The Dark Half

'Nod if you understand, goddammit!

He felt her hair tickle his cheek as she nodded. They crawled out from beneath the sofa. Alan kept his arm tightly around her shoulders, afraid she would bolt. And slowly they began to move across the swarming room, through the light, maddening clouds of crying birds. They looked like a joke animal in a county fair - a dancing donkey with Mike as the head and Ike as the hindquarters.

The living room of the Beaumont house was spacious, with a high cathedral ceiling, but now there seemed to be no air left. They walked through a yielding, shifting, gluey atmosphere of birds.

Furniture crashed. Birds thudded off walls, ceilings, and appliances. The whole world had become bird-stink and strange percussion.

At last they reached the stairs and began to sway slowly up them beneath the afghan, which was already coated with feathers and birdshit. And as they started to climb, a pistol-shot crashed in the study upstairs.

Now Alan could hear the twins again. They were shrieking.

6

Thad groped on the desk as Stark aimed the gun at William, and came up with the paperweight Stark had been playing with. It was a heavy chunk of gray-black slate, flat on one side. He brought it down on Stark's wrist an instant before the big blonde man fired, breaking the bone and driving the barrel of the gun downward. The crash was deafening in the small room. The bullet ploughed into the floor an inch from William's left foot, kicking splinters onto the legs of his fuzzy blue sleep-suit. The twins began to shriek, and as Thad closed with Stark, he saw them put their arms around each other in a gesture of spontaneous mutual protection. Hansel and Gretel, he thought, and then Stark drove the pencil into his shoulder. Thad yelled with pain and shoved Stark away. Stark tripped over the typewriter which had been placed in the corner and fell backward against the wall. He tried to switch the pistol over to his right hand . . . and dropped it.

Now the sound of the birds against the door was a steady thunder and it began to slip slowly open on its central pivot. A sparrow with a crushed wing oozed in and fell, twitching, on the floor. Stark felt in his back pocket . . . and brought out the straight-razor. He pulled the blade open with his teeth. His eyes sparkled crazily above the steel.

'You want it, hoss?' he asked, and Thad saw the decay falling into his face again, coming all at once like a dropped load of bricks. 'You really do? Okay. You got it.'.

7

Halfway up the stairs, Liz and Alan were stopped. They ran into a yielding, suspended wall of birds and simply could make no progress against it. The air fluttered and hummed with sparrows. Liz shrieked in terror and fury.

The birds did not turn on them, did not attack them; they just thwarted them. All the sparrows in the world, it seemed, had been drawn here, to the second story of the Beaumont house in Castle Rock.

'Down!' Alan shouted at her. 'Maybe we can crawl under them!'

They dropped to their knees. Progress was possible at first, although not pleasant; they found themselves crawling over a crunching, bleeding carpet of sparrows at least eighteen inches deep. Then they ran into that wall again. Looking under the hem of the afghan, Alan could see a crowded, confused mass that beggared description. The sparrows on the stair-risers were being crushed. Layers and layers of the living - but soon to be dead - stood on top of them. Farther up

- perhaps three feet off the stairs - sparrows flew in a kind of suicide traffic zone, colliding and falling, some rising and flying again, others squirming in the masses of their fallen mates with broken legs or wings. Sparrows, Alan remembered, could not hover. From somewhere above them, on the other side of this grotesque living barrier, a man screamed. Liz seized him, pulled him close. 'What can we do? ' she screamed. 'What can we do, Alan?'

He didn't answer her. Because the answer was nothing. There was nothing they could do.

8

Stark came toward Thad with the razor in his right hand. Thad backed toward the slowly moving study door with his eyes on the blade. He snatched up another pencil from the desk.

'That ain't gonna do you no good, hoss, ' Stark said. 'Not now.' Then his eyes shifted to the door. It had opened wide enough, and the sparrows flowed in, a river of them . . . and they flowed at George Stark.

In an instant his expression became one of horror . . . and understanding.

'No!' he screamed, and began to slash at them with Alexis Machine's straight-razor. 'No, I won't!

I won't go back! You can't make me!'

He cut one of the sparrows cleanly in half; it fell out of the air in two fluttering pieces. Stark ripped and flailed at the air around him.

And Thad suddenly understood

(I won't go back)

what was happening here.

Stephen King's books