The Dark Lake



Set in between a burst of mountain ranges, Smithson is a little oasis of greenery in the middle of endless fawn-coloured acres of Aussie farmland. Smithson is known for ‘catching the rain’ that runs from the mountains, which is ironic as it’s the surrounding farms that actually need it. It’s changed a lot over the past decade. Carling Enterprises, a major cannery business, built a manufacturing plant on the outskirts of the town in the late nineties, just as I was finishing school. The large silver structure already looks grossly out of date but is nevertheless a hive of activity. It milks the surrounding area dry, sucking the fruit from the trees and yanking the vegetables from the ground, and in return spits out over ten million cans of tinned fruit and vegetables every year. This productivity has slowly but steadily grown Smithson from a modest population of just under fifteen thousand to one of almost thirty thousand. Factory workers, truck drivers, engineers, food scientists, marketing people: new faces are everywhere. Suddenly, Smithson, the Noah’s Ark town that had always proudly boasted two of everything, multiplied. There are five bakeries now, and that’s just in the town centre. Someone told me that Carling does this all over the world: bases itself in regional areas where the land is cheap and permits are easy to come by, and implants its business into a community, completely changing the landscape and the culture. In fairness, Smithson probably needed a bit of a kick in the arse, but it can be unsettling watching the giant trucks descend on our little world, the roads groaning under their weight, the smoke streaming out behind them.

To the east of the town centre is a large lake surrounded by dense bushland and a popular community park. Sonny Lake is really Smithson Lake but no one ever calls it that. I don’t know why, but it’s been Sonny Lake as long as I can remember. Even the road signs read This Way to Sonny Lake. My parents were married there in a very bohemian ceremony back in the seventies. I’ve got a photo of Mum from that day on my bedside table. It was taken just after she and Dad said their vows. There are daisies in her hair and a glass of punch in her hand. She looks about twelve.

The lake backs onto the main high school. When I was in primary school I used to come down here with Mum to feed the ducks and to hunt for four-leaf clovers in the grass. In my high school days, the lake was where we came to smoke cigarettes, drink stolen alcohol and kiss boys. The old gazebo on the little bridge across the water provided the perfect place for a ghostly séance, and the ancient wooden tower in a nearby clearing was a great vantage point from which to see if someone was coming. Once you climbed its creaky, winding staircase, you reached a lookout where you could see the entire lake, the main highway and all the way to the high school. It was also a great place to hide. Before he died, Jacob and I had spent hours up there talking and kissing and more. I close my eyes briefly, picturing his young face. He feels so far away now.

I try to avoid coming here.



Sonny Lake is already swarming with cops who are fencing off nosy passers-by. The lake is a popular hangout in the summer and, around two years ago, the council built one of those modern, soft-edged playgrounds at the north of the park to complement the rickety old one that remains to the west, but I’ve never thought to bring Ben; there are way too many memories lurking around for a Sunday afternoon play date.

Several people in jogging gear huddle nearby, talking quietly to each other as I walk past. Then I spot him. Detective Sergeant Felix McKinnon, my partner. My insides bubble gently and as always I marvel at the effect he has on me. His brow is furrowed as he bends down to talk to one of the forensic guys who is brushing at the ground just off the path. I see a white tarp a little further down in the reeds. Casey, our photographer, is snapping away to the left of it.

I allow myself to process the fact that Rosalind Ryan is dead. I suddenly feel startled to find myself a fully grown adult. I remember how her summer school dress moulded to her womanly figure. I remember the way my own uniform brushed below my knees, how I tried to pin it at the waist and the hem to look more like hers. I breathe deeply and exhale slowly. Walking down towards the lake, I set my face to blank. I try to block out the well-worn images of Rosalind that are fighting to settle in my vision. I try to block out everything. The sun is cracking through the last of the clouds and beats down like fire. The air is sharp. Dry. We are going to have to move quickly. We need to get her out of here.

‘Hey,’ I say.

‘Hi.’ Felix smiles up at me, squinting into the sun. ‘You okay?’

My vision blurs with patches of white. ‘Yep.’ I shrug his question away. I gesture to the white tarp. ‘What are you thinking?’

‘Hard to say. We ID’d her from a coin purse in her jacket that had a school library card in it. There’s nothing else on her except for her keys, which were also in her jacket. No phone or bag that we’ve been able to find yet.’ He wipes at his forehead, already beaded with sweat. ‘Fuck it’s hot.’ Felix is still trying to get used to the relentless heat that invades Smithson every Christmas. ‘She was in the water when the guy found her but Anna doesn’t think she drowned. She thinks she was strangled. But there’s also a nasty injury on her head. No visible stab or gunshot wounds. We’ll know more when we move her, obviously.’ He staggers to his feet. A few grey hairs glint above his ears. The skin around his eyes wrinkles as his gaze meets mine. I look away before I can’t.

‘So did you know her? Remember her from school?’ he asks.

I nod and look out across the lake. Two ducks bob along side by side, the beautiful markings on their faces like stage masks.

‘She’s not the kind of person you forget.’

‘Yeah, I figured. Were you friends though?’

‘It was high school! We were all friends until we weren’t. You know what it’s like when you’re that age.’

He raises his eyebrows and looks as if he’s about to say something else, so I cut him off before he can. ‘Felix, is this our case?’

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