This Savage Song (Monsters of Verity #1)

Forgive me father for I have sinned, she thought, striking it against the doorframe.

“Nothing personal,” she added aloud as the match flared to life, sudden and bright. For a long moment Kate watched it burn, fire creeping toward her fingers. And then, just before it got too close, she dropped the match onto the seat of the nearest pew. It caught instantly and spread with an audible whoosh, the fire consuming only the alcohol at first, then taking hold of the wood beneath. In moments, the pews were going up, and then the floor, and at last the altar. The fire grew, and grew, and grew, from a flame the size of her nail to a blaze with a life of its own, and Kate stood, mesmerized, watching it dance and climb and consume inch after inch until the heat and the smoke finally forced her out into the cool night.

Run, said a voice in her head—soft, urgent, instinctual—as the chapel burned.

She resisted the urge and instead sank onto a bench a safe distance from the fire, trailing her shoes back and forth through the late summer grass.

If she squinted, she could see the light of the nearest subcity on the horizon: Des Moines. An old-fashioned name, a relic from the time before the reconstruction. There were half a dozen of them, scattered around Verity’s periphery—but none had more than a million people, their populations locked in, locked down, and none of them held a candle to the capital. That was the idea. No one wanted to attract the monsters. Or Callum Harker.

She drew out her lighter—a beautiful silver thing Mother Alice had confiscated the first week—and turned it over and over in her hands to keep them steady. When that failed, she drew a cigarette from her shirt pocket—another bounty from the confiscation box—and lit it, watching the small blue flame dance before the massive orange blaze.

She took a drag and closed her eyes.

Where are you, Kate? she asked herself.

It was a game she sometimes played, ever since she learned about the theory of infinite parallels, the idea that a person’s path through life wasn’t really a line, but a tree, every decision a divergent branch, resulting in a divergent you. She liked the idea that there were a hundred different Kates, living a hundred different lives.

Maybe in one of them, there were no monsters.

Maybe her family was still whole.

Maybe she and her mother had never left home.

Maybe they’d never come back.

Maybe, maybe, maybe—and if there were a hundred lives, a hundred Kates, then she was only one of them, and that one was exactly who she was supposed to be. And in the end, it was easier to do what she had to if she could believe that somewhere else, another version of her got to make another choice. Got to live a better—or at least simpler—life. Maybe she was even sparing them. Allowing another Kate to stay sane and safe.

Where are you? she wondered.

Lying in a field. Staring up at stars.

The night is warm. The air is clean.

The grass is cool beneath my back.

There are no monsters in the dark.

How nice, thought Kate as, in front of her, the chapel caved in, sending up a wave of embers.

Sirens wailed in the distance, and she straightened up on the bench.

Here we go.

Within minutes girls came pouring out of the dormitories, and Mother Alice appeared in a robe, pale face painted red by the light of the still-burning church. Kate had the pleasure of hearing the prestigious old nun let out a string of colorful words before the fire trucks pulled up and the sirens drowned out everything.

Even Catholic schools had their limits.

An hour later, Kate was sitting in the rear seat of a local patrol car, courtesy of Des Moines, hands cuffed in her lap. The vehicle barreled through the night, across the dark expanse of land that formed the northeast corner of Verity, away from the safety of the periphery, and toward the capital.

Kate shifted in the seat, trying to get more comfortable as the cruiser sped on. Verity was three days across by car, and she figured they were still a good four hours outside the capital, an hour from the edge of the Waste—but there was no way this local officer was taking a vehicle like this through a place like that. The car didn’t have much in the way of reinforcement, only its iron trim and the UVR—ultraviolet-reinforced—high beams tearing crisp lines through the darkness.

The man’s knuckles were white on the wheel.

She thought of telling him not to worry, not yet—they were far enough out; the edges of Verity were still relatively safe, because none of the things that went bump in the capital wanted to cross the Waste to get to them, not when there were still plenty of people to eat closer to V-City. But then he shot her a nasty look and she decided to let him stew.

Victoria Schwab's books