Shelter

“How old are you?” she asks.

“Four,” he whispers, retreating behind Gillian again. She makes no effort to stop him, which they’ve discussed in the past. The boy is shy because they coddle him.

“What a gorgeous child,” Gertie says agreeably. “Biracial children are always so beautiful. The best of both parents, I think. You two are what? Chinese and Irish?”

“Korean,” he corrects.

Gertie quickly depletes her reserves of small talk and asks for a tour, which they start in the living room. Gillian takes the lead and tries to point out the nicer features of the house, describing even the smallest things too cheerfully, as if the person she needs to convince is herself. Kyung brings up the rear, occasionally stealing a peek over Gertie’s shoulder as she jots down notes in a leather-bound legal pad. The brick fireplace in the living room receives a check-plus, along with the bay window, the wood floors, and the size of the adjoining dining room. The kitchen appliances, the worn carpets on the second floor, and the water stains in the bathroom all receive a check-minus. Pantry and garage, check-plus. Wet basement and old boiler, check-minus. He isn’t insulted so much as impressed by the skill and speed with which she catalogs the good and bad. Gertie sees dollars, not disappointment, which is exactly what he needs right now.

After the tour, they sit down at the kitchen table while Gertie removes a manila folder from her briefcase. The label on the tab reads MCFADDEN—Gillian’s last name, not his.

“I pulled up some sales data on comparable houses in the neighborhood.” She flips through a few sheets of paper, frowning as if she left something behind at the office. “Of course, you know the market’s down right now.”

Under the table, Gillian taps nervously on Kyung’s leg. Get to the point, he thinks. Get to the point already.

“I’d say your biggest selling point is the neighborhood. The taxes are a little high here, but you’re in an excellent school district, and the commute to Boston is pretty reasonable. As for the house…”

He wants to cut her off and tell her about their plans. They had so many of them—a new kitchen, a sunroom, replacement windows, and a deck—but what does it matter now? It’s obvious they couldn’t afford to do any of it. That’s the hesitation he hears in her voice.

“… the house could use a fair amount of remodeling. And that boiler will have to be replaced soon, which won’t be cheap. Ah, here it is.” Gertie pulls out a piece of paper from the bottom of the stack and adjusts her reading glasses. “I’d probably suggest a list price of three hundred and sixty-five thousand dollars. Maybe you could go as high as three ninety if you’re not in a hurry to move, but I wouldn’t necessarily recommend that route.”

It doesn’t matter what she would or wouldn’t recommend. Even the higher price is less than what they hoped for, less than what they owe. Kyung forgets himself for a moment and rests his forehead in his hands. This is exactly why he put off the meeting for so long.

“I’m sorry. Is that not what you expected to hear?”

He can’t quite bring himself to answer the question. Although he knew Gertie wouldn’t be able to save them, at the very least, he thought she might throw them a rope.

Gillian sends Ethan into the living room and tells him to turn on the TV. “Can we be completely honest with you?” she asks.

“If you expect me to sell your house, you shouldn’t be anything but.”

“Well”—she picks at a line of dirt under her nail—“we’re kind of embarrassed about this, but you might as well know … my husband and I refinanced at the height of the market and took cash out against our mortgage, so we actually owe the bank about four hundred and eighty thousand for this place.”

The books and Web sites that Gillian always asks him to read refer to this state as “underwater” or “upside down”—terms he actively dislikes. It’s bad enough that everything in the house keeps breaking. He doesn’t need to imagine himself drowning too.

“So it’s a short sale,” Gertie says. Her expression gives away nothing. “They’re much more common these days. The trick is getting your bank to take a loss on the difference between what you owe them and what you can sell for.”

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