Black House (The Talisman #2)

The admitting M.D. entered an initial diagnosis of Alzheimer's disease, pending the results of various tests, and the social worker got on the telephone and requested the address and telephone number of an Althea Burnside currently residing in Blair. The telephone company reported no listing for a person of that name in Blair, nor was she listed in Ettrick, Cochrane, Fountain, Sparta, Onalaska, Arden, La Riviere, or any other of the towns and cities within a fifty-mile radius. Widening her net, the social worker consulted the Records Office and the departments of Social Security, Motor Vehicle License, and Taxation for information about Althea and Charles Burnside. Of the two Altheas that popped up out of the system, one owned a diner in Butternut, far to the north of the state, and the other was a black woman who worked in a Milwaukee day-care center. Neither had any connection to the man in La Riviere General. The Charles Burnsides located by the records search were not the social worker's Charles Burnside. Althea seemed not to exist. Charles, it seemed, was one of those elusive people who go through life without ever paying taxes, registering to vote, applying for a Social Security card, opening a bank account, joining the armed forces, getting a driver's license, or spending a couple of seasons at the state farm.

Another round of telephone calls resulted in the elusive Charles Burnside's classification as a ward of the county and his admission to the Maxton Elder Care Facility until accommodation could be found at the state hospital in Whitehall. The ambulance conveyed Burnside to Max-ton's at the expense of the generous public, and grumpy Chipper slammed him into Daisy wing. Six weeks later, a bed opened up in a ward at the state hospital. Chipper received the telephone call a few minutes after the day's mail brought him a check, drawn by an Althea Burnside on a bank in De Pere, for Charles Burnside's maintenance at his facility. Althea Burnside's address was a De Pere post office box. When the state hospital called, Chipper announced that in the spirit of civic duty he would be happy to continue Mr. Burnside's status at Max-ton Elder Care. The old fellow had just become his favorite patient. Without putting Chipper through any of the usual shenanigans, Burny had doubled his contribution to the income stream.

For the next six years, the old man slid relentlessly into the darkness of Alzheimer's. If he was faking, he gave a brilliant performance. Down he went, through the descending way stations of incontinence, incoherence, frequent outbursts of anger, loss of memory, loss of the ability to feed himself, loss of personality. He dwindled into infancy, then into vacuity, and spent his days strapped into a wheelchair. Chipper mourned the inevitable loss of a uniquely cooperative patient. Then, in the summer of the year before these events, the amazing resuscitation occurred. Animation returned to Burny's slack face, and he began to utter vehement nonsense syllables. Abbalah! Gorg! Munshun! Gorg! He wanted to feed himself, he wanted to exercise his legs, to stagger around and re-acquaint himself with his surroundings. Within a week, he was using English words to insist on wearing his own clothes and going to the bathroom by himself. He put on weight, gained strength, once again became a nuisance. Now, often in the same day, he passes back and forth between late-stage Alzheimer's lifelessness and a guarded, gleaming surliness so healthy in a man of eighty-five it might be called robust. Burny is like a man who went to Lourdes and experienced a cure but left before it was complete. For Chipper, a miracle is a miracle. As long as the old creep stays alive, who cares if he is wandering the grounds or drooping against the restraining strap in his wheelchair?

We move closer. We try to ignore the stench. We want to see what we can glean from the face of this curious fellow. It was never a pretty face, and now the skin is gray and the cheeks are sunken potholes. Prominent blue veins wind over the gray scalp, spotted as a plover's egg. The rubbery-looking nose hooks slightly to the right, which adds to the impression of slyness and concealment. The wormy lips curl in a disquieting smile — the smile of an arsonist contemplating a burning building — that may after all be merely a grimace.

Here is a true American loner, an internal vagrant, a creature of shabby rooms and cheap diners, of aimless journeys resentfully taken, a collector of wounds and injuries lovingly fingered and refingered. Here is a spy with no cause higher than himself. Burny's real name is Carl Bierstone, and under this name he conducted, in Chicago, from his mid-twenties until the age of forty-six, a secret rampage, an unofficial war, during which he committed wretched deeds for the sake of the pleasures they afforded him. Carl Bierstone is Burny's great secret, for he cannot allow anyone to know that this former incarnation, this earlier self, still lives inside his skin. Carl Bierstone's awful pleasures, his foul toys, are also Burny's, and he must keep them hidden in the darkness, where only he can find them.

So is that the answer to Chipper's miracle? That Carl Bierstone found a way to creep out through a seam in Burny's zombiedom and assume control of the foundering ship? The human soul contains an infinity of rooms, after all, some of them vast, some no bigger than a broom closet, some locked, some few imbued with a radiant light. We bow closer to the veiny scalp, the wandering nose, the wire-brush eyebrows; we lean deeper into the stink to examine those interesting eyes. They are like black neon; they glitter like moonlight on a sodden riverbank. All in all, they look un-settlingly gleeful, but not particularly human. Not much help here.

Burny's lips move: he is still smiling, if you can call that rictus a smile, but he has begun to whisper. What is he saying?