The Clockmaker's Daughter

CHAPTER TWENTY-NINE

As soon as she had looked inside the secret chamber, Lucy closed the panel again. Emotions, suppressed for so long, overwhelmed her and she let out a single great hiccupping gulp of grief: for all the years since finding the diamond, in which she’d carried alone the secret knowledge of what she’d done; for Lily Millington, who had been kind to her and who had loved her brother; and most of all, for Edward, with whom she had broken faith, leaving him all alone in the world by believing the inspector’s story.

When she could finally breathe again, Lucy went downstairs. She had known in her heart what she would find within the staircase hideaway. More importantly, she had known in her head. Lucy prided herself on being a rational woman: she had thus come armed with a plan. She had gone through each of the eventualities from the safe distance of London, and devised a clear set of tasks. She had thought herself prepared. But it was different, being here; Lucy’s hand was shaking too much to write the planned letter to Mr Rich Middleton of Duke Street, Chelsea. She hadn’t counted on that, the way her hands would shake.

And so she went for a walk to the river to steady her nerves. She reached the jetty sooner than she had expected and headed towards the woods. Without meaning to, Lucy realised that she was tracing, in reverse, the very path that she had run that day, from the photo shoot back to the house.

Within the copse was the clear spot in the woods where Felix had planned to take the photograph. She could picture them all now in their costumes. She could almost see herself, thirteen years old and filled with the burn of injustice, darting off across the wildflower meadow towards the house. Soon to find the diamond pendant, to take it from its velvet box and put it at her own neck, to show Lily Millington the hiding place and start the terrible ball rolling. But no; she refused to see her phantom thirteen-year-old self take flight. Lucy walked back towards the river instead.

When she had discovered the Radcliffe Blue within her suitcase in London, she had known immediately that she had to hide it; the trouble was deciding where. She had considered burying it on Hampstead Heath, putting it down a drain, throwing it into the duck pond in the Vale of Health – but her conscience picked holes in every idea that she had. She knew it was irrational to imagine that a wily dog might somehow discern the very place that she had buried the jewel, dig it up, and then carry it home; or that a duck might eat it, digest it, and then deposit it on the bank for an eagle-eyed child to find. It was equally irrational to believe that if such an unlikely scenario were to occur, the diamond would then be traced back to her. But guilt, Lucy had learned, was the least rational of the emotions.

And, in truth, the rediscovered heirloom leading attention back to Lucy was only part of her worry. What mattered more to her, and did so increasingly with each passing year, was how much suffering would have been for naught if the official scenario were now to be disproved. Lucy could not bear to think that Edward’s wandering might have been prevented; that if she had told the truth sooner he might have grieved for the loss of Lily Millington, but that he might then have been able to put her to rest and get on with his life.

No, the diamond had to stay hidden so that the story would continue to be believed. It had all gone too far now for anything else to be acceptable. But Lucy would know. And she alone would live with her knowledge. Given that there was no way of going back in time to do things differently, eternal guilt and isolation seemed like a fitting punishment.

She had intended to put the pendant in the box with everything else, but now, suddenly, as she stood by the edge of the Thames, such a different river here from the one she knew in London, she felt a need to be rid of it even sooner. The river was the perfect place. The earth gave up her secrets easily, but the river would carry its treasure out to the fathomless sea.

Lucy put her hand into her pocket and withdrew the Radcliffe Blue pendant. Such a brilliant stone. So very rare.

She held it up to the light one last time. And then she threw it into the river and started back towards the house.

The box arrived four days later. Lucy had placed the order in London before she left, telling the man that she would write again to let him know when and where she needed the item delivered. She had considered the possibility that the order would be unnecessary, the money wasted, but the odds, she decided, were not in her favour.

She chose a coffin-maker and undertaker by the name of Mr Rich Middleton of Duke Street, Chelsea, giving him specific instructions as to the unusually small dimensions required, along with a short list of other specifications.

‘Triple lead-lined?’ he’d said, scratching the thatch of hair beneath his tattered black top hat. ‘You’ll not be wanting all that, surely? Not for an infant’s coffin.’

‘I said nothing about an infant, Mr Middleton, and I did not ask for your opinion. I have told you my requirements; if you are unable to meet them, I shall take my business elsewhere.’

He held up his pinkish, soft-looking hands, and said, ‘It’s your coin. If you want triple lead-lined, then that’s what you’ll have, Miss … ?’

‘Millington. Miss L. Millington.’

It was a brazen choice, and an unusual nod to sentiment. But she could hardly give her real name. Besides, Edward was dead and it had been twenty years since Fanny was shot. No one else was looking for Lily Millington, not any more.

When he’d finished writing down the details, Lucy had him read them back to her. Satisfied, she asked him to draw up an account so that she could make a payment.

‘Will you be requiring a cortège? Some mutes?’

Lucy told him that she would not.

The small coffin, when it arrived at Birchwood Manor, was brought grudgingly by a railway porter who struggled to lift it from the cart. It had been packed in a wooden travel crate and there was no outward indication of what it was that he was delivering; the man was maladroit enough to ask. ‘A bird bath,’ Lucy told him. ‘Marble, I’m afraid.’ Generous gratuity was paid, after which the man’s spirit improved considerably. He even agreed to move it closer to its intended position, the garden bed to the side of the front gate. It was where Lily Millington had been standing on the day that Lucy, looking for Edward to tell him about the secret hideaways, had found Lily instead on her way to post a letter. ‘I want to be able to see it from as many windows as possible,’ Lucy told the railway porter, even though this time she had been asked no question.

When he had gone, she opened the travel crate to inspect its contents. Her first impressions were that Mr Rich Middleton of Duke Street, Chelsea, had done a very good job. Lead was essential. Lucy had no way of knowing how long the box would remain hidden, but having spent her life reading obsessively about the treasures of the past, she knew that lead did not corrode. She wanted to hide things, certainly; she hoped that they would remain concealed for a very long time; but she could not bring herself to destroy them. To that end, Lucy had specified that the lid must seal securely. Too often, archaeologists uncovered pots that had survived the ages, only to open them and find that the contents within had perished. She did not want air or water finding their way inside. The coffin must not leak or rust, and it must not crack over time. For it would be found one day, of that she was certain.

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