“Brother Enoch,” said Maryse, rising from behind her desk. “Thank you for joining me and Brother Zachariah here on such short notice.”
Is this in regards to Jace? Zachariah inquired, and if Maryse had not known better, she would have imagined a tinge of anxiety in his mental voice. I have checked in on him several times today. His condition has not changed.
Enoch shifted within his robes. And I have been looking through the archives and the ancient documentation on the topic of Heaven’s fire. There is some information about the manner in which it may be released, but you must be patient. There is no need to call on us. Should we have news, we will call on you.
“This is not about Jace,” said Maryse, and she moved around the desk, her heels clicking on the stone floor of the library. “This is about something else entirely.” She glanced down. A rug had been carelessly tossed across the floor, where no rug usually rested. It did not lie flat but was draped over an irregular humped shape. It obscured the delicate pattern of tiles that outlined the shape of the Cup, the Sword, and the Angel. She reached down, took hold of a corner of the rug, and yanked it aside.
The Silent Brothers did not gasp, of course; they could make no sound. But a cacophony filled Maryse’s mind, the psychic echo of their shock and horror. Brother Enoch took a step back, while Brother Zachariah raised one long-fingered hand to cover his face, as if he could block his ruined eyes from the sight before him.
“It was not here this morning,” said Maryse. “But when I returned this afternoon, it awaited me.”
At the very first glimpse she had thought that some kind of large bird had found its way into the library and died, perhaps breaking its neck against one of the tall windows. But as she had moved closer, the truth of what she was looking at had dawned on her. She said nothing of the visceral shock of despair that had gone through her like an arrow, or the way she had staggered to the window and been sick out of it the moment she’d realized what she was looking at.
A pair of white wings—not quite white, really, but an amalgamation of colors that shifted and flickered as she looked at it: pale silver, streaks of violet, dark blue, each feather outlined in gold. And then, there at the root, an ugly gash of sheared-off bone and sinew. Angel’s wings—angel’s wings that had been sliced from the body of a living angel. Angelic ichor, the color of liquid gold, smeared the floor.
Atop the wings was a folded piece of paper, addressed to the New York Institute. After splashing water on her face, Maryse had taken the letter and read it. It was short—one sentence—and was signed with a name in a handwriting oddly familiar to her, for in it there was the echo of Valentine’s cursive, the flourishes of his letters, the strong, steady hand. But it was not Valentine’s name. It was his son’s.
Jonathan Christopher Morgenstern.
She held it out now to Brother Zachariah. He took it from her fingers and opened it, reading, as she had, the single word of Ancient Greek scrawled in elaborate script across the top of the page.
Erchomai, it said.
I am coming.
NOTES
Magnus’s Latin invocation on page 237 that raises Azazel, beginning “Quod tumeraris: per Jehovam, Gehennam,” is taken from The Tragical History of Doctor Faustus by Christopher Marlowe.
The snippets of the ballad Magnus listens to in the car on pages 391–393 are taken with permission from “Alack, for I Can Get No Play” by Elka Cloke. elkacloke.com
The T-shirt CLEARLY I HAVE MADE SOME BAD DECISIONS is inspired by my friend Jeph Jacques’s comic at questionable content.net. The T-shirts can be purchased at topatoco.com. The idea of Magical Love Gentleman also belongs to him.
Acknowledgments
As always, I must thank my family: my husband, Josh; my mother and father, as well as Jim Hill and Kate Connor; Melanie, Jonathan, and Helen Lewis; Florence and Joyce. Many thanks to early readers and critiquers Holly Black, Sarah Rees Brennan, Delia Sherman, Gavin Grant, Kelly Link, Ellen Kushner, and Sarah Smith. Special credit due to Holly, Sarah, Maureen Johnson, Robin Wasserman, Cristi Jacques, and Paolo Bacigalupi for helping me block scenes. Maureen, Robin, Holly, Sarah, you are always there for me to complain to—you are stars. Thank you to Martange for help with French translations and to my Indonesian fans for Magnus’s declaration to Alec. Wayne Miller, as always, assisted with Latin translations, and Aspasia Diafa and Rachel Kory gave extra assistance with ancient Greek. Invaluable help came from my agent, Barry Goldblatt, my editor, Karen Wojtyla; and her partner in crime Emily Fabre. My thanks to Cliff Nielson and Russell Gordon, for making a beautiful cover, and to the teams at Simon and Schuster and Walker Books for making the rest of the magic happen.
City of Lost Souls was written with the program Scrivener, in the town of Goult, France.