The Girl Who Loved Tom Gordon

Yes, run! she thought, and then, immediately came the cold voice of the tough tootsie: You can't run. You can barely stand up, sweetheart.

The thing that wasn't a bear stood looking at her, ears flicking at the bugs which surrounded its big triangular head, sides shining with healthy fur. It held the stump of its stick in one clawed paw. Its jaws moved with ruminative slowness, and little shredded splinters dribbled out between its teeth. Some fell, some stuck to its muzzle. Its eyes were sockets lined with minuscule buzzing life - maggots and wriggling baby flies, mosquito larvae and God knew what else, a living soup that made her think of the swamp she had walked through.

I killed the deer. I watched you, and drew my circle around you.

Run from me. Worship me with your feet and I may let you live.

The woods lay silent all about them, breathing their sour urgent scent of green. Her breath rasped softly in and out of her sick throat. The thing that looked like a bear gazed down on her haughtily from its seven feet of height. Its head was in the sky and its claws held the earth. Trisha looked back at it, up at it, and understood what she must do.

She must close.

It's God's nature to come on in the bottom of the ninth, Tom had told her. And what was the secret to closing? Establishing who was better. You could be beaten... but you must not beat yourself.

First, though, you had to create that stillness. The one that came from the shoulders and spun about the body until it was a cocoon of certainty. You could be beaten, but you must not beat yourself. You couldn't serve up a fat pitch and you couldn't run.

"Icewater," she said, and the thing standing in the middle of the dirt road tilted its head so it looked like an enormous listening dog. It cocked its ears forward. Trisha reached up, turned her cap the right way around, and pulled the curved visor low on her brow. Wearing it the way Tom Gordon did.

Then she pivoted her body so it was facing the right side of the road and took a step forward so her legs were apart, left leg pointed at the bear-thing. Her face remained turned toward it as she stepped; she fixed her gaze on the eyesock-ets looking through the dancing cloud of bugs. It all comes down to this, Joe Castiglione said; everybody fasten your seat-belts.

"Come on, if you're coming," Trisha called to it. She pulled the Walkman off the waistband of her jeans, yanked the cord free, and dropped the earbuds at her feet. The Walkman went behind her back and she began to turn it in her fingers, looking for the right grip. "I've got icewater in my veins and I hope you freeze on the first bite. Come on, you busher! Batter-fucking-up!"

The bear-thing let go of its stick and then dropped back onto all fours. It pawed at the hardpan surface of the road like a restless bull, digging up clods of earth with its claws, and then moved toward her, waddling with surprising, deceptive speed. As it came, it laid its ears flat against its skull. Its muzzle wrinkled back, and from within its mouth Trisha heard a droning sound which she recognized at once: not bees but wasps. It had taken the shape of a bear on its outside, but on the inside it was truer; inside it was full of wasps. Of course it was. Hadn't the blackrobe by the stream been its prophet?

Run, it said as it came toward her, its big hindquarters swaying from side to side. It was weirdly graceful, leaving clawed prints behind and a scatter of droppings on the sur-face of the packed earth. Run, it's your last chance.

Except it was stillness that was her last chance.

Stillness and maybe a good hard curveball.

Trisha put her hands together, coming to the set. The Walkman no longer felt like a Walkman; it felt like a base-ball.

There were no Fenway Faithful here, rising to their feet in the Boston Church of Baseball; no rhythmic clapping; no umpires and no batboy. There was only her and the green stillness and the hot morning sunshine and a thing that looked like a bear on the outside and was full of wasps on the inside. Only stillness and now she understood how someone like Tom Gordon must feel, standing in the set position in the silence of the cyclone's core, where all pressure falls to zero and all sounds are shut out and it all comes down to this: fasten your seatbelts.

She stood in the set position and let the stillness spin out around her. Yes, it came from the shoulders. Let it eat her; let it beat her. It could do both. But she would not beat herself.

And I won't run.

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