Rufus, a die-hard ham radio enthusiast who still communicated in Morse code with a dwindling circle of old friends all over the world, had pointed out that radio transmission between the ground and Izzy was actually rather easy, given that it was line-of-sight (at least when Izzy happened to be passing overhead) and that the distance was nothing by ham radio standards. Since Dinah lived and worked in a robot workshop, surrounded by soldering gear and electronics workbenches, it had been a simple matter for her to assemble a small transceiver following specifications provided by her dad. Zip-tied to a bulkhead, it dangled above her workstation, making a dim static hiss that was easily drowned out by the normal background roar of the space station’s ventilation systems. Sometimes it would beep.
A spacewalker gazing at Dinah’s end of Izzy, a few minutes after the Agent had fractured the moon, would have seen, first of all, Amalthea: a huge, gnarled twist of metal, still dusty in some places with space debris that had fallen into its evanescent gravitational field over the aeons, gleaming in others where it had been rubbed clean. Scurrying over its surface was a score of different robots, belonging to four distinct “species”: one that looked like a snake, one that picked its way along like a crab, one that looked like a sort of rolling geodesic dome, and another that looked like a swarm of insects. These provided sporadic illumination from the blue and white LEDs that Dinah used to track them, from the lasers with which they scanned Amalthea’s surface, and from the blinding arcs of purplish light with which they would sometimes slice into it. Izzy was then in Earth’s shadow, on the night side of the planet, and so all was dark otherwise, except for white light spilling out from the little quartz window beside Dinah’s workstation. This was barely large enough to frame her head. She had straw-colored hair cut short. She had never been especially appearance conscious; back at the minehead her brothers had mocked her to shame whenever she had experimented with clothes or cosmetics. When she’d been described as a tomboy in a school yearbook she had interpreted it as a sort of warning shot and had gone into a somewhat more girly phase that had run its course during her late teens and early twenties and ended when she had started to worry about being taken seriously in engineering meetings. Being on Izzy meant being on the Internet, doing everything from painstakingly scripted NASA PR interviews to candid Facebook shots posted by fellow astronauts. She had grown tired of the pouffy floating hair of zero gravity and, after a few weeks of clamping it down with baseball caps, had figured out how to make this shorter cut work for her. The haircut had spawned terabytes of Internet commentary from men, and a few women, who apparently had nothing else to do with their time.
As usual, she was focused on the screen of her computer, which was covered with lines of code governing the behavior of her robots. Most software developers had to write code, compile it into a program, and then run the program to see whether it was working as intended. Dinah wrote code, beamed it into the robots scurrying around on Amalthea’s surface a few meters away, and stared out the window to see whether it was working. The ones closest to the window tended to get most of her attention, and so there was a kind of natural selection at work, in that the robots that huddled closest to their mother’s cool blue-eyed gaze acquired the most intelligence, while the ones wandering around loose on the dark side never got any smarter.
At any rate her focus was either on the screen or on the robots, and so it had been for many hours. Until a string of beeps came out of the hissing speaker zip-tied to the bulkhead, and her eyes went momentarily out of focus as her brain decoded the dots and dashes into a string of letters and numbers: her father’s call sign. “Not now, Pa,” she muttered, with a guilty daughter’s glance at the brass-and-oak telegraph key he had given her—a Victorian relic purchased at great price on eBay, during a bidding war that had placed Rufus into pitched battle against a host of science museums and interior decorators.
LOOK AT THE MOON
“Not now, Pa, I know the moon’s pretty, I’m right in the middle of debugging this method . . .”
OR WHAT USED TO BE IT
“Huh?”
And then she brought her face close to the window and twisted her neck to find the moon. She saw what used to be it. And the universe changed.
HIS NAME WAS DUBOIS JEROME XAVIER HARRIS, PH.D. THE FRENCH first name came from his Louisiana ancestors on his mother’s side. The Harrises were Canadian blacks whose ancestors had come up to Toronto during slavery. Jerome and Xavier were the names of saints—two of them, just to be on the safe side. The family straddled the border in the Detroit-Windsor area. Inevitably, he had been dubbed Doob by his friends at school when they had still been too young to understand that “doobie” was slang for a marijuana cigarette. The overwhelming majority of people called him Doc Dubois now, because he was on TV a lot, and that was how the talk show hosts and the network anchormen introduced him. His job on TV was to explain science to the general public and, as such, to act as a lightning rod for people who could not accept all the things that science implied about their worldview and their way of life, and who showed a kind of harebrained ingenuity in finding ways to refute it.