The lady took her time journeying through the halls, looking at photographs on the walls and opening drawers. She lingered at the computer where Ronan had been doing much of his work those days when he was not driving his car in big muddy circles in the flat rear field. The lady clicked the mouse several times and then paged through the notebook filled with his handwriting that he used as a mouse pad. Opal did not know what it said because she had not learned to read and was not interested, but the lady seemed very interested. She took her time with it before moving to the next room.
Opal was filled with the anxiety that came from feeling she was meant to be preventing the lady from looking, but also with the anxiety that she was not meant to be seen. She wished Ronan and Adam would come back, but they did not come back. The lady went to Aurora’s room where Opal was not allowed to eat anything, and she opened all the drawers and looked in all the boxes. To Opal’s relief, the lady did not eat anything, but she did sit on the edge of the bed and look at the framed portrait of Ronan’s father and mother for a long time. Her face did not seem to have an expression on it, but eventually, she told the portrait, “Damn you.” That was a swear that Opal was also not supposed to say (but sometimes did, over and over again, to the sleeping cows, at a whisper, to see if the shock would wake them). Then the lady left the farmhouse and began to explore the garage and the other outbuildings.
As she got close to the long barn, Opal’s anxiety growled higher and higher. Ronan was not home to stop this lady from touching or taking or eating whatever he had made in the long barn, and even if Opal was strong enough to stop her, Opal was meant to be secret. The lady strode through the damp field grass to the long barn, humming with her own dreamstuff, and Opal fretfully pulled handfuls of grass from the ground, warring with herself. She whispered for Ronan or Adam to return, but neither did.
For the first time, Opal was furious to be in the animal world instead of the dream world. In dreams, Ronan was always getting into trouble, and even though he often died, equally as often Opal saved him because she was an excellent dreamthing and a psychopomp (which is the proper name for an excellent dreamthing). As a psychopomp, she could sometimes make the dream into something else, or convince Cabeswater to intervene on Ronan’s behalf. Even if the bad dream was too intense for Opal to change it, she could still often rescue Ronan from harm by making things in the dreams do things they wouldn’t have thought to do on their own. She could make a rock into a snake and throw it at a monster or she could make a sword out of some dirt or she could build Ronan’s sadness into a raft when he was drowning in quicksand. There were no rules in dreams so you could try anything.
But the animal world was full of rules, and all of them were rules that made things smaller and more expected. Opal had no power here.
The lady tried to convince the doorknob of the long barn to say yes to her, but it did not agree with her as easily as the farmhouse door. Ronan had designed a dream object on the other side of it to make the door say no to as many people as possible, no matter what they might have in their purse. But this lady was both dreamstuff and animalness, just like he was, and Opal didn’t know if that meant she might be able to get in eventually.
If only this were a dream, she could tug the edge of the field and shake it out like a blanket. She could scream the lady blind. She could clap her hands until a hole appeared for her to fall in.
But rules.
But wait.
With sudden inspiration, Opal realized she did have a way of shifting Ronan’s dreams in this animal world. She ran up into the woods and she fetched all of Ronan’s stags and does and badgers and foxes, all of them humming and singing like the ley line to Opal’s ears, and then she herded them down through the fields. They galloped and pranced and careened down to the long barn. They were not easy to steer. When they lost their path, Opal had to bite at the larger animals’ heels and kick at the foxes and rabbits. They all made a terrible commotion. The lady looked up in time to see that she was going to be killed — Opal did not mean to kill her, of course, although on the way she had realized that it was a possibility and if it did happen, she had already decided where to bury her so that wildflowers would cover the hole. With a stiff, unpracticed run, the lady vaulted back to the driveway and slammed the car door behind her just in time for the smaller animals to hurl themselves over her hood and disperse.
Opal felt quite out of breath as her anxiety washed out, slowly replaced with victory. She had done it. She had really done it.
But then, terribly, the lady looked up from behind the wheel of her car.
This was not a dream day. It was an animal day. That meant that no one woke up when victory was achieved. The dream didn’t vanish, the scenery didn’t change, the curtain didn’t go down. The lady was still there, and the creatures were still there, and Opal was still there, and so when the lady looked up, she was just in time to lock eyes with Opal where she stood among the milling herd. It had begun to rain a little, the sort of rain that made one happy and sad at the same time, all fast misty drops and silver moving light. Opal had lost one of her boots in the running, and even though her furry legs were mostly hidden by grass and the remaining boot, she was nonetheless prickled by the sense that this lady was looking at her and seeing the dreamstuff inside her, too. This was so against the rule, the rule of being secret, that she found she could not move, only bare her teeth nastily at the lady.
The lady drove away.
Opal never told Ronan or Adam about her. She was too humiliated to admit that she had been seen. It had been quite a lot of days since she’d gotten punished.