Sweetbitter

“Um. Nothing. For the first time in my life, I’m reading nothing.” I paused and looked out the window. I don’t think anyone, even my professors, had once asked me what I was reading. He was digging, and though I had no idea what he was looking for, I decided it was better to play. “You know, Howard, if I can call you that, when I was leaving for here I packed a few boxes of books. But then I really started looking at them. These books were…I don’t know…totems of who I was….I…”

My words had a point, I had just felt the point coming, I was trying to tell him the truth. “I left them behind. That’s what I mean.”

He rested his cheek on an aristocratic hand. He listened. No, he perceived. I felt perceived. “Yes. It’s startling to look back on the passionate epiphanies of our youth. But a good sign perhaps. That our minds have changed, that we’ve evolved.”

“Or maybe it means we’ve forgotten ourselves. And we keep forgetting ourselves. And that’s the big grown-up secret to survival.”

I stared out the window. The city passed on, obliviously. If this went badly I would forget it too.

“Are you a writer?”

“No,” I said. The table came back into focus. He was looking at me. “I like books. And everything else.”

“You like everything else?”

“You know what I mean, I like it all. I like being moved.”

He made another note on my résumé.

“What do you dislike?”

“What?” I thought I’d misheard him.

“If you like being moved, what do you dislike?”

“Are these normal questions?”

“This isn’t a normal restaurant.” He smiled and crossed his hands.

“Okay.” I looked back out the window. Enough. “I don’t like that question.”

“Why?”

My palms were damp. That was the moment I realized I wanted the job. That job, at that restaurant specifically. I looked at my hands and said, “It feels a little personal.”

“All right.” He didn’t skip a beat, a quick glance at my résumé and he was on track. “Can you tell me about a problem at one of your last jobs? At that coffee shop, I suppose. Tell me about a problem there and how you solved it.”

As if I had dreamed it, the interior of the coffee shop dissolved when I tried to recall it directly. And when I tried to remember punching in there, tried to remember the sink, the register, the coffee grinds, the objects faded. And then her fat, gloating, vindictive face appeared.

“There was this awful woman, Mrs. Pound. I mean it, she was insufferable. We called her The Hammer. From the second she walked in everything was wrong, the coffee scalded her or it tasted like dirt, the music was too loud, or her blueberry muffin had poisoned her the night before. She was always threatening to shut us down, telling us to get our lawyer ready each time she bumped into a table. She wanted scrambled eggs for her dog. Never tipped us a cent. She was dreaded. But then, this was a little over a year ago, she had her foot amputated. She was diabetic. None of us ever knew, I mean, why would we know? And she would wheel by in her wheelchair and everyone was like, Finally, The Hammer is done.”

“Finally, what?” Howard asked.

“Oh, I forgot that part. We didn’t have a ramp. And there were stairs. So she was finished, more or less.”

“More or less,” he said.

“But, the real part of the story. One day she was wheeling by, and she was glaring, I mean, hateful. And I don’t know why, but I missed her. I missed her face. So I made her coffee and I ran after her. I wheeled her across the street to the park and she complained about everything from the weather to indigestion. From then on it was our thing. Every day. I even brought the scrambled eggs in a to-go container for her dog. My coworkers made so much fun of me.”

The Hammer’s swollen, varicosed legs. Flashing her stump at me from under her housedress. Her purple fingers.

“Does that answer your question? The problem was not having a ramp, I guess. The solution was to bring out the coffee. I’m sorry, I didn’t explain it very well.”

“I think you explained it perfectly. That was a kind thing to do.”

I shrugged. “I really liked her actually.”

The Hammer was the only impolite person I knew. She put me in that restaurant. I felt it then but didn’t understand it. It was her niece’s daughter who was a friend of a friend of my new roommate in Williamsburg. Our goodbye had been tearful—on my end, not hers. I promised to write her letters, but the weeks were eclipsing our small relationship. And as I looked at Howard and the perfectly set table and the tasteful hydrangea arrangement between us, I understood what he meant by guest, and I also knew that I would never see her again.

“Did you move here with anyone? Girlfriends? A boyfriend?”

“No.”

“That’s very brave.”

“Is it? It’s been two days and I feel pretty foolish.”

“It’s brave if you make it, foolish if you fail.”

I wanted to ask him how I would be able to tell the difference and when.

“If you’re hired here, what do you want the next year to bring you?”

I forgot that I was being interviewed. I forgot about my negative bank account, my pit stains, and the noble grapes. I said something about wanting to learn. About my work ethic.

I was never good at the future. I grew up with girls whose chief occupation was the future—designing it, instigating it. They could talk about it with so much confidence that it sounded like the past. During those talks, I had contributed nothing.

I had visions, too abstract and flat for me to hang on to. For years I saw a generic city lit up at night. I would use those remote, artificial lights to soothe myself to sleep. One day I was quitting my job with no sense of exhilaration, one day I was leaving a note for my father, pulling out of his driveway, slightly bewildered, and two days later I was sitting in front of Howard. That was the way the future came to me.

The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn’t look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn’t call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.

As I thanked him and we reviewed my contact information, I didn’t know what had transpired, whether it was good or bad. It took me a moment to even remember the name of the restaurant. He held my hand too long and as I stood, his eyes traveled down my body, not like an employer’s, but like a man’s.

“I dislike mopping. And lying,” I said. I don’t know why. “Those are the two that come to mind.”

He nodded and smiled—what I wanted to call a private smile. The backs of my legs were damp with sweat and as I walked away I felt his eyes unabashedly on my ass. At the door, I rolled my cardigan off my shoulders, and arched as if stretching. No one knows how I got the job, but it’s better to be honest about these things.



TASTE, Chef said, is all about balance. The sour, the salty, the sweet, the bitter. Now your tongue is coded. A certain connoisseurship of taste, a mark of how you deal with the world, is the ability to relish the bitter, to crave it even, the way you do the sweet.





II


THE SPACE WAS aesthetically unremarkable, even ugly in places. Not ragged by any means—the paint fresh, the dust banished—but defiantly past its peak. The art was dated, gaudy, some of it honestly preposterous, purchased in the eighties or whenever. The dining room had three levels, as if it had been built during different periods and linked together as an afterthought. Tables cluttered on one side of the room, sparse on the other. The cumulative effect was like someone hadn’t quite made up his mind, but insisted on having you over anyway.



THE OWNER TOLD ME at orientation, “There are many endeavors to bring pleasure to people. Every artist assumes that challenge. But what we do here is the most intimate. We are making something you take inside you. Not the food, the experience.”

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