The Diviners (The Diviners #1)

“You know it was the old boy,” he says, his breath tickling her ear sweetly. “He has his tricks. You know how that sort is.”

She does know how that sort is. It was probably that wretched boy all along, playing them for fools. Well, she is nobody’s fool. She is eighteen now. Life will be an endless swirl of parties and dances. Night or daytime, it’s all playtime. Ain’t we got fun? Her earlier fears have been put to bed. Her party looks like it will rage into the night. The carpets have been rolled up, and her guests dance full out. Long strands of pearls bounce against drop-waist dresses. Spats strike defiantly at the wood floors. Arms thrust out, pushing against the air—all of it like some feverish Dadaist painting come to life.

The hostess stashes the board in the cupboard, where it will soon be forgotten, and races toward the parlor with its bright electric lights—Mr. Edison’s modern marvel—and joins the last party of the summer without a care.

Outside, the wind lingers for a moment at those lighted windows; then, with a gusty burst of energy, it takes its leave and scuttles down the sidewalks. It twines itself briefly around the cloche hats of two fashionable young ladies gossiping about the tragic death of Rudolph Valentino as they walk a poodle along the East River. It moves on, down neon-drenched canyons, over the elevated train as it rattles above Second Avenue, shaking the windows of the poor souls trying to sleep before morning comes—morning with its taxi horns, trolley cars, and trains; the bootblacks buffing the wingtips of businessmen in Union Square; the newsies hawking the day’s headlines in Times Square; the telephone operators gazing longingly at the new shawl-collar coats tempting them from store windows; the majestic skyscrapers rising over it all like gleaming steel, brick, and glass gods.

The wind idles briefly before a jazz club, listening to this new music punctuating the night. It thrills to the bleat of horns, the percussive piano strides born of blues and ragtime, the syncopated rhythms that echo the jagged excitement of the city’s skyline.

On the Bowery, in the ornate carcass of a formerly grand vaudeville theater, a dance marathon limps along. The contestants, young girls and their fellas, hold one another up, determined to make their mark, to bite back at the dreams sold to them in newspaper advertisements and on the radio. They have sores on their feet but stars in their eyes. Farther uptown, the Great White Way, named for the blinding incandescence of its theater lights, empties of its patrons. Some stage-door Johnnies wait in the alleys, hoping for a glimpse of the glamorous chorus girls or for a chance at an autograph from one of Broadway’s many stars. It is a time of celebrity, of fame and fortune and grasping, and the young burn with secret ambition.

The wind takes it all in with indifference. It is only the wind. It will not become a radio star or a captain of industry. It will not run for office or fall in love with Douglas Fairbanks or sing the songs of Tin Pan Alley, songs of longing and regret and good times (ain’t we got fun?). And so it travels on, past the slaughterhouses on Fourteenth Street, past the unfortunates selling themselves in darkened alleys. Nearby, Lady Liberty hoists her torch in the harbor, a beacon to all who come to these shores to escape persecution or famine or hopelessness. For this is the land of dreams.

The wind swoops over the tenements on Orchard Street, where some of those starry-eyed dreams have died and yet other dreams are being born into squalor and poverty, an uphill climb. It gives a slap to the laundry stretched on lines between tenements, over dirty, broken streets where, even at this hour, hungry children scour the bins for food. The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose. The wind was there when President Lincoln fell to an assassin’s bullet. It smelled of gunpowder at Antietam. It ran with the buffalo and touched tentative fingers to the tall black hats of Puritans. It has carried shouts of love, and it has dried tears to salt tracks on more faces than it can number.

The wind skitters down the Bowery and swoops up the West Side, home of Irish gangs like the Dummy Boys, who ride horseback along Ninth Avenue to warn the bootleggers. It swoops along the mighty Hudson River, past the vibrant nightlife of Harlem with its great thinkers, writers, and musicians, until it comes to rest outside the ruin of an old mansion. Moldering boards cover the broken windows. Rubbish clogs the gutter out front. Once upon a time, the house was home to an unspeakable evil. Now it is a relic of a bygone era, forgotten in the shadow of the city’s growth and prosperity.

The door creaks on its hinges. The wind enters cautiously. It creeps down narrow hallways that twist and turn in dizzying fashion. Diseased rooms, rotted with neglect, branch off left and right. Doors open onto brick walls. A trapdoor gives way to a chute that empties into a vast subterranean chamber of horrors and an even more terrifying room. It stinks still: of blood, urine, evil, and a fear so dark it has become as much a part of the house as the wood and nails and rot.

Something stirs in the deep shadows, something terrible, and the wind, which knows evil well, shrinks from this place. It flees toward the safety of those magnificent tall buildings that promise the blue skies, nothing but blue skies, of the future, of industry and prosperity; the future, which does not believe in the evil of the past. If the wind were a sentinel, it would send up the alarm. It would cry out a warning of terrors to come. But it is only the wind, and it knows well that no one listens to its cries.

Deep in the cellar of the dilapidated house, a furnace comes to life with a death rattle like the last bitter cough of a dying man laughing contemptuously at his fate. A faint glow emanates from that dark, foul-smelling earthen tomb. Yes, something moves again in the shadows. A harbinger of much greater evil to come. Naughty John has come home. And he has work to do.





EVIE O’NEILL, ZENITH, OHIO


Evie O’Neill pressed the sagging ice bag to her throbbing forehead and cursed the hour. It was noon, but it might as well be six in the morning for the pounding in her skull. For the past twenty minutes, her father had been beating his gums at her about last night’s party at the Zenith Hotel. Her drinking had been mentioned several times, along with the unfortunate frolic in the town fountain. And the trouble that came between, of course. It was gonna be a real beast of a day, and how. Her head beat out requirements: Water. Aspirin. Please stop talking.

“Your mother and I do not approve of drinking. Have you not heard of the Eighteenth Amendment?”

“Prohibition? I drink to its health whenever I can.”

“Evangeline Mary O’Neill!” her mother snapped.

“Your mother is secretary of the Zenith Women’s Temperance Society. Did you think about that? Did you think about how it might look if her daughter were found carousing drunk in the streets?”

Evie slid her bruised eyeballs in her mother’s direction. Her mother sat stiff-backed and thin-lipped, her long hair coiled at the nape of her neck. A pair of spectacles—“cheaters,” the flappers called them—sat at the end of her nose. The Fitzgerald women were all petite, blue-eyed, blond, and hopelessly nearsighted.

“Well?” her father thundered. “Do you have something to say?”

“Gee, I hope I won’t need cheaters someday,” Evie muttered.