Killing Commendatore (Kishidancho Goroshi #1-2)

After this we went on more dates, and eventually became lovers. It all happened so naturally. My girlfriend, though, was shocked that her friend stole me away. She was probably thinking that we might get married. So of course she was upset (though I doubt I ever would have married her). My wife, too, was going out with someone else at the time, and their breakup wasn’t easy either. There were other obstacles to overcome, but the upshot was that half a year later we were married. We had a small party with a handful of close friends to celebrate, and settled into a condo in Hiroo. Her uncle owned the condo and gave us a good deal on rent. I used one small room as my studio and focused on my portrait work. This was no longer just a temporary job. Now that I was married I needed a steady income, and other than portrait painting I had no means of earning a decent living. My wife commuted from our place by subway to the architecture firm in Yotsuya. And it sort of naturally came about that I was the one who took care of everyday housework, which I didn’t mind at all. I never minded doing housework, and found it a nice break from painting. At any rate it was far more pleasant to do housework than commute every day to a job and be forced to do work behind a desk.

I think for both of us our first few years of marriage were calm and fulfilling. Before long we settled into a pleasant daily rhythm. On weekends and holidays I’d take a break from painting and we’d go out. Sometimes to an art exhibition, sometimes hiking outside the city. At other times we’d just wander around town. We had intimate talks, and for both of us it was important to regularly update each other. We spoke honestly, and openly, about what was going on in our lives, exchanging opinions, sharing feelings.

For me, though, there was one thing I never opened up about to her: the fact that her eyes reminded me so much of my sister who’d died at twelve, and that that was the main reason I’d been attracted to her. Without those eyes I probably never would have tried to win her over as eagerly as I did. But I felt it was better not to tell her that, and until the very end I didn’t. That was the sole secret I kept from her. What secrets she may have kept from me—and I imagine there were some—I have no idea.

My wife’s name was Yuzu, the name of the citrus fruit used in cooking. Sometimes when we were in bed I’d call her Sudachi, a similar type of fruit, as a joke. I’d whisper this in her ear. She’d always laugh, but it upset her all the same.

“I’m not Sudachi, but Yuzu. They’re similar but not the same,” she’d insist.



* * *





When did things start to go south for us? As I drove on, from one roadside restaurant to another, one business hotel to another, randomly moving from point A to point B, I thought about this. But I couldn’t pinpoint where things had begun to go wrong. For a long time I was sure we were doing fine. Of course, like many couples, we had some issues and disagreements. Our main issue was whether or not to have children. But we still had time before we had to make a final decision. Other than that one problem (one we could postpone for the time being), we had a basically healthy marriage, on both an emotional and physical level. I was sure of that.

Why had I been so optimistic? Or so stupid? It’s like I’d been born with a blind spot, and was always missing something. And what I missed was always the most important thing of all.

In the mornings, after I saw my wife off to work, I’d focus on my painting, then after lunch would take a walk around the neighborhood, do some shopping while I was at it, and then get things ready for dinner. Two or three times a week I’d go swimming in a nearby sports club. When my wife got back we’d have a beer or some wine together. If she called me saying she had to work overtime and would grab something near the office, I’d sit by myself and have a simple dinner alone. Our six years together were mostly a repeat of those kinds of days. And I was basically okay with that.

Things were busy at the architecture firm, and she often had to work overtime. I gradually had to eat dinner alone more often. Sometimes she wouldn’t get back until nearly midnight. “Things have gotten so hectic at work,” she’d explain. One of her colleagues suddenly changed jobs, she said, and she had to pick up the slack. The firm was reluctant to hire new staff. Whenever she came home late, she was exhausted and would just take a shower and go to sleep. So the number of times we had sex went way down. Sometimes she even had to go in on days off, too, to finish her work. Of course I believed her. There wasn’t any reason not to.

But maybe she wasn’t working overtime at all. While I was eating dinner alone at home, she may have been enjoying some intimate time in a hotel bed with a new lover.

My wife was outgoing. She seemed quiet and gentle but was sharp and quick-witted, and needed situations where she could be more social and gregarious. And I wasn’t able to provide those. So Yuzu went out to eat a lot with women friends (she had lots of friends) and would go out drinking with work colleagues (she could hold her liquor better than me). And I never complained about her going out on her own and enjoying herself. In fact I might have encouraged it.

When I think about it, my younger sister and I had the same kind of relationship. I’ve always been more of a stay-at-home type, and when I got back from school I’d hole up in my room to read or draw. My sister was much more sociable and outgoing. So our everyday interests and activities didn’t overlap much. But we understood each other well, and valued each other’s special qualities. It might have been pretty unusual for an older brother and younger sister the ages we were, but we talked over lots of things together. Summer or winter, we’d climb up to the balcony upstairs where we hung our laundry, and talk forever. We loved to share funny stories, and often had each other in stitches.

I’m not saying that’s the reason why, but I felt secure about the relationship my wife and I had. I accepted my role in our marriage—as the silent, auxiliary partner—as natural, self-evident even. But maybe Yuzu didn’t. There must have been aspects of our marriage that dissatisfied her. She and my sister were, after all, different people with different personalities. And of course, I wasn’t a teenage boy anymore.



* * *





By May I was getting tired of driving day after day. And sick of the same thoughts looping endlessly around in my head. The same questions spun around in my brain, with no answers in sight. Sitting all day in the driver’s seat had given me a backache, as well. A Peugeot 205 is an economy car, and the seats weren’t exactly high quality, the suspension noticeably worn out. All the road glare I’d stared at for hours was giving me chronic eyestrain. I realized I’d been driving pretty much nonstop for over a month and half, restlessly moving from one spot to another as if something were chasing me.

I ran across a small, rustic therapeutic hot springs in the mountains near the border between Miyagi and Iwate, and decided to take a break. An obscure hot springs tucked away deep in a valley, with a small inn that locals would stay in for days to rest and recuperate. The room rate was cheap, and there was a communal kitchen where you could cook simple meals. I enjoyed soaking in the baths and sleeping as much as I wanted. I sprawled on the tatami, read, and recovered from the exhaustion of all that driving. When I got tired of reading I’d take out my sketchbook and draw. It had been a long time since I’d felt like drawing. I started off sketching flowers and trees in the garden, then drew the rabbits they kept there. Just rough pencil sketches, but people were impressed. Some asked me to draw their portraits. Fellow lodgers, and people who worked at the inn. People just passing through my life, people I’d never see again. And if they asked, I’d give them the sketches.

Time to get back to Tokyo, I told myself. Going on like this would get me nowhere. And I wanted to paint again. Not commissioned portraits, or rough sketches, but paintings I could really concentrate on, and undertake for myself. Whether this would work out or not I had no clue, but it was time to take the first step.