The Nature of the Beast: A Chief Inspector Gamache Novel

“I want to hear more,” said Reine-Marie, and Armand looked at her with amusement.

“You’ll never guess who wrote the play,” said Brian, laughing and tapping the place where the name had been whited out. “You wouldn’t know him. A fellow named John Fleming.”

“Brian,” snapped Antoinette.

“What?”

“We agreed not to tell anyone.”

“No one’s ever heard of him,” said Brian.

“But that’s the point,” Antoinette huffed. “Acht.” She waved in his direction. “You’re a surveyor, what would you know about marketing. I wanted to build up mystery, suspense. Get people wondering. Maybe it was written by Michel Tremblay, or a lost classic by Tennessee Williams.”

“Or George Clooney,” said Gabri.

“Oooh, George Clooney,” said Myrna, and her eyes again became unfocused.

“John Fleming?” said Gamache. “Do you mind?” He reached out and picked the play up from the table and stared at the title. She Sat Down and Wept.

“We got in touch with the copyright people to see who we had to pay for permission, but they had no record of it or of any playwright by that name,” said Brian, as though he had to explain to the cops.

The script in Armand’s hand was dog-eared, stained with coffee, and covered in notes.

“It’s old,” said Reine-Marie.

The typeface was ragged, not the clean look of a computer, but rather the chunky print of a typewriter.

Armand nodded.

“What is it?” she asked quietly.

“Nothing.” He smiled but no laugh lines radiated from the corners of his eyes.

“I’m in the play too,” said Brian, holding up his copy of the script.

“My gay roommate,” Gabri explained to them.

“He’s not gay, and neither are you,” snapped Antoinette in exasperation.

“Don’t tell Olivier,” said Myrna. “He’ll be a little disappointed.”

“And very surprised,” said Gabri.

Decaying leaves still sticking to his torn jacket and jeans, the boy swept up the last of the broken glass and trudged back to the table.

“Just so you know,” he said, handing the broom and pan to Olivier. “I’m pretty sure there’re some diamonds in there.”

“Merci,” said Olivier.

“Come on,” said Armand, getting up and giving the stick back to the boy. “It’s getting late. Grab your bike. I’ll put it in my car and give you a lift home.”

“The gun was really, really big, patron,” said the boy, following Monsieur Gamache out of the bistro. “As big as this building. And there was a monster on it. With wings.”

“Of course there was,” they heard Armand say. “I’ll make sure it doesn’t hurt you.”

“And I’ll protect you,” said the boy, swishing the stick so violently it struck Armand in the knee.

“I hope you have another husband waiting in the wings,” said Antoinette. “I’m not sure this one will survive the walk to the car.”

They watched Armand put the bicycle in the back of the Volvo, then he put the stick in the backseat, but the boy took it out and stood firm. He was going nowhere without it in his hands. It was, after all, a dangerous world.

Armand admitted defeat and relented, though they could see him giving the boy ground rules.

“I’d go on match.com right now, if I were you,” said Myrna to Reine-Marie.

*

After a few kilometers the boy turned to Gamache.

“What’re you humming?”

“Was I humming?” said Armand, surprised.

“Oui.” And the boy perfectly reproduced the tune.

“It’s called ‘By the Waters of Babylon,’” said Armand. “A hymn.”

John Fleming. John Fleming. He associated the hymn with him, though Gamache could never figure out why.

It couldn’t be the same man, he thought. It’s a common name. He was seeing ghosts where none existed.

“We don’t go to church,” said the boy.

“Neither do we,” said Armand. “Not often anyway. Though sometimes I sit in the little one in Three Pines, when no one else’s there.”

“Why?”

“Because it’s peaceful.”

The boy nodded. “Sometimes I sit in the woods because it’s peaceful. But then the aliens arrive.”

The boy began humming again, in a high, thin voice, a tune Gamache recognized from long, long ago.

“How do you know that song?” Gamache asked. “It’s way before your time.”

“My dad sings it to me every night at bedtime. It’s by Neil Young. Dad says he’s a genius.”

Gamache nodded. “I agree with your father.”

The boy clutched the stick.

“I hope the safety’s on,” said Gamache.

“It is.” He turned to Armand. “The gun’s real, patron.”

“Oui,” said Gamache.

But he wasn’t listening. He was watching the road, and thinking of the tune stuck in his head.

By the waters, the waters of Babylon,

We sat down and wept.

But the play wasn’t called that. It was called She Sat Down and Wept.