Whiteout

8:15 AM

 

KIT had a terrifying feeling that everything was coming unglued.

 

It should have been a simple thing for three tough crims such as Nigel, Elton, and Daisy to round up stray members of a law-abiding family. Yet things kept going wrong. Little Tom had made a suicide attack on Daisy; Ned had stunned everyone by protecting Tom from Daisy's revenge; and Sophie had escaped in the confusion. And Toni Gallo was nowhere to be seen.

 

Elton brought Ned and Tom into the kitchen at gunpoint. Ned was bleeding from several places on his face, and Tom was bruised and crying, but they were walking steadily, Ned holding Tom's hand.

 

Kit reckoned up who was still at large. Sophie had run away, and Craig would not be far from her. Caroline was probably still asleep in the barn. Then there was Toni Gallo. Four people, three of them children— surely it could not take long to capture them? But time was running out. Kit and the gang had less than two hours to get to the airfield with the virus. Their customer would not wait very long, Kit guessed. If something seemed wrong he would fear a trap and leave.

 

Elton threw Miranda's phone onto the kitchen table. "Found it in a handbag in the cottage," he said. "The guy doesn't seem to have one." The phone landed beside the perfume spray. Kit longed for the moment when the bottle would be handed over, never to be seen again, and he would get his money.

 

He was hoping that the major roads would be cleared of snow by the end of today. He planned to drive to London and check into a small hotel, paying cash. He would lie low for a couple of weeks, then catch a train to Paris with fifty thousand pounds in his pocket. From there he would make his leisurely way across Europe, changing small amounts of money as he needed it, and end up in Lucca.

 

But first, they had to account for everyone here at Steepfall, in order to delay pursuit. And it was proving absurdly difficult.

 

Elton made Ned lie on the floor, then tied him up. Ned was quiet but watchful. Nigel tied Tom, who was still sniveling. When Elton opened the pantry door to put them inside, Kit saw to his surprise that the prisoners had managed to remove their gags.

 

Olga spoke first. "Please, let Hugo out of here," she said. "He's badly injured and he's so cold. I'm afraid he'll die. Just let him lie on the floor in the kitchen, where it's warm."

 

Kit shook his head in amazement. Olga's loyalty to her unfaithful husband was incomprehensible.

 

Nigel said, "He shouldn't have punched me in the face."

 

Elton pushed Ned and Tom into the pantry with the others.

 

Olga said, "Please, I'm begging you!"

 

Elton closed the door.

 

Kit put Hugo out of his mind. "We've got to find Toni Gallo, she's the dangerous one."

 

Nigel said, "Where do you think she is?"

 

"Well, she's not in the house, not in the cottage because Elton's just searched it, and not in the garage because Daisy's just been there. So either she's out of doors, where she won't last long without a coat, or she's in the barn."

 

"All right," Elton said. "I'll go to the barn."

 

* * *

 

TONI was looking out of the barn window.

 

She had now identified three of the four people who had raided the Kremlin. One was Kit, of course. He would have been the planner, the one who told them how to defeat the security system. There was the woman whom Kit had called Daisy—an ironic nickname, presumably, for someone whose appearance would give a vampire a fright. A few minutes ago, in the prelude to the fracas in the courtyard, Daisy had addressed the young black man as Elton, which might be a first name or a surname. Toni had not yet seen the fourth, but she knew that his name was Nigel, for Kit had shouted to him in the hall.

 

She was half-scared and half-thrilled. Scared, because they were clearly tough professional criminals who would kill her if necessary, and because they had the virus. Thrilled, because she was tough, too, and she had a chance to redeem herself by catching them.

 

But how? The best plan would be to get help, but she had no phone and no car. The house phones had been cut off, presumably by the gang. No doubt they had also grabbed any mobile phones lying around. What about cars? Toni had seen two parked in front of the house, and there must be at least one more in the garage, but she had no idea where the keys were.

 

That meant she had to capture the thieves on her own.

 

She thought about the scene she had witnessed in the courtyard. Daisy and Elton were rounding up the family. But Sophie, the tarty kid, had escaped, and Daisy had gone after her. Toni had heard distant noises from beyond the garage—a car engine, breaking glass, and gunfire—but she could not see what was going on, and she hesitated to expose herself by going to investigate. If she let herself get captured, all hope was lost.

 

She wondered if anyone else was at liberty. The gang must be in a hurry to get going, for their rendezvous was at ten o'clock, but they would want to account for everyone before leaving, so that no one could call the police. Perhaps they would begin to panic and make mistakes.

 

Toni fervently hoped so. The odds against her were fearsome. She could not cope with all four villains at once. Three of them were armed—with thirteen-shot Browning automatic pistols, according to Steve. Her only chance would be to pick them off one by one.

 

Where should she start? At some point she had to enter the main house. At least she knew the layout—fortuitously, she had been shown around yesterday. But she did not know where in the house everyone was, and she was reluctant to jump into the dark. She was desperate for more information.

 

As she was racking her brains, she lost the initiative. Elton emerged from the house and came across the courtyard toward the barn.

 

He was younger than Toni, probably twenty-five. He was tall and looked fit. In his right hand he carried a pistol, pointed down at the ground. Although Toni was trained in combat, she knew he would be a formidable adversary even without the gun. If possible, she had to avoid getting into a hand-to-hand fight with him.

 

She wondered fearfully if she could hide. She looked around the barn. No hiding place suggested itself. Besides, there was no point. She had to confront the gang, she thought grimly, and the sooner the better. This one was coming for her on his own, apparently confident he would not need help dealing with a mere woman. Perhaps that would turn out to be his crucial mistake.

 

Unfortunately, Toni had no weapons.

 

She had a few seconds to find some. She looked hurriedly at the things around her. She considered a billiard cue, but it was too light. A blow from one would hurt like hell, but would not render a man unconscious, or even knock him down.

 

Billiard balls were much more dangerous: heavy, solid, and hard. She stuffed two into her jeans pockets.

 

She wished she had a gun.

 

She glanced up at the hayloft. Height was always an advantage. She scrambled up the ladder. Caroline was fast asleep. On the floor between the two beds was an open suitcase. On top of the clothes was a plastic shopping bag. Next to the case was a cage of white rats.

 

The barn door opened, and Toni dropped to the floor and lay flat. There was a fumbling sound, then the main lights came on. Toni could not see the ground floor from her prone position, so she did not know exactly where Elton was; but he could not see her, either, and she had the advantage of knowing he was there.

 

She listened hard, trying to hear his footsteps over the thunder of her heart. There was an odd noise that she interpreted, after a few moments' puzzlement, as Elton overturning the camp beds in case a child was hiding underneath. Then he opened the bathroom door. There was no one inside—Toni had already checked.

 

There was nowhere left to look but the hayloft. He would be coming up the ladder any second now. What could she do?

 

Toni heard the unpleasant squeak of rats, and was struck by inspiration. Still lying flat, she took the shopping bag from the open suitcase and removed its contents, a gift-wrapped package labeled "To Daddy, Happy Xmas from Sophie with love." She dropped the package back in the suitcase. Then she opened the rats' cage.

 

Gently, she picked the rats up one by one and put them in the plastic bag. There were five.

 

She felt an ominous vibration in the floor that told her Elton had started to climb the ladder.

 

It was now or never. She reached forward with both arms and emptied the bag of rats over the top of the ladder.

 

She heard Elton give a roar of shock and disgust as five live rats dropped on his head.

 

His shout woke Caroline, who let out a squeal and sat upright.

 

There was a crash as Elton lost his footing on the ladder and fell to the floor.

 

Toni sprang to her feet and looked down. Elton had fallen on his back. He did not seem seriously hurt, but he was yelling in panic and frantically trying to brush rats off his clothing. They were as frightened as he, and trying desperately to cling to something.

 

Toni could not see his gun.

 

She hesitated only a fraction of a second, then jumped off the loft.

 

She came down with both feet on Elton's chest. He gave an agonized grunt as the air was knocked out of him. Toni landed like a gymnast, rolling forward, but still the impact hurt her legs.

 

From above, she heard a scream: "My babies!" Looking up, she saw Caroline at the top of the ladder, wearing lavender pajamas with a pattern of yellow teddy bears. Toni felt sure she must have squashed one or two of Caroline's pets as she landed, but the rats scattered, apparently unhurt.

 

Desperate to keep the upper hand, Toni struggled to her feet. One ankle gave her a stab of pain, but she ignored it.

 

Where was the gun? He must have dropped it.

 

Elton was hurt, but perhaps not immobilized. She fumbled in her jeans for a billiard ball, but it slipped through her fingers as she tried to pull it out of her pocket. She suffered a moment of pure terror, a feeling that her body would not obey her brain and she was completely helpless. Then she used both hands, one to push from outside her pocket and the other to grasp the ball as it emerged.

 

But the momentary delay had allowed Elton to recover from the shock of the rats. As Toni raised her right hand above her head, he rolled away from her. Instead of bringing the heavy ball down on his head in the hope of knocking him senseless, she was forced to change her mind at the last instant and throw it at him.

 

It was not a forceful throw, and in some part of her brain she heard her ex, Frank, say scornfully, You couldn't throw a ball if your life depended on it. Now her life did depend on it, and Frank was right—the throw was too weak. She hit the target, and there was an audible thud as the billiard ball connected with Elton's skull, causing him to roar in pain; but he did not slump unconscious. Instead he got to his knees, holding his bruised head with one hand, then struggled to his feet.

 

Toni took out the second ball.

 

Elton looked at the floor all around him, searching in a dazed way for his gun.

 

Caroline had climbed halfway down the ladder, and now she leaped to the floor. She stooped and grabbed one of the rats that was hiding behind a leg of the billiard table. Turning to pick up another, she collided with Elton. He mistook her for his adversary, and punched her. It was a powerful blow that connected with the side of her head, and she fell to the floor. But it hurt him, too, for Toni saw him grimace in agony and wrap his arms around his chest, and she guessed she had broken some ribs when she jumped on him.

 

Something had caught Toni's eye as Caroline had reached under the billiard table for a rat. Toni looked again and saw the gun, dull gray against the dark wood of the floor.

 

Elton saw it at the same time. He dropped to his knees.

 

As Elton reached under the table, she raised her arm high above her head and brought the ball down with all her might, squarely on the back of his head. He slumped unconscious.

 

Toni fell to her knees, physically exhausted and emotionally drained. She closed her eyes for a moment, but there was too much to do for her to rest long. She picked up the gun. Steve had been right, it was a Browning automatic pistol of the kind issued by the British army to special forces for clandestine work. The safety catch was on the left side, behind the grip. She turned it to the locked position, then stuffed the gun in the waist of her jeans.

 

She unplugged the television and ripped the cable out of the back of the set, then used it to tie Elton's hands behind his back.

 

Then she searched him, looking for a phone; but, to her intense disappointment, he did not have one.

 

 

 

 

 

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