Just Another Day at the Office: A Walking Dead Short

The people gathered here on this abandoned homestead found each other on the dusty back roads weaving through the patchwork tobacco farms and deserted strip malls of Pike, Lamar, and Meriwether counties. Comprising all ages, including over a dozen families with small children, their convoy of sputtering, dying vehicles grew…until the need to find shelter and breathing room became paramount.

Now they sprawl across this two-square-acre parcel of vacant land like a throwback to some depression-era Hooverville, some of them living in their cars, others carving out niches on the softer grass, a few of them already ensconced in small pup tents around the periphery. They have very few firearms, and very little ammunition. Garden implements, sporting goods, kitchen equipment—all the niceties of civilized life—now serve as weapons. Dozens of these survivors are still pounding stakes into the cold, scabrous ground, working diligently, racing some unspoken, invisible clock, struggling to erect their jury-rigged sanctuaries—each one of them oblivious to the peril that approaches through the pines to the north.

One of the settlers, a lanky man in his midthirties in a John Deere cap and leather jacket, stands under the edge of a gigantic field of canvas in the center of the pasture, his chiseled features shaded by the gargantuan tent fabric. He supervises a group of sullen teenagers gathered under the canvas. “C’mon, ladies, put your backs into it!” he barks, hollering over the din of clanging metal filling the chilled air.

The teens grapple with a massive wooden beam, which serves as the center mast of what is essentially a large circus tent. They found the tent back on I-85, strewn in a ditch next to an overturned flatbed truck, a faded insignia of a giant paint-chipped clown on the vehicle’s bulwark. Measuring over a hundred meters in circumference, the stained, tattered canvas big top—which smells of mildew and animal dung—struck the man in the John Deere hat as a perfect canopy for a common area, a place to keep supplies, a place to keep order, a place to keep some semblance of civilization.

“Dude…this ain’t gonna hold the weight of it,” complains one of the teens, a slacker kid in an army fatigue coat named Scott Moon. His long blond hair hangs in his face and his breath shows as he huffs and struggles with the other tattooed, pierced goth kids from his high school.

“Stop your pissin’ and moanin’—it’ll hold the thing,” the man in the cap retorts with a grunt. Chad Bingham is his name—one of the family men of the settlement—the father of four girls: a seven-year-old, nine-year-old-twins, and a teenager. Unhappily married to a meek little gal from Valdosta, Chad fancies himself a strict disciplinarian, just like his daddy. But his daddy had boys and never had to deal with the nonsense perpetrated by females. For that matter, Chad’s daddy never had to deal with rotting pus pockets of dead flesh coming after the living. So now Chad Bingham is taking charge, taking on the role of alpha male…because, just as his daddy used to say, Somebody’s gotta do it. He glares at the kids. “Hold it steady!”

“That’s as high as it’s gonna go,” one of the goth boys groans through clenched teeth.

“You’re high,” Scott Moon quips through a stifled little giggle.

“Keep it steady!” Chad orders.

“What?”

“I said, hold the dad-blamed thing STEADY!” Chad snaps a metal cotter pin through a slot in the timber. The outer walls of the massive canvas pavilion shudder in the autumn wind, making a rumbling noise, as other teens scurry toward the far corners with smaller support beams.