Myself, the next afternoon when he came to me, I didn’t give him a thing.
THIS WAS EIGHT DAYS AGO. Saturday. First I hear the tires on the gravel grind, then the car door. It’s too early in the afternoon for it to be Mavis and Rena Pickett returning from town, so I look up from the squeeze chute where I’m doctoring cows, and, at the time, when I see the Denver plates, I still think it must be one of these state farm agents come out to talk fertilizer. Even when I see he’s wearing a tie and yellow pants I think it is, because nowadays some of your young farm agents are starting to dress like that, like they think at any minute they’re going to be called on to play Ping-Pong. Anyway, here he comes, walking over towards me away from his car. He gains the corral, finds the gate, fiddles with the bar latch, but then it looks as if he can’t figure out how to work it, because he starts climbing. It doesn’t do the hinges a lot of good. He climbs up on it anyway, and at the top, with the gate shaking back and forth underneath him, he swings both his legs over, then he drops down into the corral beside me.
“I’m looking,” he says, “for Sanders Roscoe.”
I turn back to the cow. I shoot her and she bawls, then I release the head catch on the chute and she goes out, already running, crow-hopping with her head down and kicking up fresh cow manure. A piece of it the size of a half dollar splats onto his shirtfront next to his tie.
“You found him,” I say.
He doesn’t look to be much more than a kid, but I haven’t seen a lot of his face yet. Right now he has his head ducked down, studying his shirtfront. Then, while I watch him, he takes an Eversharp pencil out of his shirt pocket and begins to flick with the point of it at that little splat of manure. When he’s got it all off pretty good, so that it appears as if maybe he’s just spilled him some brown gravy there, he clips the pencil back inside his pocket and sticks his hand out. His hand’s like that toilet paper they say on TV they don’t want you to squeeze. Soft.
“Mr. Roscoe,” he says. “I’m Dick Harrington. With the Post.”
“That so?” I say. “I hope you’re not selling anything.”
“No,” he says. “The Denver Post. It’s a newspaper. Maybe you’ve heard of it.”
“Sure. I’ve heard of it,” I say. “But we keep it out on the back porch where we scrape our boots, so we don’t have to track cow into the kitchen.” Then I throw my head back and laugh. “It saves throw rugs,” I tell him.
But he doesn’t think that’s real funny; he looks at me like How can I be so dumb and live? Guys like him think they drive the 150 miles out here due east from Denver and when they get here we don’t know anything. They think they have to educate us poor dumb country bastards. They think we don’t know what the Denver Post is. We know all right. We just don’t give a damn.
But now he’s busy with his hands again. It seems like his hands are always flat busy, like he can’t let them rest. He reaches behind him into the back pocket of his pants and removes his billfold, opens it, and fingers out a little white card. I study it. It has his newspaper’s design at the top and his name printed underneath that—only the card says Richard—with a phone number below his name to call him at his office if anybody wants to call him at his office. I hand it back to him.
“You can keep it,” he says.
“No,” I say. “It’d just get lost around here.”