Sworn to Silence

Downtown Painters Mill is composed of one major thoroughfare—aptly named Main Street—lined with a dozen or so businesses, half of which are Amish tourist shops selling everything from wind chimes and bird houses to intricate, handmade quilts. A traffic circle punctuates the north end of the street. A big Lutheran church marks the southernmost section of town. To the east lies the brand-new high school, an up-and-coming housing development called Maple Crest and a smattering of bed-and-breakfasts that have sprung up over the last couple of years to accommodate the town’s fastest growing industry: tourism. On the west side of town, just past the railroad tracks and mobile home park, is the slaughterhouse and rendering plant, the farmer’s mercantile and a massive grain elevator.

 

Since its inception in 1815, Painters Mill’s population has remained steady at about 5,300 people, a third of whom are Amish. Though the Amish keep to themselves for the most part, no one is really a stranger, and everyone knows everyone else’s business. It’s a wholesome town. A nice place to live and a raise a family. It’s a good place to be the chief of police. Unless, of course, you have a vicious, unsolved murder on your hands.

 

Sandwiched between Kidwell’s Pharmacy and the volunteer fire department, the police station is a drafty cave carved into a century-old brick building that had once been a dance hall. I’m greeted by Mona Kurtz, my third-shift dispatcher, as I push open the door and enter the reception area. She looks up from her computer, flashes an over-the-counter white smile and waves. “Hey, Chief.”

 

She’s twentysomething with a mane of wild red hair and a vivacity that makes the Energizer Bunny seem lazy. She talks so fast I understand only half of what she says, which isn’t necessarily a bad thing since she usually relays more information than I need to hear. But she enjoys her job. Unmarried and childless, she doesn’t mind working the graveyard shift and has a genuine interest in police work. Even if that interest derives from watching CSI, it was enough for me to hire her last year. She hasn’t missed a day since.

 

Seeing the pink message slips in her hand and the fervor in her eyes, I wish I’d waited until her shift was over before arriving. I enjoy Mona and appreciate her enthusiasm, but I don’t have the patience this morning. I don’t pause on the way to my office.

 

Undeterred, she crosses to me and shoves a dozen or so messages into my hand. “The phones are ringing off the hook. Folks are wondering about the murder, Chief. Mrs. Finkbine wants to know if it’s the same killer from sixteen years ago.”

 

I groan inwardly at the power and speed of the Painters Mill rumor mill. If it could be harnessed to generate electricity, no one would ever have to pay another utility bill again.

 

She frowns when she glances down at the next slip. “Phyllis Combs says her cat is missing, and she thinks it might be the same guy.” She looks at me with wide brown eyes. “Ricky McBride told me the vic was . . . decapitated. Is it true?”

 

I resist the urge to rub at the ache behind my eyes. “No. I’d appreciate it if you’d do your best to nip any rumors in the bud. There are going to be a lot flying around in the next few days.”

 

“Absolutely.”

 

I look down at the pink slips and decide to put her enthusiasm to good use. “Call these people back. Tell them the Painters Mill PD is investigating the crime aggressively, and I’ll have a statement in the next edition of the Advocate.” The Advocate is Painters Mill’s weekly newspaper, circulation four thousand. “If you get any media inquiries, tell them you’ll fax a press release this afternoon. Everything else is ‘no comment,’ you got that?”

 

She hangs on to every word, looking a little too excited, a little too intense. “I got it, Chief. No comment. Anything else?”

 

“I could use some coffee.”

 

“I got just the thing.”

 

I envision one of her soy-espresso-chocolate concoctions and shudder. “Just coffee, Mona. And some aspirin if you have it.” I start toward the sanctuary of my office.

 

“Oh. Sure. Milk. No sugar. Is Tylenol okay?”

 

A question occurs to me just as I reach my office. I stop and turn to her. “Has anyone filed a missing person report for a young female in the last few days?”

 

“I haven’t seen anything come across the wire.”

 

But it’s still early. I know the call will come. “Check with the State Highway Patrol and the Holmes County sheriff’s office, will you? Female. Caucasian. Blue. Dark blonde. Fifteen to thirty years of age.”

 

“I’m on it.”

 

I walk into my office, close the door behind me and resist the urge to lock it. It’s a small room crowded with a beat-up metal desk, an antique file cabinet speckled with rust, and a desktop computer that grinds like a coffee mill. A single window offers a not-so-stunning view of the pickup trucks and cars parked along Main Street.

 

Working off my coat, I drape it over the back of my chair, hit the power button on the computer and head directly to the file cabinet. While the computer boots, I unlock the cabinet, tug out the bottom drawer and page through several case files. Domestic disputes. Simple assault. Vandalism. The kinds of crimes you expect in a town like Painters Mill. The file I’m looking for is at the back. My fingers pause before touching it. I’ve been the chief of police for two years, but I’ve never been able to bring myself to look at the file. This morning, I don’t have a choice.