience, woman!" Laugh lines crinkled around his eyes when he smiled. We got in the car and he reached for my hand, holding it on his leg as he drove.
The drive into Boston only took a few minutes and I expected to pull up to a restaurant, but he parked in front of a large brownstone instead.
A brownstone so familiar it made my heart skip a beat.
The brownstone Ash and Bridgette were leaving in the photos.
Before I could get out of the car, Ash put a hand on my elbow. "Let me." He walked around the car and opened the door. "Welcome to my home, Miss Travis."
I swallowed, keeping my nerves at bay. And what would Bridgette be doing in your home?
The front door opened to a spacious entry with high ceilings and a chandelier that seemed made of crystal.
I followed him into the living room, slack-jawed at the sheer size of his home.
"It was originally built in 1871 and was eventually purchased by President Grover Cleveland's Secretary of War in the late 1880s. It's a historic landmark, so I've tried to preserve a lot of the period details while also giving it a simpler, more modern feel," he said, showing me around the first floor.
His modern touches of abstract paintings and simple clean furniture allowed the details in the home's architecture—exquisite black and white fireplaces, doorframes, ceilings—to stand out without looking gaudy. I followed him from room to room, admiring his decorating style.
A woman and a man worked in the stainless steel kitchen, preparing a meal fit for a king. When they saw us, they both smiled.
"Mr. Davenport, you're early," the woman said. "We're nearly done with supper. Everything outdoors is prepared." She had a warm smile and kind eyes, and I liked her immediately.
"Mrs. Brown, I'd like you to meet Catelyn Travis." Ash presented me like a trophy.
She wiped her hands on her apron and came to shake my hand. "Lovely to meet you, dear. We've heard so much about you. It's about time he brought you over for a proper meal. And none too soon, I can see. Did they feed you nothing at that hospital?" She had a lilt to her voice, possibly British, but subtle enough that it took a moment to notice.
I smiled at her fussing. "No one wants to eat hospital food. I look forward to dinner. It smells heavenly."
She nodded, her grey bun bouncing on her head. "As it should. Been working all day on it, I have. I hope you eat meat, my dear."
"I do, Mrs. Brown. Thank you."
Mrs. Brown pulled the man next to her forward. "This is my husband, Mr. Brown. He works here, too."
Mr. Brown didn't look like the talkative type, and I had the sense that his wife carried most of the words in their relationship. Still, he grinned and bowed his head, then went back to the food, the apron looking odd over his fancy suit.
"You must love cooking in here," I said.
Mrs. Brown put a hand on Ash's shoulder, like she was proud of him. "Indeed I do. Mr. Davenport makes sure I have everything I could want, and some things I couldn't possibly need. You like to cook?"
I nodded. "But I don't get a chance to often."
She gave a knowing look to Ash. "This one's a keeper. You mark my words, Mr. Davenport."
"Yes, ma'am." He guided me out of the kitchen.
I waved bye and faced Ash. "They treat you like a son."
"They've worked for me for many years."
"Do they live here?" I asked.
"They live in the attached brownstone. When they refused to take one of the rooms upstairs, I bought it for them."
I whistled. "Guess it's good working for you."
"I try to make it a pleasant experience."
I raised an eyebrow. "The Ashton Davenport experience?"
We both laughed as we walked down another hall decorated with large modern paintings. I thought I spied an original Picasso, but didn't get a chance to ask before he opened double doors to a wood-paneled library with floor-to-ceiling bookshelves and a black desk in the center with two computers on it. "This is my office," he said. There was no evidence he actually worked in here, as everything had a proper place and was polished to a high sheen.
"Are you always this neat?"