Pestilence (The Four Horsemen #1)

At least there still is water to wash my hands with. Unlike household electricity, running water was hit far less severely. Why beats the hell out of me, though I’m not going to complain. It’s helped put out many a fire since the world ended.

Once I’m finished, the horseman leads me back down the hall, giving my restraints a jerk that nearly throws me off my feet. And then I’m tied to that damn railing once more and he’s back to the fire.

“So is this what you do?” I ask. “Go from town to town and invade people’s homes?”

“No,” he says over his shoulder.

“Then why did we stop here?” I ask.

He exhales, like I’m impossibly tedious—which I am, but honestly, homeboy has a long learning curve ahead of him because he ain’t seen nothing yet—and ignores me.

That’s his main move, I’m coming to find.

I turn my attention from his back to my injured wrists.

“What happened to the others?” I ask, more subdued.

“What others?” he responds gruffly.

I’m honestly shocked he’s still engaging with me.

“The others who tried to kill you.”

The horseman turns from the fire, his icy eyes catching the light from the flames. “I ended them.”

I don’t see any remorse on his face for those deaths, either.

“So then I’m your first kidnap victim?” I probe.

He huffs. “Hardly a victim,” he says. “But I will keep you and make an example of you. Perhaps then your dimwitted kind will think twice about plots to destroy me.”

Now and only now is my predicament really hitting me.

I’m not letting you die. Too quick, he’d said. Suffering is made for the living. And oh, how I will make you suffer.

An unbidden shiver runs down my spine. Bloody wrists and aching legs might be the least of my concerns.

The worst, I’m sure, is yet to come.





Chapter 6


I’m still not sick.

And I’m still alive—albeit, I’m not exactly enthusiastic about it.

Everything hurts so much worse the next day. My wrists are one sharp, burning throb, my shoulders are stiff and sore from all the hours they’ve been stuck in this bound position, my stomach is actively trying to eat itself, and my legs are useless with pain.

Oh, and I’m still chained to this shithole railing.

The only silver lining has been the few glasses of water Pestilence brought to me (one of which I accidently poured all over myself rather than in my mouth because my hands are still bound and God legit hates me), and the fact that the horseman has been kind enough to take me to the bathroom again so that he doesn’t have to “smell my vile stink”.

I hate the pretty bastard.

“‘This above all: to thine own self be true,’” I mutter under my breath. The line from Hamlet comes to me from memory. The meaning of it has been worn down like river rocks from time and overuse, but the words still affect me all the same. “‘And it must follow, as the night the day—’” My voice cuts off when I see Pestilence.

Last night he wore jeans and a flannel shirt, but this morning he’s clad in a black ensemble that fits him like a glove. Both the fabric and cut of his clothes manage to look simultaneously archaic and futuristic, though I can’t say precisely why. Maybe it’s not even the clothes—maybe it’s his crown or the bow and quiver slung haphazardly over his shoulder. Whatever he is, he’s looking distinctly otherworldly.

“I am going to untie you from the railing, human,” he says by way of greeting, “but mark me: if you try to flee, I will shoot you, then drag you back here.”

I stare at the deep V of his dark shirt, catching just a glimpse of one of those glowing tattoos.

“Did you hear me?” he asks.

I blink, and my gaze moves to his face.

The last of the horseman’s wounds have healed—even his hair has fully regrown. Only took a day for him to completely regenerate. How disheartening.

“If I bolt, I’m dead meat. Got it.”

His brows furrow and he studies me for a second longer before grunting. With that, he pulls me along to the kitchen.

Using one of his booted feet, he kicks out a chair. “Sit.”

I grimace at him but do as he commands.

Pestilence strides away from me, opening cupboard doors seemingly at random before closing them and moving on. Eventually, he opens the home’s icebox and pulls out a loaf of bread (Who refrigerates their bread?) and a bottle of Worcestershire sauce from it.

“Here is your sustenance,” he says, tossing them to me. By some miracle I manage to catch the bottle of Worcestershire sauce in my bound hands. The bread beans me in the head.

“You’ll have to eat while you run,” he continues. “I’ll not be wasting time for human breaks today.”

I’m still stuck on the bottle of Worcestershire sauce. Does the horseman actually think I can drink this?

He gives a yank on my bindings, making for the door, and I have to scramble to grab the fallen bread loaf from the ground. While Pestilence ties me to the back of his saddle, I manage to stuff two thick slices of bread into my mouth and shove another few into my pockets. And then we’re off, and I’m forced to drop the rest of the bread so that I can focus my attention on keeping up.

Immediately, I’m aware that today will not be like yesterday. My legs are too sore and my energy too depleted. Each step is agonizing, and no amount of fear can force me to run as fast or as long as I need to.

I make it twenty, maybe twenty-five kilometers before I fall, hitting the road hard.

The horse jerks against my weight, and I let out a scream as my arms are violently jerked nearly out of their sockets. The rope digs into the flesh of my wrists and I shriek again at the blinding pain.

It doesn’t end. The pressure in my shoulders and wrists is nearly unendurable. I gasp out a breath, ready to scream some more, but it’s all so violent and sudden that it takes my breath away.

Pestilence must know I’ve fallen, he must feel the resistance, and I know he’s heard my screams, but he doesn’t so much as glance back at me.

I hated him before now, but there’s something about this cruelty that cuts more sharply than a knife.

He’s here to kill humankind, what else did you expect?

I have to lift my head as my body drags along behind the horse to prevent it from getting injured. Yesterday’s snow has mostly melted away, and the bare asphalt now acts like sandpaper against my back. I can almost feel the layers of my thick coat disintegrating under the force of it. Once it goes … I don’t know how long a human can last like this.

I never get the chance to find out.

Before I feel the bite of the road against my bare skin, Pestilence stops the horse in front of another house.

I lean my head against my arm, utterly exhausted by the pain. Dimly, I’m aware of the horseman untying my restraints from his mount.

His footfalls come to my side, then ominously stop.

“Up.”

I moan in response. Everything hurts so damn much.

A second later, he bends down and scoops me up.

I let out a whimper. Even his touch hurts. I close my eyes and lay a weary cheek against the golden armor of his chest as he carries me to the house’s stoop.

I don’t see Pestilence batter down the door; I simply hear it. Shouts ring out from inside the house.

“Oh my God,” a woman says. “Oh my God—oh my God.”

I force my eyes open. There’s a middle-aged lady staring at us with a look of abject horror.

Why hasn’t she evacuated? What was she thinking?

“We’re staying here,” the horseman says as he brushes past her.

Her head jerks back in surprise as she watches him invade her home.

“Not in my house!” she says shrilly.

“My prisoner will need to eat, sleep, and use your amenities,” he continues, as though she hadn’t spoken.

Behind us, I hear her choke on several words before she says, “You need to leave. Now.”

Her words fall on deaf ears. Pestilence heads up her staircase. Once he gets to the second floor, he begins kicking doors open, and there’s not a damn thing she can do about it. He muscles us into a sparsely furnished bedroom, kicking the door shut behind him.

He sets me on the bed, then backs away, folding his arms over his chest. “You’re slowing me down, human.”