The Tea Girl of Hummingbird Lane

“Counting her babies. New lives. A protecting mother.” She smiles. “All is good.”

A-ba stands up, signaling that breakfast is done. I’m not sure what’s more troublesome—that A-ma can’t see everything inside my head as I always thought she could or that I’ve gotten away with my fabrications. I feel pretty terrible until I remind myself that I prevented my family from the worry my dream would have caused them. I lift my bowl to my lips and slurp down the last of my broth. A few bitter mountain leaves slip into my mouth along with the fiery liquid. Chili flakes burn their way to my stomach. For as long as that heat lasts, I’ll feel full.



* * *



When we leave the house, stars still glitter above our heads. I carry a small basket on my back. My other family members have large baskets slung over their shoulders. Together we walk along the dirt lane that divides Spring Well Village, which has about forty households and nestles in one of the many saddles on Nannuo Mountain. Most of the homes are sheltered by old tea trees. The tea terraces and gardens where we work, however, are outside the village.

We join our neighbors, who live four houses away from us. The youngest daughter, Ci-teh, is my age. I could find my friend anywhere, because her cap is the most decorated of any girl’s in Spring Well. In addition to tea, her family grows pumpkins, cabbages, sugarcane, and cotton. They also cultivate opium, which they sell to the spirit priest to use in ceremonies and to A-ma to use as a medicine for those suffering from the agony of broken bones, the torment of the wasting disease, or the mental anguish that comes from losing a loved one. The extra money Ci-teh’s family earns means they can sacrifice more and larger animals for offerings, which in turn means that the customary shared cuts of meat that are given to everyone in the village are more and larger too. Ci-teh’s family’s wealth also means that her cap is decorated with lots of silver charms. Apart from these differences, Ci-teh and I are like sisters—maybe closer than sisters, because we spend so much time side by side.

As we continue toward our work, we leave the last house behind and proceed a little farther until we reach the spirit gate. Carved figures of a woman and a man are mounted on the posts. The woman has huge breasts. The man has a penis that is as thick as timber bamboo, longer than my entire height, and sticking straight out. Whittled birds of prey and vicious dogs hang from the crossbeam. Be warned. If someone doesn’t pass through the gate properly—touching it perhaps—then something terrible can happen, like a death. We must all be mindful of the gate.

We begin to climb. Ci-teh and I chatter, catching up as though many weeks have passed instead of one night.

“I worked on my embroidery before bed,” Ci-teh confides.

“I fell asleep before my a-ba had his pipe,” I tell her.

“Hot water or tea with breakfast?”

“Tea.”

“Dreams?”

I don’t want to tell her any of that. We have a long way to go and the only other way to make the time pass quickly is through games and challenges.

“How many different parasites can you spot on the trees before we get to that boulder?” I hoot.

Nine, and I win.

“How are you doing with your weaving?” Ci-teh asks, knowing I haven’t shown a talent for it.

“So boring!” I holler, and the men look back at me disapprovingly. “Let’s see how many jumps it will take from this rock to that one way up there.”

Seven, and I win again.

“Last night, Deh-ja”—that would be Ci-teh’s sister-in-law—“said she wants to have a son.”

“There’s nothing new with that one.” I point to a little rise. “Bet I can beat you to the top.”

My feet know this route well, and I hop from rock to rock and jump over exposed roots. In places, the dirt is powdery between my toes. In other spots, pebbles poke at the soft underparts of my arches. Since it’s still dark, I sense more than see the old tea, camphor, ginkgo, and cassia trees, as well as stands of bamboo, towering around me.

I win again, which nettles Ci-teh. But that happens between sisters too. Ci-teh and I are close, but we compete against each other . . . constantly. I won our games today; she reminded me she’s better at embroidery and weaving. Our teacher says I could prove I’m smart if I worked a little harder; he would never say that about Ci-teh.

“See you at the tea collection center,” I say when Ci-teh follows her a-ma onto another path. I linger—watching them scramble up a steep stretch of mountain, their empty baskets bouncing on their backs—and then I skip ahead to catch up to A-ma.

After a half hour of walking, the black of night begins to fade and the sky turns pale. Clouds catch tints of pink and lavender. Then everything brightens when the sun crests the mountain. The cicadas waken and begin to trill. And still we climb. My a-ba and brothers maintain distance ahead of us so they can have their man talk. A-ma is as strong as any man, but she takes her time, looking about for herbs and mushrooms she can use in her potions. First Sister-in-law has stayed home with the children too young to pick tea and too big to be carried by their mothers, but my second and third sisters-in-law accompany us with their babies tied to their bosoms as they too forage, searching the moist forest floor for anything we might take home to put in our dinner soup.

We reach First Brother’s tea terraces at last. I move slowly between the tightly packed rows of bushes, scanning the outermost branches for the bud and two, maybe three, leaves that begin to unfurl as the sun’s rays warm them. I gently nip the tiny cluster between my thumbnail and the side of my forefinger above the first joint. My thumbnail is stained and the little pad of flesh callused. I’m already marked as a tea picker.

After two hours, A-ma comes to me. She runs her hands through my leaves, fluffing and inspecting them. “You’re very good, Girl, at finding the choicest bud sets. Maybe too good.” She glances in A-ba’s direction a few terraces away, then leans down and whispers, “Pick a little faster. And you can take some of the older and tougher leaves. We need more leaves, not just ideal bud sets, from each bush.”