Zodiac (Zodiac, #1)

Centering means relaxing my vision so much my eyes start to cross, like looking at a stereogram, followed by calling on whatever brings me the greatest inner peace. It can be a memory, a movement, a story—whatever most touches my soul.

When I was very young, Mom taught me an ancient art the very first Zodai used to access their Center. Passed on from long-forgotten civilizations, it’s called Yarrot, and it’s a series of poses designed to mimic the twelve constellations of the Zodiac. The movements align one’s body and mind with the stars, and the longer you practice, the easier Centering is supposed to become . . . but when Mom left, I gave it up.

I stare at the four gray orbs floating next to Cancer, but I can’t relax my vision. I’m too worried Thebe will vanish again. My brother, Stanton, works there.

We Cancrians are known for our nurturing natures and strong family values. We’re supposed to put our loved ones ahead of ourselves. Yet one after the other, my Mom, my brother, and I abandoned Dad. Abandoned our home.

“Four minutes.”

I pull my drumstick from my pocket and pirouette it on my fingertips until the movement relaxes me, and then I start to play my latest composition in my mind, the beat growing louder with every rendition. Eventually, I can’t hear anything else.

After what feels like forever but might just be minutes, my mind begins to rise, elevating higher, toward Helios. The lights of the Crab constellation start to shuffle, adjusting their place in the sky. Our four moons—Elara, Orion, Galene, Thebe—move to their future positions, where they’ll be in a few hours, for the Lunar Quadract.

My instructors can’t see the movement because it’s only happening in the Psy Network, so it’s confined to my mind. Skill level and ability determine what and how much a Zodai can see when Centered, so visions of the future are unique for each of us.

Once the stars in the holographic map have realigned themselves, their trajectories leave faint arcs in Space that fade fast. Using an Astralator, we can measure these movements and plug the numbers into equations—but if I have to solve for x, the Lunar Quadract will be over before I can predict it. And, as Dean Lyll pointed out, we are in a rush. . . .

I concentrate as hard as I can, and soon I pick up a faint rhythm reaching me from afar, echoing weakly in my ears. It sounds like a drumbeat—or a pulse. Its beat is slow and ominous . . . like something’s coming for us.

Then the vision appears—the same vision I’ve been seeing for a week now: a smoldering black mass, barely distinguishable from Space, pressing into the atmosphere past the Twelfth House, Pisces. Its influence seems to be warping our Crab constellation out of shape.

The problem with digging so deep inside my mind without using an Astralator is there’s no way to tell apart which warnings are from the stars and which ones I’m manifesting myself.

Thebe vanishes again.

“There’s a bad omen,” I blurt. “A dangerous opposition in the stars.”

The Ephemeris shuts off, and the lights come on. Dean Lyll is scowling at me. “Nonsense. Show me your work.”

“I . . . forgot my Astralator.”

“You haven’t even done the arithmetic!” He rounds on Instructor Tidus. “Is this a joke?”

Instructor Tidus addresses me from the other end of the room. “Rho, the fact that we’re here at all right now should indicate how crucial this test is. Our most important long-term planning depends on precise star readings. How we invest, where we build, what our farms grow. I thought you would take today more seriously.”

“I’m sorry,” I say, shame spreading through me as swiftly as Maw poison.

“Your unorthodox methods are failing you, and now I expect you to do the math, the way your peers do.”

Even my toes must be red. “Could I go get my Astralator?”

Without answering, Dean Lyll opens the door and calls into the hallway, “Does anyone have an Astralator for an unprepared Acolyte to borrow?”

Even, measured footsteps approach, and a man marches into the room, something small clasped in his hands. I suppress a gasp of surprise.

“Lodestar Mathias Thais!” booms Dean Lyll, reaching out to touch fists, our traditional greeting. “Wonderful to have you back on our moon for the celebration.”

The man nods but doesn’t speak. He’s still shy. The first time I saw him was almost five years ago, when he was still a student at Zodai University. I was twelve and just starting at the Academy. I missed the singing surf of the Cancer Sea too much to get more than a couple hours’ sleep those nights, so I’d spend the rest of the time exploring the city-sized, enclosed compound we share with the university.

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