The Concrete Grove

CHAPTER NINE





BANJO SAT IN the chair, shivering. He wasn’t cold; it was warm inside the room, despite being located underground, in a section of the huge cellar directly beneath the gym. No, it was not because of the temperature that his body was jerking and spasming repeatedly, like a series of tiny orgasms. It was because of fear.

Banjo was tied into the wooden dining chair. His hands had been pulled back, around the back of the chair, and secured with plastic ties, like the kind some people used to keep their expensive wheel trims on their posh cars. He’d also seen police detectives in the American cop shows he loved to watch when he was stoned use similar ties to cuff prisoners, rather than using traditional steel handcuffs.

He struggled to get his body under control, tensing his muscles and taking a deep breath – which was difficult in itself because of the PVC ball gag someone had stuffed into his mouth and belted tightly at the back of his head. On top of all the drugs he’d ingested, the situation was enough to make him think that he was finally losing his mind.

The room was dim. There was one light – a small lamp in one corner, which stood on a low wooden table. The lamp was missing its shade, and the low wattage bulb cast a meagre illumination. Shadows crawled around the walls, grouping in the corners. When Banjo looked up, straining his neck because of the ball gag straps, it looked as if the ceiling was covered in a wet black substance. He knew his eyes were creating narcotic-phantoms, but it was a disturbing image just the same.

The attempt to calm down was failing. Fear filled him, turning him into a repository for terrors he could not have imagined only days before. Why had he done it? There had been no real reason for his crime, and everyone knew what a bastard Monty Bright was, how he dished out his own brand of punishment to keep the Grove under his control. So why the f*ck had Banjo taken the loan shark’s money?

He remembered everything so clearly, all the little details. It had been cold, crisp, and the stars were unusually bright, like little isolated lamps across the sky. He’d had the idea weeks before, when he was smoking spliffs and dropping cheap acid with an old girlfriend. They were bemoaning the fact that they were always skint, couldn’t ever afford to do anything interesting or buy any decent drugs, and Banjo had decided right then that he needed to do something to alter the course of his life, even if it was for just a weekend.

He thought it would be easy to pose as one of Bright’s collectors, and target some unsuspecting biddy who owed a payment on her loan. He even knew who to choose: old Mrs. Waits, from Grove Rise. Everyone knew she’d come into a bit of money, that when some distant cousin had died he had left her a few grand in his will. The old bird was so dotty she’d probably forget that he’d been to visit, and think nothing of paying twice… Alzheimer’s or something. Her memory was shot to shit.

But things hadn’t quite worked out the way he’d planned.

Yes, he’d gone round there, wearing his long leather coat, with his game face on, and acting like some TV tough-guy, and Mrs. Waits had given him the cash – five-hundred quid, right in his hand. When he’d walked out of her house, heading for the Unicorn to enjoy a couple of pints, score some quality coke and reflect on the success of his mission, he had even felt good about things. For once in his life, Banjo had made something work. He had bettered his situation.

Then, several days later, when the real collectors had gone round to see Mrs. Waits – the guy who always wore those leather gloves and the big fat one with a chip on his shoulder – the old bat had been able to give a good description of Banjo, and, when pressed, had even known his name. Turned out the estate gossips were wrong and she didn’t have Alzheimer’s after all. She was just old and slow, but her mind remained sharp.

That was the fatal flaw in Banjo’s plan. He had not even realised that the woman knew him, and her supposed mental condition had made him lax. He knew who she was, of course, but as far as he knew he was unknown to her.

As far as he knew.

In reality, of course, it turned out that she recognised him from years ago, when he’d worked in the FastFilm video rental shop on the Arcade, his first job after leaving school. His only job after leaving school, if he was honest: working a nine-to-five had never appealed to Banjo.

He’d considered leaving the Grove then, fleeing the area and perhaps heading south, to London. That’s what they always did in the movies – all the ones he’d watched free of charge in the back of the rental place where he’d once worked, his face bathed in the light of their reflected glory. But in those movies they always seemed to have more than five-hundred quid in their back pocket, and even if they didn’t, they always managed to pick up some additional pocket change along the way to fund their adventures.

Again, the reality was miles away from fiction; the truth, life’s truth, was never quite as promising as the truth of VHS.

The room was bare. The walls were covered in timber panelling, and the varnish was peeling. His mind was racing; his body was rushing from the drugs. The floor was concrete, hard and cold and uneven. The only furniture in the room, apart from the chair into which he was tied, was the coffee table with the lamp on it. There was nothing else, just two doors, facing each other from opposite walls.

The bloke with the leather gloves – what was his name? – had given Banjo a few slaps, back and front-handed, as if he were hitting a woman. The violence had been demeaning more than painful, although the blows had stung at the time. Now all he felt was a slight hot sensation across his cheeks, which moved around as his drug-rush developed. His eyes watered. The ball gag was drying out the inside of his mouth.

The lamp flickered. There was a slow, dragging sound from behind one of the doors. Nothing else. Just silence. Had he imagined it, or was somebody there?

Banjo had no idea how much time had passed, or whether it was night or day. They’d come for him at around two in the morning at least a couple of days ago, kicking down the door of the squat he’d been using as a bolt-hole and a shooting gallery to use the smack he’d spent a large portion of that five-hundred quid on. They dragged him outside, where they pushed him into the back of a car. He knew where they were taking him; everybody on the Grove was aware that Bright had rooms beneath the gym on Grove Lane, and he used them not just for storage but for other, less conventional functions. Even the police had knowledge of Bright’s underground lair, but they just left him alone to go about his business. As far as they were concerned, he kept the Grove under control.

There were rumours that he had bodies buried down here, in the foundations, under the concrete floor, even inside the walls. Banjo couldn’t be sure how much truth was in these stories, and had always doubted them, but right now, strapped into the chair, they had never seemed so real.

The lamp flickered again. He saw colours bursting behind the sudden glare.

Banjo closed his eyes to stop them watering. He tried to swallow but his throat was dry and his tongue felt as big as a side of beef in his mouth. His rush continued, gifting him a strange sense of ease. They’d been pumping him full of drugs – pure, uncut – since he got here. It felt like he hadn’t been clean and sober for weeks.

Footsteps approached from the other side of the door – which door, again he couldn’t be sure.

Somebody knocked, three times.

That was an odd thing to do, knocking on the door, as if whoever stood out there was a visitor and Banjo were not being held captive. He waited, listened, and the knocking came again. Three times, like a charm.

Then there was the sound of a key being inserted into the lock, moved around in the barrel; and finally the locked clicked. The door swung open without a sound. Banjo strained to turn his head and peer around at the door, to see who was coming in and hopefully appeal to their sense of pity. He flexed his hands behind him, making fists and opening them again, and tried to move his legs against the chair, maybe tip the whole thing over.

Darkness surged towards him, clashing with the drugs in his system. He knew that he wouldn’t come down from this sweet high for hours, and somewhere at the back of his mind he realised that by then it might be too late to make a difference.

“Be still.” The man who drifted towards him was not tall. He was broad, and his familiar face hung in the dimness like a ghostly apparition. There was nothing overtly threatening about the way he looked. Yet he was terrifying.

“Calm down or I’ll kill you right now.”

Banjo stopped struggling. The man’s voice – low, even, rather bland – acted like a physical restraint, even more so than the plastic ties which bound him to the chair.

“That’s better.” He walked around to stand before Banjo, his movements slow and deliberate. He was wearing a short black bomber jacket zipped up to the throat and dark denim jeans. His black hair was slicked back against his skull with some kind of product, as if he were stuck in the 1980s or had seen the film Wall Street too many times. To Banjo, in his messed-up state, that hair looked painted on, like some kind of lacquer. It glistened like a beetle’s carapace in the dimness. Banjo wanted to laugh.

“Now we can talk, like a couple of good old fellows. Yes?” His lips didn’t move much when he spoke: his teeth remained clenched, like those of a ventriloquist throwing his voice.

Banjo nodded his head, kept nodding it. The drugs they’d been feeding him had taken control of his actions. He couldn’t stop even if he tried.

“Stop that. You might hurt yourself.” Monty Bright smiled, and it was like every last bit of light in the room rushed towards his mouth, smearing against his small, white teeth.

Banjo stopped nodding. It was strange how this man’s energy seemed to cut through even the tremors of the drugs to make Banjo do as he wished.

“You took something from me, son. You robbed me, and that isn’t nice. I now find myself in a position – one I’ve been in many times before – where I’m forced to make an example of you.” His voice remained low. There was nothing particularly aggressive about his tone, but Banjo sensed his violence, even saw it moving snakelike behind the mask he wore. Bright didn’t waste words; everything he said had a purpose, and that purpose was usually dark.

Banjo felt tears rolling down his cheeks.

“Poor boy,” said Bright, taking a couple of small steps forward so that he was directly in front of his captive. “Wasting tears on this life… your life. It wasn’t much, you know. Your life. Not really. You were ejected, bloody and screaming, from your mother’s gaping cunt, and then you were raised like an animal, a sacrifice for whatever dark gods rule places like this.” He smiled again: quick, tight, like a wound opening up on his face for one brief moment. The lamplight quivered. “You f*cked a few girls, smoked a few drugs, and made a few casual friends. You wasted your time at a shitty state school, learning nothing and dropping out before you’d even dropped in. Then you were ejected again, from a different cunt this time, to stand bloody and screaming before the jaws of society.”

Banjo could do nothing for crying. The ball gag was making him choke; his throat ached. He was sobbing now: deep, heartfelt, half-choked muffled sobs that shook his entire body. He felt no grief; something else, an entirely unnameable emotion, stirred within his depths.

“It’s such a f*cking waste – a waste of everything, son. Do you see that?” Monty Bright bent forward. He smelled of an enclosed room after heavy rain, a dark corner where water seeps in to cause rot. “But let’s not waste these tears.” His tongue, long and rough and pointed, slid between his thin lips and he licked Banjo’s cheek, lapping up his tears like honey. This perverse and intimate act lasted only a couple of seconds, but it made such a great impact on Banjo that he felt his heart break. Here was a man – a strong, powerful man – who thought so much of Banjo’s regrets that he would feed on his tears. It should be horrendous, a concept so inhuman that it was monstrous, yet Banjo felt nothing but love.

He loved Monty Bright like a father.

Banjo smiled around the ball gag, tasting plastic. The drugs raced through him, changing him, making him malleable to the consciousness of this other.

Bright nodded, reached up, and removed the gag. “Are you ready to redeem yourself, to make sure that the rest of your life isn’t wasted?” Then, producing a small knife, he cut the plastic ties, freeing Banjo’s arms and legs.

“Yes,” said Banjo, still smiling, his voice raw in his dried-out throat. “Yes, I’m ready.” He rubbed his arms, trying to get the blood flowing. His legs felt like wooden stilts, stiff and unresponsive.

Bright took him by the hand – no man had ever done that before – and led him across the room, to the other door. Banjo’s legs grew stronger, the muscles remembering how to walk. Soon he was moving more easily, his body becoming more responsive and the drugs in his system flowing freely now that he was unbound.

Banjo felt like he was floating, tethered to the ground only by the grip of his captor’s hand.

The door he stood before was old, scarred, and weathered, as if it had been kept outside for decades rather than inside this room. The ancient paint was peeling like scabs; the heavy grain of the wood looked like burst veins and capillaries.

“Step inside and become something else, something more than human wastage.” Monty Bright stepped back, prodding Banjo gently in the small of the back. Bright didn’t touch the handle, but the door began to open. It moved smoothly, without a sound, and Banjo stared at the ribbon of darkness that grew between door and frame, becoming a black wedge.

“Go on, now. Let’s get this done, son. Let’s get this show on the road. The f*cking road to nowhere.” Bright’s voice, along with his accompanying laughter, sounded as if it was reaching him from a great distance.

Banjo stepped into the welcoming darkness and felt the last vestiges of his old fear leave him as the door closed behind him. He thought of his mother, and the way she had wasted her life on drink, her own drug of choice; he remembered his father, turning away and leaving them all behind; he recalled fondly the touch of his baby sister’s hand, the night she had died of pneumonia in hospital. None of these memories upset him – they were like pictures on television, scenes from the videos he used to love. He was free of them now; this room he had walked into, and the drugs, had cut him off from harm.

Banjo walked to the centre of the room, his eyesight now growing accustomed to the darkness. The ground was soft, like mud, and the walls seemed to writhe at the corner of his vision. Soon he realised that he was surrounded.

He stood at the centre of a number of televisions. Each of them was an old model – some of them must have dated back to the early days of the technology. Big dusty screens stared blindly in his direction; dead cables trailed behind bulky sets; large buttons and dials were like mutations on the shells of these machines.

At one level he was aware that there must be something here, for him to see, but at another level, where he stood apart from the scene, he knew that he was so wasted that he could be looking at a bunch of cardboard boxes and moulding the image to suit his mood.

Banjo kneeled on the soft ground. He was not sure why, it just felt right, like an act of communion. His entire life had been spent in thrall to these things as they pumped out images and lifestyle choices, so why not worship them now, in a dark underground room that felt so much like a church?

He bowed his head just as the screens came to life.

One after another, in quick succession around him, forming a crude circle of brightness, the screens flared, bathing him in their holy light. Dust swam before his eyes, giving the illusion that he was underwater. The television sets throbbed, a cathode-ray heartbeat, and he watched as pictures began to form from the static. It was like birth: difficult, painful. The forms bucked and writhed, twitched and jerked, and the screens bulged outwards as the figures took shape.

Drug-demons: nightmares snatched from inside his head. He watched them with a sense of wonder.

They were small and they were naked. Their skin was the colour of static; their eyes the grey of the dusty concrete that had surrounded him his entire life. They emerged like grubs from the television sets, their substance formed of the material of the screens as well as the nebulous static and the ghost of the heroin in Banjo’s blood. They left behind their empty TV shells as they rolled away, their legs lengthening in sudden thrusts. The fronts of the television sets looked like a series of kicked-in faces. The things that had hatched from these wounds lay curled on the ground before them, twitching occasionally; sleeping dogs dreaming of the chase.

Then, simultaneously, they sprung up from the ground and stood erect, uncurling swiftly and almost mechanically. They stood before their televisual eggs, rocking back and forth, torsos without arms, long, back-folded insect legs lacking a midriff, flat, featureless heads unsupported by anything even resembling a neck.

Their concrete-grey eyes were big and square and blank. Their mouths were just stretched ragged holes, lacking teeth or gums. They were tubes, those mouths, and Banjo didn’t want to see where they ended. He raised his hands to these new gods, these entities sired by the great glass tit of television, and opened his mouth to pray or question or perhaps just to scream. His drugs high had reached a new plateau: never before had his dreams become flesh.

They were upon him within seconds, flowing through the space like a rogue signal, moving in the syncopated jinks and jerks caused by a faulty transmission. Banjo felt his cheeks expand as his mouth was filled with their flexible tubes. He tasted burnt copper and charred wires. He felt pregnant with emptiness. Then, without warning, the effects of the drugs abated. Banjo’s fear resurfaced, finding a way back inside the crowded schedule of his TV-learned emotions, and he felt the channel inside his head change forever.