“Which way to the master bedroom?” Irene asks. “And is there a study?”
“The master is at the end of that hall,” Paulette says. “Mr. Steele’s study is attached. All of the other bedrooms are upstairs, and there’s a lower level with a billiards table and a wine cellar. That level opens up onto the shuffleboard court below. And the steps to the beach. There are eighty steps, just so you’re aware.”
“I’m going down to check that out,” Baker says. He looks at Cash. “Do you want to come?”
“I’ll go with Mom,” Cash says. He can’t let his mother walk into the “master bedroom”—presumably where his father slept—by herself.
Baker cocks an eyebrow, a signature expression of his, and Cash remembers just how much his brother irks him. Cash resents Baker’s confidence, his smug self-assuredness, his aura of superiority. Baker is the worst kind of older brother—all alpha dominance, no support or advice. But the most frustrating thing is that despite this, Cash yearns to be just like him. “This place is unbelievable,” Baker says. “And I do mean unbelievable.” He lowers his voice. “It can’t be Dad’s. They have the wrong guy.”
Cash doesn’t comment, though he happens to agree. He trails his mother down the long hall to the master suite. In the bedroom is a king bed positioned to face the water through an enormous sliding glass door. There are two walk-in closets—empty, both of them: Cash checks immediately—and there’s a huge marble bathroom with dual sinks, a sunken soaking tub for two, and a glassed-in shower. There’s a paneled study, which is where Irene has chosen to start poking around. The top of the desk is clear, so she’s rifling through drawers. Cash, meanwhile, pokes through the bathroom. There are a couple of toothbrushes and a can of shaving cream, but nothing else in the way of personal items.
The place feels staged. It feels cleaned out. If Russ had been living here or even just staying here—Irene said he’d left Iowa on December 26—then wouldn’t he have left behind clothes, a razor, aftershave, reading glasses?
Cash opens the dresser drawers. Empty. That’s weird, right? He goes over to the bed and opens the nightstand drawer. He startles as if he’s found a disembodied head.
There’s a photograph staring up at him. It’s a framed photograph of Russ with a West Indian woman. They’re lying in a hammock. Cash turns around. It’s the hammock that’s hanging out on the deck right off the master bedroom. Russ is wearing sunglasses and grinning at the camera and the woman is snuggled up against him.
Cash casts about the room for a place to hide the photograph. He can’t have his mother see it.
He stuffs it between the mattress and box spring, then sits on the bed and drops his head in his hands. His unspoken suspicions have been confirmed: Russ had a mistress, most likely the woman who was with him on the helicopter. The bigger shock, perhaps, is seeing a picture of his father in this house. This is real. This is his father’s house. His father is dead.
Cash wants to laugh. It’s absurd! He wants to scream. After all of Russ’s gentle prodding for Cash to finish his education and establish an “infrastructure,” it turns out his father’s own infrastructure was built of lies! He had a secret life! A fifteen-million-dollar villa in the Caribbean and a West Indian mistress!
What else? Cash wonders. What else was Russell Steele—a three-term member of the Iowa City School Board while Cash was growing up—hiding?
He pokes his head into the study, where his mother is sitting at the desk, staring out the window.
“I’m going out to get some air, Mom,” he says. “I’ll be right back.”
“Was there anything in the bedroom?” she asks.
“Not really,” Cash says. “This is like the house of a stranger.”
“Well,” she says.
He finds Paulette out on the front deck, reciting a shopping list to someone over the phone. When she sees him, she hangs up and lights a cigarette. He’s encouraged by this gesture. He needs to talk to the real Paulette Vickers.
“So, what do you think of the house?” she asks.
“I have some questions.” His voice is low. He leans his forearms on the railing and she follows suit. Together, they gaze out at the vista—the glittering aquamarine water, the lush green islands, the sleek boats that must belong to the luckiest people in the world. Maybe Paulette takes this landscape for granted, but for Cash it’s like discovering another planet. “I’d like to talk frankly, without my mother present.”
“I’ll answer what questions I can,” Paulette says.
“This is my father’s house?”
“Yes.”
“Where are all of his things? His clothes, for example? His shoes, his bathing suits, his deodorant? It’s as anonymous as a Holiday Inn.”
“Nicer than a Holiday Inn,” Paulette says.
“Please don’t dodge the question,” Cash says. “If he was staying here before he left on that helicopter, where are his things? Did someone go through the house?”
“I did,” Paulette says. “I had strict orders from Mr. Croft’s secretary to rid the house of all personal effects.” She pauses. “So as not to upset you. Or your mother.”
“So where are they?” Cash asks.
“Packed up,” Paulette says. “Mr. Croft sent someone to collect them this morning.”
“Did he,” Cash says. “Does Mr. Croft have a house on St. John as well?”
“Not to my knowledge,” Paulette says.
“What does that mean, not to your knowledge?” Cash says. “You’re a local with a child in the schools. You work for a real estate agency. It seems like you would know whether or not Mr. Croft has a house here.”
“Down here…,” Paulette says, “a lot of the high-end properties are owned by trusts. People come to the islands to escape, Mr. Steele.”
To hide, Cash thinks.
“Can you tell me where Mr. Croft does live?” Cash says. “Where is his business located?”
“Again, I’m not certain…”
“Paulette,” Cash says. He feels himself about to lash out at her. She seems nice—lovely, even—and he can’t understand why she’s giving him the runaround. “I’m sure you can see that we’re grieving. My brother and I lost our father, my mother her husband. If he’d died of a heart attack at home, this would have been tragic enough. But he died here, in a place we didn’t know he’d even visited, much less owned property in. The details we’ve received are sparse. Part of the way the three of us are going to process our loss is to find out exactly what happened. We need to talk to Todd Croft.”
“That would be a start, I suppose,” Paulette says.
“Do you have a phone number for him?”
Paulette laughs drily. “For Mr. Croft? No, I’m afraid not. I’ve never met the man. I’ve never even spoken to him on the phone.”
“You’re kidding,” Cash says.
“I deal with his secretary,” Paulette says. “Marilyn. She called your mother, so your mother has her number.”
“But it’s Mr. Croft who pays you,” Cash says. “Right?” He nearly says, It’s Mr. Croft who pulls the puppet strings. He pulled Russ’s, or at least that was how it had seemed.
“I was paid by Mr. Steele directly,” Paulette says. “In cash. And occasionally by Mr. Thompson.”
“Mr. Thompson?” Cash says. “Who is Mr. Thompson?”
“Stephen Thompson,” Paulette says. “He was their associate.”
“Their associate,” Cash says. He feels like he’s on a detective show, only he’s the new guy, first day on the job, trying to figure things out. “Do you have a number for Mr. Thompson, then?”
“I do,” Paulette says. She stares at the glowing tip of her cigarette.
“Paulette, again…”
“Mr. Thompson is dead,” Paulette says. “He was the pilot.”
“He was the pilot,” Cash says. “And the third person who died, the local woman, she and my father… were involved?”
“I’m not comfortable discussing that,” Paulette says.
“I have a photograph of them together,” Cash says. “It was in the drawer of the nightstand.”
Paulette exhales a stream of smoke and casts her eyes down.
“What’s her name?”