The room smells of paper and ink and musty canvas, and in the dim light the piles of mail bear an uncomfortable resemblance to body bags. A bag marked K?LN hangs on a hook by the door, waiting for the airdrop later that evening. In the corner is a squat, black, protective container. Metal. Locked. Fireproof. And off-limits to everyone but him. Inside are pieces of registered mail. And the items that require special care or discretion. The key to this lockbox is on the ring at Max’s waist. Three hours ago he was given a small package, one hundred newly printed marks, and a promise that if the package is kept safe until their arrival in New Jersey, he would receive another hundred.
The parcel is inside the lockbox, and the box itself is, thankfully, still locked. Max scans the room one more time to make sure everything is in order. Then he pats the mailbag headed for Cologne and locks the door behind him.
THE AMERICAN
He isn’t drunk. Not even close. It would take more than three watered-down gin and tonics to make him stumble. But he leans on the steward’s arm just the same. A well-timed lurch, a garbled word here and there, and no one is the wiser. The easiest way to be dismissed is to appear inordinately pissed in public.
Before he’s shuffled away by the steward, the American takes note of the key ring clipped to the officer’s belt and which door leads to the mailroom. Its proximity to the control car is problematic—there will always be officers lurking about—but he can deal with that later. The keel corridor is long and narrow with walls that slant outward, and he and the steward have to stand aside to let others pass four times before they reach his stateroom. It wouldn’t be appropriate to deposit a wasted Yankee in someone else’s cabin, so the humorless steward checks his clipboard twice before shoving the door open and guiding him to the bed. The steward’s name tag reads WILHELM BALLA, and his white jacket is perfectly pressed, as are the corners of his mouth. The American takes a perverse pride in the steward’s disapproval.
“You’ve got the room to yourself, so there’s no need to worry about inconveniencing anyone else while you sleep this off.” The steward shrugs out from beneath one of the American’s leaden arms. The American tips backward into the berth, seemingly incoherent. “Dinner is at ten. You’ll be seated at Commander Pruss’s table, I understand?” He waits for a beat and then continues, not bothering to hide the disdain in his voice. “I’ll come collect you if you’ve not woken by then.”
The American does not respond. He counts to five after the door clicks shut. Then he sits up and straightens his jacket. The room is larger than is typical for a cabin on board an airship. Eight feet wide by ten feet long. One berth that can sleep two instead of bunk beds. But it’s the window that makes it worth the ticket price. Like the windows elsewhere on board, this one is long and narrow and set into the slanted wall. Unlike the observation windows on the promenade, however, this one does not open. The sink and writing desk are larger here than on A-deck—there’s a bit of room to spread out. The small, narrow closet has enough room to hang a handful of shirts and trousers, but the rest of his clothing will need to be stowed beneath the bed. No trouble, he only checked two bags, and the item he is most eager to find isn’t in either of them. The American stands in the middle of the room and turns in small quarter-circle increments, methodically taking note of every detail. The walls and ceiling are made of foam board, thin and covered with cloth. Sound will travel easily through them. A handy thing if one wants to listen in on the conversations of one’s fellow passengers.
Where would it be? He tips his head to the side, pensive. Not in the closet. A quick search finds no hidden panels or packages. Neither is it in the mattress, pillowcases, or any of the bedding. The cabinets above and below the sink are empty, as is the light fixture attached to the ceiling. The American wonders for a brief moment if his request has been refused. He dismisses the idea out of hand. His requests are never refused. There is only one place in the room he has not checked, and he immediately feels a sense of disappointment. He thought the officer would have more imagination. Apparently not. He finds what he’s looking for beneath the berth in the farthest, darkest corner: an olive-green military-issue canvas bag. He is pleased with the contents.
A note, folded in half, with three words scrawled in black ink by a hasty hand: Make it clean.
A dog tag strung on a rusted ball chain, once belonging to the man he has come to kill. And a pistol, a Luger with a fully loaded cartridge. But there is no name. He was promised a name. He lifts the tag and inspects the information stamped on its surface. They expect him to decipher this clue on his own. They have baited him.
The American slides the bag under his pillow and stretches out on the bed, his arms beneath his head. He’s still lying there ten minutes later when the steward returns with his suitcases. They are tucked beneath the bed and once again he is alone. But not asleep. He is thinking about what he must do next. He is thinking about the mailroom and how he will get inside unnoticed before they reach Cologne later tonight. He is thinking about the letter that has to be delivered. The American creates a mental inventory of each action that needs to be taken over the next three days and how everything—absolutely everything—must go according to plan.
THE CABIN BOY