The Cabinet of Curiosities (Pendergast #3)

“I’m sorry, but I don’t get your point.”


Brisbane smiled thinly. “You and the rest of the scientific staff. You all forget one thing: it is about show. Take this emerald. Scientifically, there’s nothing in it that you couldn’t find in an emerald a hundredth its size. But people don’t want to see any old emerald: they want to see the biggest emerald. Show, Dr. Kelly, is the lifeblood of this Museum. How long do you think your precious scientific research would last if people stopped coming, stopped being interested, stopped giving money? You need collections: dazzling exhibitions, colossal meteorites, dinosaurs, planetariums, gold, dodo birds, and giant emeralds to keep people’s attention. Your work just doesn’t fall into that category.”

“But my work is interesting.”

Brisbane spread his hands. “My dear, everyone here thinks their research is the most interesting.”

It was the “my dear” that did it. Nora rose from her chair, white-lipped with anger. “I shouldn’t have to sit here justifying my work to you. The Utah survey will establish exactly when the Aztec influence came into the Southwest and transformed Anasazi culture. It will tell us—”

“If you were digging up dinosaurs, it would be different. That’s where the action is. And it happens that’s also where the money is. The fact is, Dr. Kelly, nobody seems terribly concerned with your little piles of potsherds except yourself.”

“The fact is,” said Nora hotly, “that you’re a miscarried scientist yourself. You’re only playing at being a bureaucrat, and, frankly, you’re overdoing the role.”

As soon as Nora spoke she realized she had said too much. Brisbane’s face seemed to freeze for a moment. Then he recovered, gave her a cool smile, and twitched his handkerchief out of his breast pocket. He began polishing the emerald, slowly and repetitively. Then he placed it back in the case, locked it, and then began polishing the case itself, first the top and then the sides, with deliberation. Finally he spoke.

“Do not excite yourself. It hardens the arteries and is altogether bad for your health.”

“I didn’t mean to say that, and I’m sorry, but I won’t stand for these cuts.”

Brisbane spoke pleasantly. “I’ve said what I have to say. For those curators who are unable or unwilling to find the cuts, there’s no problem—I will be happy to find the cuts for them.” When he said this, he did not smile.


Nora closed the door to the outer office and stood in the hallway, her mind in turmoil. She had sworn to herself not to leave without the extra money, and here she was, worse off than before she went in. Should she go to Collopy, the Museum’s director? But he was severe and unapproachable, and that would surely piss off Brisbane. She’d already shot her mouth off once. Going over Brisbane’s head might get her fired. And whatever else she did, she couldn’t lose this job. If that happened, she might as well find another line of work. Maybe she could find the money somewhere else, rustle up another grant somewhere. And there was another budget review in six months. One could always hope…

Slowly, she descended the staircase to the fourth floor. In the corridor she paused, surprised to see the door to her office wide open. She looked inside. In the place she had been standing not fifteen minutes before, a very odd-looking man was now framed by the window, leafing through a monograph. He was wearing a dead black suit, severely cut, giving him a distinctly funereal air. His skin was very pale, whiter than she had ever seen on a living body. His blond hair, too, was almost white, and he turned the pages of the monograph with astonishingly long, slender, ivory fingers.

“Excuse me, but what are you doing in my office?” Nora asked.

“Interesting,” the man murmured, turning.

“I’m sorry?”

He held up a monograph, The Geochronology of Sandia Cave. “Odd that only whole Folsom points were found above the Sandia level. Highly suggestive, don’t you think?” He spoke with a soft, upper-class southern accent that flowed like honey.

Nora felt her surprise turning to anger at this casual invasion of her office.

He moved toward a bookcase, slid the monograph back into its place on the shelf, and began perusing the other volumes, his finger tapping the spines with small, precise movements. “Ah,” he said, slipping out another monograph. “I see the Monte Verde results have been challenged.”

Nora stepped forward, jerked the monograph out of his hand, and shoved it back onto the shelf. “I’m busy at the moment. If you want an appointment, you can call. Please close the door on your way out.” She turned her back, waiting for him to leave. Ten percent. She shook her head in weary disbelief. How could she possibly manage it?