Patina (Track #2)

Like . . . ever.

It was crazy. And if we had been allowed to drink pretend tea from my mother’s real cups, they all would’ve been shattered the next morning after she woke me up, her face wet with tears, and blurted, “Something’s happened.” I would’ve smashed each and every one of them cups on the floor. And I would’ve smashed more of them two years later when my mother had two toes cut off her right foot. And six months after that, when she had that whole foot cut off. And six months after that—three years ago—when my mother had both her legs chopped off, which, I’m telling you, would’ve left the whole stupid cabinet empty. Broken mugs everywhere. Nothing left to drink from.

But I didn’t. Instead I just swallowed it all. And wished this was all some kind of invisible, pretend . . . something. But it wasn’t.

And just so you don’t get the wrong idea, it’s not like my mom just wanted her legs cut off. She got the sugar. Well, it’s really a disease called diabetes, but she calls it the sugar, so I call it the sugar, plus I like that better than diabetes because diabetes got the word “die” in it, and I hate that word. The sugar broke Ma’s lower extremities, which is how doctors say legs. It just went crazy all in her body. Stopped the blood flow to her feet. I used to have to rub and grease them at night, just like my dad used to, and it was like putting lotion on two tree trunks. Dry and cracked. Swollen and dark like she’d been standing in coal. But at some point she just couldn’t feel them no more, and I went from moisturizing them to trying to rub them back to life. And after that, they were basically . . . I guess the best way to explain it is to just say . . . dead. Her feet had died. Like I said, I hate that word, but ain’t no way else to say it. And I guess death can travel, can spread like a fire in the body, so the doctors had to go ahead and cut her legs off—they call it “amputate,” which for some reason makes me think of something growing, not something being chopped—just above the knee to keep more of her from dying.

Maddy’s only six now, and ever since she was born I’d been helping out the best I could with her. But with Ma losing her toes and feet, helping out became straight-up taking care of. I’m talking about keeping lists in my head of things I had to take care of.

TO DO: Make sure Maddy’s bathed.

TO DO: Make sure Maddy’s dressed.

TO DO: Make sure Maddy’s fed.

TO DO: Everything.

But after Ma lost her legs, my godparents—my dad’s brother, Tony, and his wife, Emily—stepped in and took over as our “sole guardians,” which, the first time I heard it, I thought was “soul guardians,” which, I guess, is just as good. Kinda like guardian angels. I bet Uncle Tony and Auntie Emily—who Maddy used to call Mama Emily, which became Momly—had no idea that when they said they would be our godparents they were inheriting all this drama. I bet they just thought they’d have to give us gifts on random days—days that wasn’t our birthday or Christmas. Slip us ten-dollar bills just because. Stuff like that. Not take care of us, all the way. That’s . . . a lot. But they always acted like they were cool with it—like this is what they signed up for—and we grateful, even though I still gotta look out for Maddy because, you know . . . I just do. I still keep a list in my brain. Plus, Momly can’t do black hair for nothing.

Why am I telling you this long story?

Oh, I remember.

Because, Sundays. On Sundays, like I said, Maddy’s hair gotta be right. For Ma.





TO DO: Dance like my mother’s watching (or like I’m killing roaches)

ONCE WE GET to Ma’s house—our old . . . other house—it goes the same way every time. Maddy jumps out and runs to the door, her red beads clacking with every step, the foil on the ends glinting like each braid was a Fourth of July sparkler. I jump out behind her.

“Only ring it once,” I tell her, just because ringing anybody’s doorbell ten million times is one of Maddy’s favorite things to do. But with Ma, a person who can’t walk, it comes across as a hurry up, which is rude.

“I know, I know,” Maddy says, acting like she wasn’t about to go hammer-time on the doorbell.

“Coming!” Ma’s muffled voice comes through the wooden door. By the time she opens it, Momly has parked the car and is standing with us, still rubbing sleep off her face, dressed in scrubs and those weird Wiffle-ball shoes that look too uncomfortable to walk in. But that’s Momly.

“Praise the Lord,” Ma sings, wheeling the chair back to give us enough space to come inside. Maddy gives the first big hug. She always does, and Ma receives it as if she’d just caught a wedding bouquet.

“Maddy, my Waffle.” Big smile. “Girl, you get bigger every time I see you. And prettier.”

“But you just saw me last week.”

“Yep, and you bigger and prettier,” Ma says, beaming. It’s the same thing every week. You would think they’d switch it up, but they don’t. It’s a routine we all need, I guess. Something to remind us that even though life with Momly and Uncle Tony is good, Ma is who we are. Where we from. Blood.

Once Maddy gets done gushing, I bend down and give Ma a kiss on the cheek. Her skin is dry, rough on my lips, and I know better than to put any gloss on because that’s also “too fast for church.” She smells like flowers dipped in cake batter. And hair grease. Familiar.

“Hi, baby,” she says, taking my hand.

“Hi, Ma.” I squeeze. She squeezes back.

I wheel Ma—always wearing a colorful, patterned dress, her hair in fresh straw curls—out to the passenger side of the car. She can do it by herself, but I like to do it for her. Just used to it, I guess. Sometimes Momly tries to help, but she knows this is my thing. Take care of Maddy, then take care of Ma. I open the car door, put the brakes on the chair so it don’t roll out from under my mother as she hoists herself up and leans into the car. Then she whips what’s left of her legs in. After that, I check to make sure none of her dress is hanging out. Then I close the door and roll the wheelchair to the back of the car, where I fold it up and put it in the trunk. There’s an art to this, because if I do it wrong, and the wheels of the chair bump up against me, it’ll dirty up my dress, and then I’ll have to hear Ma’s mouth the whole way to church and back about how “cleanliness is next to godliness.” But I always do it right, because ain’t nobody got time for no lectures.

Jason Reynolds's books