The Dead Lands

 

Lewis has known the mayor, Thomas Lancer, longer and better than anyone else in his life, though they can’t be called friends. Not anymore. There was a time, so long ago, when they were children, when they would thumb marbles beneath the table while their parents dined or ride bucking sheep for sport or play prey/predator in the gardens, one sneaking up on the other with his hands made into claws.

 

Lewis remembers especially loving the drum game. One of them would race off with a handheld drum while the other tied a blindfold around his eyes and waited for the thumping to sound. Thomas always preferred that Lewis pursue him—beating the drum sometimes softly, sometimes loudly—leading him through the Sanctuary, down alleys, through stables, over bridges, into and out of buildings, until finally Lewis crabbed out a hand and caught him.

 

The game has not changed so much. Thomas beckons him now with a deputy instead of a drum.

 

The Dome is gold leaf and during the day shines like a second sun. Its halls are made of marble interrupted by grooved pillars and oil paintings and frescoes and sculptures and staircases that spiral into many dark-wooded chambers where the lights sizzle on and off depending on how hard the wind blows.

 

Lewis needs no escort. When the deputy guides him by the shoulder, around a corner or down a hall, Lewis shrugs her off and says, “I know.” He grew up here, after all, sliding down the staircases, reading books in the library, exploring the crypt, his father the longtime mayor. Then came his death, and Thomas’s election.

 

One hundred and fifty years ago—when the world began to fall apart, when the flu mutated and millions began to die, their lungs hitching until they coughed up blood—several businessmen and politicians and National Guard units fortified downtown St. Louis with the improvised panic of people scrambling for cover against a sudden storm. There was no time for committees, for debate, for a show of hands. There was not even enough time to collect toothbrushes, rifles, photo albums, to call upon family members to join them. They had to make the immediate decision to live or die. The flu was airborne. It was burning brains with fevers, choking lungs with blood. And it was coming. So the wall rose around them, like a swift buckling of the earth.

 

A constitution followed a year later. They did not call themselves a country. They were a sovereign city, a temporary haven awaiting reincorporation. The United States would rise again, and in the meantime, they would uphold as many democratic principles as they could while maintaining strict control. They elected their mayor and city council to two-year terms. All firearms were abolished, all currency collected and redistributed.

 

Lewis’s father was elected and reelected for more than thirty years. When he died, Thomas, a member of the city council, announced he would run for mayor. He had such an easy way with people, always smiling, looking deeply into eyes, taking a hand with both of his and not letting go. His campaign slogan, Evolve, asked that people reconsider the Sanctuary. Previous administrations insisted that the world was not lost, that the Sanctuary was a temporary haven, that one day the country would reunite. Thomas argued for an end to the lies. He wanted everyone to recognize that they were on their own, that they needed to change, to progress. The Sanctuary was more than an old city—it was the new world. He designed a flag—what would become the flag of the Sanctuary—red, white, and blue, but carrying a single star.

 

Several approached Lewis and begged him to put in a bid. They said people liked familiarity. His name, Meriwether, carried currency, had history. People would vote for him because he would make them feel safe.

 

Lewis said they were fools. People detested him. He was not familiar, despite his last name, but the very definition of unfamiliar. Different. Weird. Unsettling. If his father walked through a crowd, they swarmed him; if Lewis walked through a crowd, they scrambled to escape him. And he had no interest in politics. He only wanted to retain his stewardship of the museum, the place he served as an aide throughout his childhood, the only education available in the Sanctuary after children left school to work at the age of ten.

 

A few put in bids against Thomas, but he dominated the ticket. People believed in his platform. They wanted to evolve. They were ready for change—and they got it.

 

A heavy oaken door swings open and tendrils of steam escape it. Water splashes. Someone titters. Lewis enters the bath, the marble floor rising into a rectangular tub bigger than a bed. Three square windows are cut into the wall and they flood the room with light that swirls with steam through which Lewis observes Thomas.

 

He sits in the middle of the tub, joined by a long, lean boy who couldn’t be more than twenty. Lewis seems to recall his name as Vincent. It is hard to remember them all. Some are male, some female, all young. Thomas once told Lewis he would screw anything, as long as it had skin and yielded to him. His wife, he claimed, was made of bone. So he found other ways to entertain himself. Vincent must be special—he has lasted longer than the others. The boy licks his sponge across Thomas’s back and shoulders, his neck and belly. His face is a foaming mess of soap, costuming him with the beard he cannot grow. His eyes appear glazed—perhaps from sex, the heat, the glass of brown liquor resting at the edge of the tub.

 

Lewis clears his throat and says, in the pause that follows, “You demanded my audience.”

 

Thomas blearily observes him, then startles to attention. “Lewis.” Waves of water slosh when he lifts his arms in greeting. “I’m so glad to see you, so glad you could come.”

 

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