Turtles All the Way Down

Maybe you’ve been in love. I mean real love, the kind my grandmother used to describe by quoting the apostle Paul’s First Letter to the Corinthians, the love that is kind and patient, that does not envy or boast, that beareth all things and believeth all things and endureth all things. I don’t like to throw the L-word around; it’s too good and rare a feeling to cheapen with overuse. You can live a good life without ever knowing real love, of the Corinthians variety, but I was fortunate to have found it with Harold.

He was a sixteen-year-old Toyota Corolla with a paint color called Mystic Teal Mica and an engine that clanked in a steady rhythm like the beating of his immaculate metallic heart. Harold had been my dad’s car—in fact, Dad had named him Harold. Mom never sold him, so he stayed in the garage for eight years, until my sixteenth birthday.

Getting Harold’s engine running after so long took all of the four hundred dollars I’d saved over the course of my life—allowances, change ferreted away when Mom sent me down the street to buy something at the Circle K, summer work at Subway, Christmas gifts from my grandparents—so, in a way, Harold was the culmination of my whole being, at least financially speaking. And I loved him. I dreamed about him quite a lot. He had an exceptionally spacious trunk, a custom-installed, huge white steering wheel, and a backseat bench clad in pebble-beige leather. He accelerated with the gentle serenity of the Buddhist Zen master who knows nothing really needs to be done quickly, and his brakes whined like metal machine music, and I loved him.

However, Harold did not have Bluetooth connectivity, or for that matter a CD player, meaning that while in Harold’s company, one had three choices: 1. Drive in silence; 2. Listen to the radio; or 3. Listen to Side B of my dad’s cassette of Missy Elliott’s excellent album So Addictive, which—because it would not eject from the cassette player—I’d already heard hundreds of times in my life.

And in the end, Harold’s imperfect audio system happened to be the last note in the melody of coincidences that changed my life.



Daisy and I were scanning stations in search of a song by a particular brilliant and underappreciated boy band when we landed upon a news story. “—Indianapolis-based Pickett Engineering, a construction firm employing more than ten thousand people worldwide, today—” I moved my hand toward the scan button, but Daisy pushed it away.

“This is what I was telling you about!” she said as the radio continued, “—one-hundred-thousand-dollar reward for information leading to the whereabouts of company CEO Russell Pickett. Pickett, who disappeared the night before a police raid on his home related to a fraud and bribery investigation, was last seen at his riverside compound on September eighth. Anyone with information regarding his whereabouts is encouraged to call the Indianapolis Police Department.”

“A hundred thousand dollars,” Daisy said. “And you know his kid.”

“Knew,” I said. For two summers, after fifth and sixth grades, Davis and I had gone to Sad Camp together, which is what we’d called Camp Spero, this place down in Brown County for kids with dead parents.

Aside from hanging out together at Sad Camp, Davis and I would also sometimes see each other during the school year, because he lived just down the river from me, but on the opposite bank. Mom and I lived on the side that sometimes flooded. The Picketts lived on the side with the stone-gabled walls that forced the rising water in our direction.

“He probably wouldn’t even remember me.”

“Everyone remembers you, Holmesy,” she said.

“That’s not—”

“It’s not a value judgment. I’m not saying you’re good or generous or kind or whatever. I’m just saying you’re memorable.”

“I haven’t seen him in years,” I said. But of course you don’t forget playdates at a mansion that contains a golf course, a pool with an island, and five waterslides. Davis was the closest thing to a proper celebrity I’d ever encountered.

“A hundred thousand dollars,” Daisy said again. We pulled onto I-465, the beltway that circumscribes Indianapolis. “I’m fixing Skee-Ball machines for eight forty an hour and there’s a hundred grand waiting for us.”

“I wouldn’t say waiting for us. Anyway, I have to read about the effects of smallpox on indigenous populations tonight, so I can’t really solve The Case of the Fugitive Billionaire.” I eased Harold up to highway speed. I never drove him faster than the speed limit. I loved him too much.

“Well, you know him better than I do, so to quote the infallible boys in the world’s greatest pop group, ‘You’re the One,’” which was this super-cheesy song I was way too old to love, but loved nonetheless.

“I want to disagree with you, but that is such a great song.”

“You’re. The. One. ‘You’re the one that I choose. The one I’ll never lose. You’re my forever. My stars. My sky. My air. It’s you.’”

We laughed, and I changed the radio station and thought it was over, but then Daisy started reading me an Indianapolis Star story from her phone. “‘Russell Pickett, the controversial CEO and founder of Pickett Engineering, wasn’t home when a search warrant was served by the Indianapolis police Friday morning, and he hasn’t been home since. Pickett’s lawyer, Simon Morris, says he has no information about Pickett’s whereabouts, and in a press conference today, Detective Dwight Allen said that no activity on Pickett’s credit cards or bank accounts has been noted since the evening before the raid.’ Blah-blah-blah . . . ‘Allen also asserted that aside from a camera at the front gate, there were no surveillance cameras on the property. A copy of a police report obtained by the Star says that Pickett was last seen Thursday evening by his sons, Davis and Noah.’ Blah-blah-blah . . . ‘estate just north of Thirty-Eighth Street, lots of lawsuits, supports the zoo,’ blah-blah-blah . . . ‘call the police if you know anything,’ blah-blah-blah. Wait, how are there no security cameras? What kind of billionaire doesn’t have security cameras?”

“The kind who doesn’t want his shady business recorded,” I said. As we drove, I kept turning the story over in my head. I knew some edge of it was jagged, but I couldn’t figure out which one, until I snagged a memory of eerie green coyotes with white eyes. “Wait, there was a camera. Not a security one, but Davis and his brother had a motion-capture camera in the woods by the river. It had, like, night vision, and it would snap a picture whenever something walked past—deer or coyotes or whatever.”

“Holmesy,” she said. “We have a lead.”

“And because of the camera at the front gate, he couldn’t have just driven off,” I said. “So either he climbs over his own wall, or else he walks through the woods down to the river and leaves from there, right?”

“Yes . . .”

“So he could’ve tripped that camera. I mean, it’s been a few years since I was there; maybe it’s gone.”

“And maybe it’s not!” Daisy said.

“Yeah. Maybe it’s not.”

“Exit here,” she said suddenly, and I did. I knew it was the wrong exit, but I took it anyway, and without Daisy even telling me to, I got in the right lane to drive back into the city, toward my house. Toward Davis’s house.

Daisy took out her phone and raised it to her ear. “Hey, Eric. It’s Daisy. Listen, I’m really sorry, but I’ve got the stomach flu. Could be norovirus.”

“. . .”

“Yeah, no problem. Sorry again.” She hung up, put her phone in her bag, and said, “If you even imply diarrhea, they tell you to stay home because they’re so scared of outbreaks. Right, okay, we’re doing this. You still got that canoe?”





THREE




YEARS BEFORE, Mom and I had sometimes paddled down the White River, past Davis’s house to the park behind the art museum. We’d beach the canoe and walk around for a bit, then paddle back home against the lazy current. But I hadn’t been down to the water in years. The White River is beautiful in the abstract—blue herons and geese and deer and all that stuff—but the actual water itself smells like human sewage. Actually, it doesn’t smell like human sewage; it smells of human sewage, because whenever it rains, the sewers overflow and the collective waste of Central Indiana dumps directly into the river.

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