The Heirs

Sam read his mother’s letter to Hannah Sonnegaard. He saw a copy on her desk, lying there in the open, an invitation to be read. If she didn’t want Harry or me to read it, he said to himself, she’d have put it in a file or destroyed it. He’d come by for Sunday lunch, Gemma in tow. Susanna had begged off. “I need desperately to sleep. Your mother will understand.” He walked into the kitchen carrying the baby and the letter.

“I found this,” he said. “I wondered what you finally wrote.” Eleanor looked at him coolly, not sure if she was annoyed or not. Privacy had always been a trial in an apartment with five boys underfoot, not so much because the boys were curious about their mother but because they were always losing things and looking in the wrong places. “I was thinking of The Purloined Letter, hiding in plain sight,” she said.

Sam read the letter to Will on the phone. “Doesn’t it sound, at the very least, ambivalent about the Sonnegaards: ‘I cannot forgive her’?”

“It sounds angry,” Will said, “as angry as I’ve ever known Mom to be.”

“Funny, isn’t it?” Sam said. “She doesn’t mind the Wolinskis, only the Sonnegaards.”

“I don’t think children are meant to understand their parents,” Will said.



Will, Francie, and Mary went to England in early August, to visit Mary’s grandparents. When they married, Francie had exacted a promise from Will that they would visit her family at least twice a year, each visit no less than a week. Will often did business on these trips, a relief to all. Rupert-like, he wasn’t one to coo over a baby, and he saw that his in-laws longed for time alone with their daughter and granddaughter.

After three days of family, saying he had an author’s meeting, Will took an early-morning train down to Havant. Fairfield Road was around the corner from the station. He readily found number 16. The house was detached, a solid, handsome, two-story redbrick structure, with a split flint garden wall and a greenhouse. Gypsies didn’t live there. He walked up to the front door and rang the bell. After a minute, a woman in her early seventies opened the door. She was tall, straight, and lean, with graying blond hair and ice-blue wolf’s eyes.


A writer needs an editor, an agent, and a family cheering section. I’ve been wildly lucky in my set. Thanks to: my editor Lindsay Sagnette who asked after reading a short story I’d written whether I would think about turning it into a novel; my agent Kathy Robbins who read all the many drafts of The Heirs, helping me make it better before submitting it to Lindsay who helped me make it even better; and my husband David Denby and my daughter Maggie Pouncey, writers both, who told me I could write a different kind of novel from my first. I also want to acknowledge with thanks the Crown crew: Molly Stern, Annsley Rosner, Rose Fox, Rachelle Mandik, Sarah Breivogel, Danielle Crabtree, Kevin Callahan, and everyone else who worked on turning the manuscript into a book; Kathy Robbins’s gang at the Robbins Office, especially Janet Oshiro, Rachelle Bergstein, and Eliza Darnton, for reading the manuscript in its various iterations; my son-in-law Matt who checked regularly on my progress; and my two grandsons, Felix, seven, and Dominic, three, the sunshine of my life.


SUSAN RIEGER is the author of the 2014 novel The Divorce Papers. She is a graduate of Columbia Law School and has worked as a residential college dean at Yale and as an associate provost at Columbia. She lives in New York City with her husband, the writer David Denby.

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