The harsh scraping of a creaking door filled the conference room, but it wasn’t from Keith Gilbert leaving. In fact, upon hearing it, he took his palm off the brushed aluminum handle and turned to gape at the flat screen with everyone else.
It was nighttime on the video, and the camera panned across dark forms lying on sand. This was amateur handheld stuff—uneven moves and a rocking horizon. But the audio sounded professional-grade, especially the wolf howl that had to have come from a sound effect recording. Then a familiar—even iconic—musical beat began, and the dark forms all stood up at once, revealing dozens of young people in tattered rags and hokey stage makeup.
Zombies.
When the colossal signature notes of Michael Jackson’s Thriller sounded, the splash of brass and organ raised gooseflesh on Heat. The song always had that impact, even as a little girl, but more so at that moment as she watched her prime suspect tugging at his goatee, watching the case against him become undead. “You recognize this, Keith?” she shouted over the din. On the giant LED behind her, college students threw their heads back, stomped, and rotated in choreographed unison, lit by moonlight and flaming tiki torches.
“Let me refresh your memory,” Nikki said. “That’s your backyard at Cosmo. And this is the Thriller flash mob one of my detectives found posted on YouTube.” Over at the video deck, Raley took a slight bow.
“So? It was annoying then, and it’s annoying now.”
She took a step nearer so she wouldn’t have to yell. “I know. So annoying that you called the police.”
Rook did a Vincent Price impression. “For terrorizing yawl’s neighborhood.”
The music on the video abruptly stopped and the dance lines sputtered to a halt as several Southampton cops arrived on the scene. One of the undead, through a blistered, ash-blue face with one side melting, said something like, “We’re just having a beach party” to a policeman.
“I don’t see why this is relevant,” boomed Gilbert, in a voice still pitched to be heard over the music. But just as he said it, there was a chorus of boos from the college kids. The camera operator panned to the edge of the mob and zoomed to Keith Gilbert who was in animated discussion with another cop, a uniformed sergeant.
He was far enough away that only pieces of his diatribe could be picked out. Snippets came though like “my fucking taxes,” and “private property” that were as embarrassing as they were trite. Nikki wondered how many times law enforcement in wealthy neighborhoods had to endure those words. Then Heat saw what she was waiting for and called to Raley, “OK, Sean, right there.”
The video froze on a still vignette of the patient Southampton Village police sergeant, the irate Cosmo resident, and several men who were standing behind him. They were in the dim shadows, but recognizable to those who knew Nicholas Bjorklund, Roderick Floyd, and Zarek Braun. The first two men, Heat had killed when they attacked her in Chelsea. The third man was quite alive. Nikki didn’t turn, but she heard him sniff back sharply at the other end of the table. Gilbert said nothing. His eyes pinballed in their sockets as he scrambled to access his next lie.
“And just in case you are you still going to contend you never met this gentleman.…” Heat signaled to Raley who resumed play of the YouTube show. The camera jounced as the operator drew closer to the complainant and the cop. Just as the lens arrived, Gilbert walked over, put his arm around Zarek Braun’s shoulder and whispered something. The mercenary, dressed for leisure in an untucked Nat Nast bowling shirt, nodded in agreement—or obedience. The property owner nosed up to the sergeant and said, “If you won’t take care of it, my security will.”
And the signature Thriller notes blasted, punctuating the threat as the video jumped to a disappointed flash mob dispersing. When the credit said THE END, Rook applauded.