Contagion (Toxic City)

“Buddy hell…” she muttered, and then a faint washed over her. She felt Sparky and Jenna strengthen their grip, and then everything drew far away. Blackness pulled her down, and she welcomed it.

He is walking along the South Bank. London is all but silent; the only sounds are litter blown by the breeze, and pigeons cooing in the trees. The London Eye is a smashed ruin behind him, but though wrecked it still feels like a special place. A place of creation and birth. Now he is leaving it behind.

He walks along the pavement but barely touches it. I'm Nomad, he thinks, and the sudden burst of lucid dreaming is a shock. It chills and excites him, because he has never felt its like before. He looks across the river and imagines one of the buildings there lifting up, and with a grind of breaking masonry it does so, huge columns of stone splashing into the Thames. He blinks and everything is back to normal.

It is amazing, but this is no time to play. Jack knows he has a job to do.

A voice calls out from behind him. His urge is to continue on and ignore it, but that is Nomad's dream, not his. So he turns around to see Lucy-Anne running along the riverside towards him. She looks petrified.

Any time now, Jack thinks.

Behind him, a flash. Lucy-Anne's eyes go wide and her face drops.

Now…

Jack dreams everything back to normal. The flash recedes almost before it begins, barely even glittering from the river's surface. The sky returns to its indifferent blue. Lucy-Anne no longer looks scared.

I did it! Jack thinks, and in the dream Lucy-Anne pauses close to him, looking around in confusion as if not knowing what to do.

“Don't worry,” Jack says. He speaks with Nomad's voice. “I'll see you again.”

Jack snapped awake. Angelina was beside him, shaking him gently. She moved back as he sat up.

“It worked,” he said.

“For how long?”

He looked at the tank. It should have been blasted to atoms and beyond, but it remained whole because of him. “I don't know,” he said.

“How will we ever know?”

Jack contemplated the moment of the explosion. He knew little about the workings of such a device, but he thought there was an initial charge that started the nuclear reaction. Would he hear that first blast? Would it reach his ears and travel to his brain, registering there before he was vaporised? Even with something as unimaginably destructive as this there had to be a moment between living and dead. An instant in time when consciousness ceased and his senses halted. He wondered whether at that instant, he would know what was happening.

Or would there be no knowledge? Would he be ended halfway through a thought or action, a movement or dream? Ceasing to be, like a raindrop touching an ocean.

He wasn't sure which would be best.

Jack was tempted to force the tank open, touch the bomb, start to dismantle it, look inside to see if there was a timer he could find, one which perhaps had been put back hours or minutes by the dream he'd just had. I forced it to unexplode. But he was afraid in case all of his powers could not combat the most subtle of booby traps.

And he was afraid in case he'd only put the timer back by seconds.

Lucy-Anne knew that voice.

“I can't go with you. You think they'll let me through? You think they'll let me live?”

“So what are you going to do?” Sparky asked.

“Haru and I will fade away.”

“What about Emily and—” Jenna said.

“I haven't been her father for a long time.”

“Thank you.” That was another voice, and it took a while for Lucy-Anne to place it. She struggled to open her eyes, and when she did it was difficult to focus in the darkness.

“You're welcome,” Reaper said. “Now…” He did not finish; perhaps because he had no idea what to say.

Lucy-Anne saw him then, Reaper, silhouetted against the floodlights set along the edge of the Exclusion Zone. She couldn't make him out in detail—couldn't see his expression, his eyes—but when he walked away and disappeared into shadows, she thought perhaps his shoulders were curved, weighted down with everything he had done.

Or maybe he was just trying not to be seen.

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