We occupy the living room, and Grandma sings a song I have not heard before about a young man leaving a hop farm to court a girl in the big city, winning her in the end by brewing miraculous beer made from hops his mother packed for the journey. Grandpa smokes, sucks from a warm bottle, coughs. ?íma whines for some food. I hold the Milka wrapper. Grandma speaks to me, but I cannot unseal my dry lips, cannot recall the sounds of our alphabet. I’m looking for my parents in all this snow. The ceiling cracks along the corners and a daddy longlegs crawls out.
Two days pass, and I move only to urinate in the chamber pot Grandma has left next to the couch. I hear ?íma lapping from it when nobody’s looking. Grandma tries to feed me, but I can’t open my mouth. She wets my lips with water. Grandpa rubs my feet and my hands with his callused fingers, stained yellow. I hold the Milka wrapper. When my grandparents go to sleep, they pull a blanket over me and ?íma snores at my feet, his whiskers wet with urine. This makes me love him more. Grandpa stays up late to watch football and all the American movies the privatized channels can now show. He knows I watch from the corner of my eye, a brief distraction from my search for the bodies, and I angle my head to get a better look at the man in a fedora who whispers to the beautiful blonde. The glow around her hair, her refusal to look the man in the eyes, gives it away—she has a secret. Their lip movements do not match the Czech words they speak. Neighbors come by every day to speak of condolences and God, but Grandma keeps them at the doorstep and thanks them quietly. He was such a good boy, they say of my father. They don’t say he was a good man. I hold the Milka wrapper and I imagine standing among these Austrian mountains as frost causes phlegm to drip from my nose and sting my upper lip. My fingers are black and dead. The world is too vast and there are so many places where humans perish quietly. What good am I, a thin purse of brittle bones and spoiling meat? I can’t find my parents. On the fourth day, I smell like the couch, a mix of dog, detergent, and spilled coffee. My calves cramp and my stomach feels disemboweled. Grandma wears a black dress and blush on her cheeks. Her lips will not cease trembling to the rhythm of her shiny cross earrings. She does not like God but she loves the cross. Grandpa stands over me in a black suit jacket and slacks, a shocking variation on his usual wardrobe of muddy overalls and old army jackets. He holds a plate filled with rotisserie chicken, bread, and butter.
“You need to get up and eat,” he says.
My eyes are with the ceiling cracks, and my fingers are outstretched, wishing to peel back the layers of plaster. My right leg cramps. I grit my teeth and ignore it.
“You don’t have to go to the funeral, but you have to eat,” he says.
“They found the bodies?” I ask.
“We never lost them. It took a while to get them here from Austria. I want you to think about whether you want to come with us. Nobody will be upset if you don’t.”
My search for the bodies was pointless, then. He grants me a few minutes of silence, then forces my mouth open and shoves a piece of chicken inside. He takes the Milka wrapper from my hand and throws it inside the cold chamber of the stove. I chew, and the salt and flesh feel so good they make my eyes water.
“You have to get up now,” Grandpa says. “You have to be a person.”
I resist, reject. The creature loses the thread of my life, and we return before Jan Hus. King Wenceslas no longer protects him—Hus has officially been declared a heretic by the church, a stigma as permanent as a birthmark. The Romans now consider Bohemia a nation of heretics. Hus wears a simple white robe and climbs atop a spotted, undernourished horse. Sigismund, king of the Romans and heir to the Bohemian crown, has promised Hus a safe passage and lodgings if he attends a council of church leaders to explain his betrayal. Does Hus sense treachery ahead? It is hard to tell, for his eyes are always set forward, as if he sees wonders beyond reality, as if he can penetrate dimensions and pick at concealed truths. Hus arrives at Konstanz and lives, unharmed, in the house of a widow. Her long, dark hair reaches to her knees and her shoulders sink from the disappointment of dead love. She never looks Hus in the eyes, yet speaks to him sternly, as if addressing a misbehaving little boy. She makes thin vegetable soup for him, and Jan soaks his bread crust in it, careful not to soil his beard. He tells the widow that no earthly group can provide true salvation. His faith will not be prescribed or dictated. The books he loves and hates will not be burned. His nation will not be blacklisted on account of greed. Against orders from his hosts, Hus preaches in Konstanz—his conviction is a compulsion not subject to self-preservation. The widow kisses him before he is imprisoned. The men condemning him set a sign on his head: Heresiarch. Leader of heretics.
Seventy-three days he spends in a castle dungeon, his arms and legs chained, eating bread gray with mold. When he is questioned, the councilmen spit and ask him to recant, but he will not. A man is free, he shoots back. Man is free under God.
The sentence is death.
The executioners have a hard time scaling up the fire—simply put, Hus’s body hesitates to burn. In an attempt to help, an old woman from the audience throws a handful of brushwood on the pile, blows a little at the impotent flames. “Sancta simplicitas!” Hus cries out from the stake as his feet redden. Holy Simplicity. At forty-four degrees Celsius, the proteins within the series of cells known as Jan Hus begin to break down. As the temperature rises, the initial layers of skin peel back like those of a kielbasa. The thicker dermal layer shrinks and splits, and a yellow fatty paste leaks out and burns with a low squeal. Muscles become dry and contract. Bone burns stubbornly, though, as if the solid foundation of man were not the soul (nowhere to be seen), but this brittle framework. Here is Jan Hus, and he is dead. A space shuttle will someday carry his name.
The creature has ahold of me once again. I am on the couch; my grandparents are dressed for a funeral. I hold the plate my grandfather has given me, and I eat the chicken and dip bread in the grease, then wet my fingers and pick at the crumbs.
“I’ll stay here,” I say.
Grandpa takes the plate away and picks me up. He squeezes so hard I can feel the food moving through my body. He puts me down on my feet, and Grandma kisses me with lips tasting of lard and alcohol.
The silence in the living room changes during the hours of their absence. I am alone. ?íma is in the yard, sniffing out mice. The clock ticks obediently, mechanical and dead. The steel strings pop one by one and the tram halts suspended in the air for one long second before it begins to fall. I turn the TV on, six o’clock news. Small business grows, the communists are long gone, and we are free to live as we like. Free to travel, free to kiss, free to remain silent as the tram falls down and down until we are free to die. Free to be as we like. My grandparents come home at seven and I sit in the same chair, and I don’t remember how I got here, and I don’t know what I plan to do next—until suddenly I am no longer the sole inhabitant of JanHus1, and I am left sweating and looking upon my visitor.
“Sancta simplicitas!” the creature says. “You are what I’m looking for.”
The Secrets of Humanry