Dietland

Kitty always made the girls seem like real people, whereas for me they were too often an army of annoying and persistent ants. “I always say, ‘Plum is our link to the girls,’ and your work is just as important as everyone else’s, even though it’s not in the magazine.” She continued on with these sentiments for another thirty seconds. They flowed from her mouth in a stream of spun sugar.

 

“Now, there’s something else we need to discuss and then I’ll let you go,” she said. “For an upcoming issue the staff is testing all sorts of beauty stuff like razors, deodorant, lip-gloss, hairspray, whatever. We’ll tell the girls what works best. I want to include you in this.”

 

“You don’t have to include me.”

 

“Oh, no, we have to! Just because you work at home doesn’t mean you aren’t one of us. You know, the strangest thing happened to me last night when I was testing out some shaving gel. I’m sitting on the edge of the tub and I have my leg stretched out so that my foot is resting on the sink. Are you picturing it?” Kitty was nearly six feet tall and I imagined her white leg stretched over the expanse from tub to sink, like an ivory bridge.

 

“I’m shaving my leg and I don’t realize that I nicked a tiny scab I had on my calf. So I’m shaving and this tiny droplet of blood falls from my leg and splashes onto the white tile floor. My bathroom is totally white and this tiny drop of red is, like, the only color. And I’m staring at it and it’s just so—now, don’t laugh—but it’s just so beautiful. I just sat there staring at the blood. I thought, That’s my blood. As women we see our own blood every month, but this wasn’t gross like that, you know? So I ran the razor along the little scab again and there were more drops of blood on the floor and some of it ran down my calf. If my boyfriend hadn’t knocked on the door, I would’ve kept doing it all night.”

 

Kitty went on talking about the blood on the white tile, and as she spoke, all I could think was: Dear Kitty, I like to cut my breasts with a razor . . . I like to trace around my nipples and watch the blood seep through my bra . . . I know it’s weird, but I do it because it feels good. It hurts, but it feels good too.

 

 

 

Kitty left and I sat on the lip-shaped loveseat again, waiting for the beauty editor. After a while I started to feel dizzy and sick, as I had in Kitty’s office, so I went to the ladies’ room, winding my way through the corridors lined with the huge magazine covers—the models, with their glazed-over looks, like the heads hanging on a hunter’s wall. I stared at the carpet until I made it to the bathroom, where there were several girls standing at the mirrors and sinks. I locked myself into one of the salmon-colored stalls at the end and breathed in and out slowly. The nausea was increasing and I felt something churning inside, tumbling like a lone sock in the dryer. I began to gag and choke and leaned over the toilet bowl, but nothing came out. The girls at the sinks stopped talking, and I felt ashamed of the noises I was making.

 

When the sick feeling passed, I sat on the floor of the stall, lacking the energy to stand, staring into the pinkness. The girls resumed their conversation, which was punctuated by the sound of water, the spray of sinks. Then the talking stopped.

 

The door to the bathroom opened and closed.

 

I rested my head against the side of the stall, taking deep breaths of sour bathroom air, which made me gag again. I ran my hand under the three elastic bands that were around my waist, from my skirt and tights and underpants.

 

The door to the bathroom opened and closed.

 

“Are you okay in there?” a voice said from the other side of the stall door. The voice sounded familiar. Under the door I saw legs that were green, like the rind of a watermelon, and black combat boots with the laces undone.

 

Could it be?

 

“I left something for you in the kitchen,” she said, and then she was gone.

 

After I heard the door close, I struggled to my feet and went to the sink to wash my hands, breathless from the shock of encountering the girl in the Austen Tower. I wondered if she might be in the staff kitchen waiting for me, but when I walked over, no one was there. I looked around, at first not knowing what the girl could have left, but then I noticed the freebie table.

 

What wasn’t used in the magazine was dumped onto a table in the kitchen, available for the taking. I dug through the pile: there was a purse with a broken bamboo handle, a tangle of cheap plastic earrings, tubes of lipstick—nothing that seemed to be for me. Next to the table on the floor was a box filled with books. I bent over to browse through the titles—a few teenage romance novels, the unauthorized biography of a pop star—and then I saw it.

 

Adventures in Dietland.

 

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