The Trespasser (Dublin Murder Squad #6)

The prickle of alert lifts Steve’s head at the same moment as mine. Breslin told us McCann checked and Aislinn was dead, meaning he would have done no good by calling it in, so he wasn’t a bad guy for leaving her bleeding on the floor. Both versions are bullshit anyway, but I’d love to know why he served O’Kelly a different flavour from us.

O’Kelly either hasn’t noticed or doesn’t want to. ‘I said, “You want something. What is it?” Breslin said, “If she’s dead, I need to be on the case. I’m not asking to be in charge. I just want to be around, so I can see what’s going on, make sure my mate doesn’t get dragged in if there’s no need. If it’s all cut and dried, there’s no reason to ruin his life. If he’s needed, I’ll make sure he comes forward. I swear.” He said, “I’ve got thirteen years of credit, gaffer. I’m calling it in now.” ’

The corner of O’Kelly’s mouth twists as he remembers. ‘Breslin’s not the genius he thinks he is, but he’s a good man. He’s never let me down. Never asked me for a favour bigger than a plum slot for his holidays. If he wanted to cash in his chips on this one . . .’ His shoulders lift, fall again heavily. ‘In the end I said all right. I told him to watch himself, and watch his mate: I was going to be all over this one, and if I got any hints that anything was off, then he was gone and his pal was coming in for the chats. He said no problem. No problem at all. He told me how much he appreciated it, and how much he owed me, and a bit more arse-licking that I didn’t take much notice of. And then he went off to call it in.’

Another story. None of the rest were true straight through, not one. Victims, witnesses, killers, Ds, all frantically spinning stories to keep the world the way they want it, dragging them over our heads, stuffing them down our throats; and now our gaffer.

I say – I haven’t talked in so long that my voice comes out rough and patchy, dried out by the heating – ‘You knew who the mate was.’

O’Kelly’s eyes move to my face. They stay there like I make him too tired to look away. ‘You tell me, Conway. When you started smelling something rotten, did you straightaway think, “Ah, I know, must’ve been one of my own squad”?’

The weight of his voice – my own squad – falls on me like the swaying weight of deep water. Twenty-eight years, O’Kelly’s been on Murder; since me and Steve were sticky-faced kids pointing finger-guns at our pals. When he says my own squad, it means things I used to dream I’d understand someday.

I say, ‘No.’

‘And when you should’ve known. Did you think it then?’

‘No.’

‘No.’ His head turns back to the window. ‘Nor did I. But I wondered. I didn’t like that; I thought less of myself for it, still do. But there it was. That’s why I gave you the case: I needed to know. And ye were the only ones who wouldn’t drop it like a hot potato if Breslin wanted you to.’

And we waded right in and did his dirty work for him. Maybe he expects us to be grateful for the vote of confidence. I say, ‘Now you know.’

‘You’re positive. You’d bet your lives on it.’

Steve says, ‘He did it.’

O’Kelly nods a few times. ‘Right,’ he says quietly, to himself, not to us. ‘Right.’

I wait for it. Just for kicks, I try to guess which he’ll whip out first: the fatherly wisdom, the squad loyalty, the man-to-man chat, the guilt trip, the bribes, the threats. I hope Steve’s got no plans for this evening, because it could take a while before it sinks into the gaffer’s head that he’s getting nowhere. While I’m at it, I try to decide whether we should tell him it’s already too late, so we can enjoy the look on the bollix’s face, or whether we should play it safe and let him find out in the morning, along with everyone else, when the Courier comes out.

He swivels his chair to his desk and picks up the phone. His finger on the buttons is clumsier than it should be; his knuckles are swollen stiff. When someone answers, he says, ‘McCann. I need you in my office.’ And hangs up.

His eyes fall on us for a moment, in passing. ‘Ye can stay,’ he says. ‘As long as you act like adults. You get bitchy, you’re out.’ Then he goes back to looking out the window, at whatever it is he sees out there.

Me and Steve glance at each other just once. Steve’s face is quick and wary, all the angles sharpened. He doesn’t have a handle on where this is going either, and he doesn’t like that any more than I do. We swap a tiny nod: Stay steady. Then we sit still, listening to the faint singing hiss of the radiators and the slow rasp of O’Kelly’s breathing, and we wait for McCann to come.



The knock at the door snaps the silence. ‘Come,’ O’Kelly says, turning his chair, and there’s McCann in the doorway, jacket sagging, eyes sunk deep.

Two beats – one look at the gaffer, one at us – and he understands. His shoulders shift and roll forward as he gets ready for the fight.

‘Moran,’ O’Kelly says. ‘Give McCann a chair.’

I stand up with Steve and we move to the side, against the wall. For a second it looks like McCann’s going to stay standing, but then he yanks Steve’s chair farther from us and sits down. Legs wide, feet braced, chin forward.

O’Kelly says, ‘You should have told me.’

A fast raw flush springs up on McCann’s cheekbones. He opens his mouth to spew out a flood of reasons, excuses, justifications, whatever. Then he shuts it again.

‘How long have I been your gaffer?’

After a moment McCann says, ‘Eleven years.’

‘Any complaints?’

McCann shakes his head.

‘Have I had your back, along the way? Or have I hung you out to dry when things got tough?’

‘Had my back. Always.’

O’Kelly nods. He says, ‘A civilian who’s fucked up, he tries to hide it from his boss. A D in trouble, he goes to his gaffer.’

McCann can’t look at him. The flush deepens. ‘I should’ve. Straightaway. I know that.’

O’Kelly waits.

‘Sorry.’

‘OK,’ the gaffer says. He gives McCann the curt nod that means You’re off the hook, don’t fuck up again. ‘We’re talking now, anyway. And I want to know what in holy hell has been going on here. These two’ – he jerks his chin at me and Steve – ‘they’re trying to tell me you went pussy-blind: Aislinn Murray was out to fuck you over, you were thinking with your mickey, the whole thing went to shite. Is that true? This whole five-star clusterfuck, it’s all because you weren’t getting enough blood flow to the brain?’

McCann’s jaw moves. He doesn’t like that.

‘Because I know you – or anyway I thought I did – and I say it’s bollix. These two have come up with some story they like, and they’re making everything they get fit the story.’

It tracks cold right down into my stomach, like swallowed ice. The story we told him, the true one, it’ll never leave this room. By the time we walk out, O’Kelly and McCann between them will have sliced it to pieces and sewn it up into something unrecognisable, to set loose into the outside world. I knew it was coming, but it still hits home.

‘Fact is, everything they’ve got plays a couple of different ways.’

One fast glance from McCann.