She could wait for sunnier skies, warmth, more attention paid to the boat. She could inform the children, listen to what they have to say. Their suggestions could be good ones. Only four years old, but trained to listen. Able to help navigate a boat that will be piloted blindly. Malorie would not be able to make the trip without them. She needs their ears. Could she also use their advice? At four years old, would they have something to say about when was the best time to leave the house forever?
Slumping into a kitchen chair, Malorie fights back the tears. Her shoeless toe still taps on the faded linoleum. Slowly, she looks up to the top of the cellar stairs. There she once talked with a man named Tom about a man named Don. She looks to the sink, where Don once carried buckets of well water, trembling for having been outdoors. Leaning forward, she can see the foyer, where Cheryl used to prepare the food for the birds. And between herself and the front door is the living room, silent and dark, where there are too many memories of too many people to digest.
Four years, she thinks, and wants to smash her fist through the wall.
Malorie knows that four years can easily become eight. Eight will quickly become twelve. And then the children will be adults. Adults who have never seen the sky. Never looked out a window. What would twelve years of living like veal do to their minds? Is there a point, Malorie wonders, where the clouds in the sky become unreal, and the only place they’ll ever feel at home is behind the black cloth of their blindfolds?
Malorie swallows hard and imagines raising them by herself until they are teens.
Could she even do it? Could she protect them another ten years? Could she guard them long enough for them to guard her? And for what? What kind of life is she protecting them for?
You’re a bad mother, she thinks.
For not finding a way to let them know the vastness of the sky. For not finding a way to let them run free in the yard, the street, the neighborhood of empty homes and weathered parked cars. Or granting them a single peek, just once, into space, when the sky turns black and is suddenly, beautifully, spotted with stars.
You are saving their lives for a life not worth living.
Malorie sees the drapes soften another degree through blurred, teary vision. If there is a fog out there, it won’t be for long. And if it can help her, if it hides her and the children as they go to the river, to the rowboat, then she has to wake them now.
She slams a hand against the kitchen table, then wipes her eyes dry.
Rising and leaving the kitchen, Malorie takes the hall and enters the children’s bedroom.
“Boy!” she yells. “Girl! Get up.”
The bedroom is dark. The one window is covered with enough blankets so that even at its zenith, sunlight does not get through. There are two mattresses, one on each side of the room. Above them are black domes. Once, the chicken wire that supports the cloth was used to fence in a small garden by the well in the home’s backyard. But for the past four years, it has served as armor, protecting the children not from what could see them, but from what they could see. Beneath it, Malorie hears movement and she kneels to loosen the wire that’s fastened to nails in the room’s wood floor. She is already pulling from her pocket the blindfolds as the two children look at her with sleepy, surprised expressions.
“Mommy?”
“Get up. Now. Mommy needs you to move fast.”
The children respond quickly. They do not whine or complain.
“Where are we going?” the Girl asks.
Malorie hands her a blindfold and says, “Put this on. We’re going on the river.”
The pair take their blindfolds and tie the black cloth tightly over their eyes. They are well versed in the motion. Experts, if at four years old they can be experts in anything. It breaks Malorie’s heart. They are only children and should be curious. They should be asking her why, today, they are going on the river—a river they have never been on before.
But, instead, they just do as they are told.
Malorie does not put on her own blindfold yet. She will get the kids ready first.
“Bring your puzzle,” she tells the Girl. “And, both of you, bring your blankets.”
The excitement she feels is unnameable. It’s much more like hysteria. Stepping from one room to another, Malorie checks for things, small items they might need. Suddenly, she feels horribly unprepared. She feels unsafe, as though the house and the earth beneath it just vanished, exposing her to the outside world entirely. Yet, in the mania of the moment, she holds tight to the concept of the blindfold. No matter what tools she might pack, no matter what household object might be used as a weapon, she knows that the blindfolds are their strongest protection.
“Bring your blankets!” she reminds them, hearing the two small bodies ready themselves. Then she steps into their room to assist them. The Boy, small for his age, but with a wiry strength Malorie takes pride in, is deciding between two shirts that are both too large for him. They once belonged to an adult, long since gone. Malorie chooses for him and watches as his dark hair vanishes within the cloth, then sprouts again through the head hole. In her anxious state, Malorie recognizes that the Boy has grown some recently.
The Girl, average sized for her age, is attempting to pull a dress over her head, a dress she and Malorie sewed from an old bedsheet.