All in the name of reality TV.
And so Thor and Mike were now in a coast guard vessel, headed out to Black Bear Island.
“Ironic,” Mike murmured.
Yes, it was. Misty Blaine had told them about the scene that was to be staged later that day. The cast of the Celtic American Cruise Line’s Saturday-night performance on the Fate ship had been told that a film company would be interviewing them for their show Vacation USA. Unbeknownst to them, the cast was actually going to be featured on the show Gotcha, a knockoff of Candid Camera and Punk’d. Yes. Ironic.
The scenery that they encountered on their way was, in Thor’s opinion, some of the most beautiful and spectacular to be viewed anywhere on earth. Crystal-blue waters, peaks of white ice rising, a sky clear and majestic.
And Black Bear Island before them.
The main problem with the island was that not even the newest, “smartest” smartphone worked out there.
Natalie Fontaine should have arrived that morning. Ready to greet her first interviewee for the day.
Four members of Natalie’s film crew were also supposed to be out on the island already—cameraman Tommy Marchant, sound technician Becca Marle, hostess Amelia Carson and fabricator Nate Mahoney. Joining them should have been four members of the cast and crew of Celtic American Cruise Line’s Broadway-style Saturday-night show.
Also expected were the island’s caretaker, Justin Crowley, along with the property manager, or glorified housekeeper—his wife, Magda.
The film crew was not answering the radio. Neither were Mr. or Mrs. Crowley.
Thor chafed inwardly, dreading what they might find, anxious to get there.
He’d been chafing all day, he knew.
The dream; the nightmare.
And now Jackson was coming, as well.
He tried to breathe. Usually, being on the water was like receiving some kind of a cleansing balm on the heart and soul. Nowhere else in the world was the air so crisp and clean.
The wind was in his hair, the sun on his face, as the ferry approached the rugged terrain of the island. There were no roads here that allowed for cars—the ferry gave transport to snowmobiles and dogsleds, the only conveyances that could bring supplies to the island.
Pity that it was privately held; it should have been part of the national park system—a little piece of crystal heaven for the world to enjoy. It was elevated to such a height that even in summer, when the average mean temperature of Seward hovered around sixty degrees, there was often snow on the ground. Snow also covered the many peaks that rose in haphazard beauty here and there, dotted with crystal lakes, birds and animals finding refuge among them.
The island wasn’t owned by the government or the public; it was the property of an absentee landowner, Marc Kimball, oil baron and Wall Street phenomenon. Enfield had assured Thor that Kimball had been advised via his assistant—a very soft-spoken woman named Emmy Vincenzo, who Enfield hoped had truly comprehended the severity of his message—that Natalie Fontaine had been murdered and police and FBI would be headed to the island in her stead. Kimball had rented the island and its properties out to Natalie Fontaine and her Wickedly Weird Productions, and was expecting their film crew this morning.
Thor had read the folder that had been left for him on the chopper to Seward—and listened to Misty Blaine’s panicky and barely coherent explanation of the day of filming that had been planned. None of it was good; all of it added ridiculousness to what was already bizarre, gruesome and horrible.
As far as the film company, Wickedly Weird Productions, went...
To be fair, Thor conceded, some of their reality TV was interesting. They did shows that dealt with roadside diners, special tours that no one should miss and unusual cities or areas in the United States. He had a feeling that the real powers that be at the film studios loved history and travel—but they also needed to make money.
That meant that some of their shows were, at best, juvenile.
Those were the programs that were mostly popular with a young crowd—the kind of viewers who found fart jokes hilarious and also seemed to enjoy the distress or humiliation of those caught in the wheels of their “Gotcha!” factory.
Wickedly Weird Productions had rented two of the main properties on Black Bear Island. They included the Mansion, a sumptuous house that had begun its existence as a log cabin only to become something of a modern-day castle, and the Alaska Hut, a “rustic” lodge with eight or nine bedrooms, a huge living room, kitchen, dining room and expansive porches.