Killing Commendatore (Kishidancho Goroshi #1-2)

Her first step was to tour the sprawling living room. She could see no particular change since her first visit. There was the big Steinway grand piano. A small stack of musical scores was piled on top of it. A Bach invention, a Mozart sonata, one of Chopin’s études, that sort of thing. Nothing that required advanced technical skill. Still, being able to play them at all was impressive. Mariye could tell that much. She had taken piano lessons when she was younger. (She hadn’t gone very far—art was what had grabbed her.)

A number of books were scattered on the coffee table’s marble top. Judging from the bookmarks stuck in them, all were in the process of being read. One was on philosophy, one was historical, and two were novels (one of which was in English). She recognized none of the titles and had heard of none of the authors’ names. She flipped through several, but they weren’t her thing. The master of the house loved difficult books and classical music. Between those pursuits, he looked into her home across the valley through high-powered binoculars.

Was he just a perv? Or was there a logical reason or purpose for his behavior? Did he have the hots for her aunt? Or for her? Or for both of them? (Was such a thing possible?)

Next she went to take a look at the lower levels. First she made her way to Menshiki’s study. His portrait hung on the wall. She stood in the middle of the room and studied it for a moment. Of course, she had seen it before (that had been the purpose of their first visit). This time, though, the longer she looked at it, the more it felt as if Menshiki were there with her. So she turned away from the painting. Trying her best to ignore it, she went over to inspect his desk. There was a state-of-the-art Apple desktop computer, but she didn’t switch it on. She knew without trying that it was secured. There would be no way she could gain access. Not much else was on the desk. There was a deskpad calendar with almost nothing written on it. Just a few incomprehensible symbols and numbers here and there. He would have input his daily schedule into the computer, and then shared it with his other devices. All would be locked. Mr. Menshiki was a cautious man. He would leave no traces.

The other things on the desk were the sort of work-related materials you would expect to find in anyone’s study. The pencils were all of the same length, and sharpened to a fine point. Paper clips were arranged according to size. The white memo pad waited patiently for someone to write on it. The digital clock faithfully clicked off the time. The desk was in such perfect order it was frightening. Unless he’s a well-made android, Mariye thought to herself, something sure is funny about Mr. Menshiki.

As she expected, every desk drawer was locked. That was only natural. No way he would neglect securing them. The study held little else that she wanted to see. She had no special interest in the shelves of books, or the CD collection, or the new, obviously expensive stereo system. Those did no more than reflect his range of tastes. They didn’t help her understand who he was as a person. They had no connection to the secret he was (most likely) concealing.

Mariye left the study and walked down the dim hallway, checking the rooms as she went. All were unlocked. None had been included in the house tour. She and her aunt had only been shown the living room, the study, the dining room, and the kitchen (she had also used the guest bathroom on the first floor). Mariye opened the doors to these unknown rooms one by one. The first was Menshiki’s bedroom. As the so-called master bedroom (she assumed), it was very big. It had a walk-in closet and a private bathroom. Its large bed was neatly turned out, with a quilted duvet. Since there was no live-in maid, she assumed Menshiki had made the bed. If so, its neatness didn’t surprise her. A pair of plain dark brown pajamas lay next to the pillow, also neatly folded. A number of prints hung on the wall. A set by a single artist, from the looks of it. A half-read book rested on the bedside table. He certainly was an avid reader. The window faced the valley, but it wasn’t very large and its blinds had been drawn.

She opened the door to the big walk-in closet. Rows of clothes were hanging there. Lots of jackets and blazers, but not many suits. Not many neckties, either. She guessed he seldom needed to dress for formal occasions. All the shirts had plastic covers, and appeared to have just come back from the cleaners. Shoes and sneakers were lined up on shelves in neat rows. Coats of varied thicknesses occupied another part of the closet. Everything in the closet was looked after with care and reflected the good taste of its owner. Indeed, the whole closet could have been featured as it was in a menswear magazine. There were not too many clothes, nor too few. Moderation governed everything.

His drawers contained socks, handkerchiefs, and underwear. All were pressed and folded, and arranged in perfect order. There were more drawers for his jeans, polo shirts, sweatshirts, and so forth. One large drawer had been entirely given over to a colorful array of beautiful sweaters. None had patterns. Yet Mariye could find nothing in any of these drawers to help her unravel Menshiki’s secret. Everything was immaculate and divided according to its function. Not a speck of dust was on the floor, and all the picture frames were level on the walls.

Mariye did reach one clear conclusion about Menshiki, however: this man would be impossible to live with. No normal person could meet his standard. Her aunt was something of a neat freak, but even she wasn’t this meticulous.

The next door opened onto what appeared to be the guest room. It had a double bed, made up and ready to be used. A writing desk and office chair sat near the window. There was also a small television set. But there was no sign that anyone had ever slept there—the room felt as if it had been forsaken for eternity. Mr. Menshiki was not in the habit of entertaining guests, it seemed. Instead, this room was apparently to be used in emergencies (though she couldn’t imagine what those might be).

The room next door was more like a storeroom. It had no furniture, and at least ten cardboard boxes were stacked on the green carpet. Judging by their weight, they contained documents. Each had a label, with markings in ballpoint pen. All were carefully sealed with tape. Mariye imagined they were filled with work-related documents. Those might contain important secrets. But they were business secrets, not the sort of thing that she was after.

None of these rooms was locked. Though their windows faced the valley, their blinds were closed. No one was there to delight in the bright sunlight and the majestic view. They were dimly lit and smelled of abandonment.

The fourth room fascinated her. Not so much the room itself, though. The furnishings were sparse—just a single straight-backed chair and a small, plain wooden table. No pictures graced the bare walls. Without decoration of any kind, it felt barren and empty. A room no one ever used. Yet when she checked the walk-in closet, she found an assortment of women’s clothes hanging there. Not a huge number. But everything a woman would need, more or less, for a stay of several days. Mariye guessed the clothes had been set aside for someone who came to visit Menshiki on a regular basis. She scowled. Did her aunt know a woman like that was in the picture?