The Whisperers

And then Herod understood, and he was lost.

 

The Collector spun away, diving toward me in the same movement, forcing me to the ground, yet I was compelled to look. I saw a black back curved like a bow, its skin distorted and torn by the eruption of sharp spinal bones. I saw a head that was too large for the torso that supported it, the neck lost in folds of flesh, the top of its skull a fantasy of twisted yellow bones like the roots of an ancient tree stripped of bark. I saw yellow eyes glitter. I saw dark nails. I saw sharp teeth. One head became two, then three. Two descended on Herod, but one turned to me—

 

Then the Collector’s fingers were pressing into the back of my head, forcing my face to the floor.

 

‘Don’t look,’ he said. ‘Close your eyes. Close your eyes, and pray.’

 

There was no sound from Herod. That was what struck me most. He was silent as they worked on him, and though I was tempted to look again, I did not, not even when the Collector’s grip upon me eased, and I felt him stand. I heard a series of mechanical clicks, and the Collector said, ‘It is done.’

 

Only then did I open my eyes.

 

Herod sat slumped in his chair, his head tilted back, his eyes and mouth open. He was dead, but appeared uninjured except for a thin trickle of blood that ran from his left ear, and the fact that every capillary in his eyes had exploded, turning his corneas red. The box on his desk was closed once more, and I heard the whispering return, now filled with rage like a hive of bees shaken by an outside force.

 

The Collector picked up his cigarette from the arm of his chair. A long finger of ash hung from the tip, like a building about to fall. He tapped it into Herod’s open mouth, then returned the cigarette to his own mouth and drew lengthily upon it.

 

‘If you’re going to taunt the dogs, always check the length of the chain,’ he said. He picked up the box and tucked it under his arm.

 

‘You’re taking it?’ I said.

 

‘Temporarily. It’s not mine to keep.’

 

He wandered over to one of the shelves and removed a tiny ivory statue of a female demon. It looked oriental, but I was no expert.

 

‘A souvenir,’ he said, ‘to add to my collection. Now, I have one more task to accomplish. Let me introduce you to someone. . . .’

 

We stood in front of the ornate mirror outside Herod’s study. At first, there was only my reflection and that of the Collector, but in time we were joined by a third. Initially, it seemed little more than a blur, dark gray absences where eyes and a mouth should have been, but then it formed itself into recognizable features.

 

It was the face of Susan, my dead wife, but with holes burnt into her skin where her eyes once were. Then, like a rattle being shaken, the face blurred again, and it was Jennifer, my murdered daughter, but also eyeless, her mouth filled with biting insects. More faces now, enemies from the past, changing faster and faster: the Traveling Man, the one who had torn Susan and Jennifer apart; the killer of women, Caleb Kyle; Pudd, his face wreathed in old spider webs; and Brightwell: the demon Brightwell, the goiter on his neck swollen like a great womb of blood.

 

For he was in all of them, and they were all of him.

 

Finally, there was just the figure of a man, one in his early forties, of a little more than average height. There was gray seeping into his dark hair, and his eyes were troubled and sad. Beside him was his twin, and next to him was the Collector. Then the Collector stepped away, the two reflections became one, and I stared back only at myself.

 

‘What did you feel?’ asked the Collector, and there was an uncertainty to his voice that I had not heard before. ‘What did you feel when you looked upon it?’

 

‘Rage. And fear. It was afraid.’ The answer came before I had even become aware of the thought. ‘Afraid of you.’

 

‘No,’ said the Collector, ‘not of me . . .’

 

I saw thoughtfulness in his face, but there was something else.

 

For the first time, I felt the Collector’s own fear of me.