Let Me Die in His Footsteps

Annie would have stomped away from anyone else who laughed that way, but not Grandma. Grandma’s laugh made Annie want to cry because the yearning and the coming of the lavender and the feeling that something was lurking and not wanting to turn evil like Aunt Juna had stuffed her full and there was no room left. Grandma knew this and stopped her laughing, stroked one hand over Annie’s cheek, and said this is exactly how a yearning should feel.

 

“I suppose I’ll be going where I please and if I please,” Annie says, and this time she feels the nastiness coming but can’t stop herself from spitting it out. “One thing’s for certain. I damn sure won’t be seeing you down in that well.”

 

“Course you won’t,” Ryce says. “Lizzy Morris already seen me. Don’t suppose a man can be a husband to two women. Don’t suppose he’d want to.”

 

At the mention of Lizzy Morris, Annie turns on one bare heel and walks toward the kitchen. Lizzy Morris is one of those girls whose hair is always brushed, pulled back, and tied off with a bow, a Goddamn bow. Isn’t that Lizzy Morris a lovely girl, Mama is all the time saying when they happen upon Lizzy at the café or in church or at the market.

 

“I figure that’s a good thing then,” Annie turns and says. “Hate to think you’d grow old alone.” Then she marches on toward the house.

 

“Hey,” Ryce calls out. “Hold up. I brought this for you.”

 

Annie takes a few steps back toward Ryce. He smells of wet dirt and soggy leaves. Been pulling tobacco from the beds, most likely.

 

“Thought it might be helpful.” He smiles and nods, urging her to come closer. When she’s within arm’s reach, he gives the crumpled kerchief a shake and something drops in Annie’s palm.

 

“What on earth is this, Ryce Fulkerson?”

 

But Annie knows what it is. She knows exactly what it is. She already has the same hidden up in her top drawer just behind her Sunday stockings. It’s the white, shriveled body of a dead frog.

 

“Not that I think you’ll need it,” Ryce says. “But just in case.”

 

Annie closes her hand around the chalky body and swivels on that same bare heel. She must have told Ryce about the dead frog; otherwise he’d have never known. Men, boys, don’t have the know-how. He means for her to grind it into a fine white powder and sprinkle it on the head of whatever boy she sees down in that well tonight. The powder of a dead frog will make the boy love her even if he isn’t inclined toward Annie, which is likely because as hard as Annie tries to say her pleases and thank-yous like Mama is all the time insisting on, and as hard as Annie tries to brush her hair and wear clean clothes and smile the way her sister, Caroline, does, and as much as she tries not to look a person straight on with her black eyes because they have a way of frightening folks, most people are still not inclined toward her. This dead frog will make her intended love her despite her being doomed to turn out just like Aunt Juna.

 

Squeezing her fist as tightly as she can, Annie crushes the small body and lets the bits and pieces drop at her feet.

 

“I damn sure won’t be coming to your place tonight, Ryce Fulkerson,” she says, then walks up the stairs, across the porch, and inside without looking back.

 

 

 

 

 

2

 

 

 

 

AFTER THE GIRLS of Hayden County look down into the Fulkersons’ well and walk away claiming to have seen the boy they are of a mind to marry, they begin to comb their hair differently, wear an apron when helping their mamas put out supper, fold their laundry without being asked. And they begin to talk about a first kiss.

 

Some of the girls, in the weeks after having their fates decided, are comforted to know they’ll not be spinsters like that one great-aunt on their daddy’s side or the cousin they see only at Christmas. Those girls, who fool even themselves into believing they saw a face down in that well, will save their first kiss for the boy they’re destined to marry.

 

Other girls, in the weeks after looking in the well, start tugging with one hooked finger as if a noose is wrapped around their necks. They want a first kiss from some other boy. And then another kiss from another boy. They want to stall their future because once they say I do, they know there will be no others.

 

No matter which path a girl takes, all conversations turn to the first kiss once that half birthday has passed, and the girls who don’t manage a first kiss shortly after staring into that hole are questioned daily. If she’s a pretty girl, the boys loiter nearby, hoping to be the face she saw. They roll their shoulders back, lead with their chests, and open doors for her. If the girl is a homely sort, the boys pay her no mind and get on with their tiresome ways. In the very worst case, as with Emily Anne Tylerson, the boys shove one another into her path in hopes of dooming another fellow to the first kiss.

 

Annie may not be destined for the treatment that drove Emily Anne to tears, or perhaps she is, but she is certainly bound to be a girl who will draw indifference when she returns to school in the fall. While every boy in the county was tripping over his boots to be Lizzy Morris’s first kiss, not a one of them will care to be Annie’s, and that is something she will not risk. Not the looks of pity, the daily questions, the whispers and giggles behind cupped hands, or the dust in her face when the boys run from her path.