The First Fifteen Lives of Harry August

There is a medical study in this phenomenon, but my adopted mother never quite dies upon the same day in each life she lives. The cause–unless external factors intervene violently first–is always the same. Around my sixth birthday she begins to cough, and by my seventh her coughing is bloody. My parents cannot afford the doctor’s fees, but my aunt Alexandra finally furnishes the coin for my mother to go to the hospital in Newcastle and receive a diagnosis of lung cancer. (I believe it to be non-small-cell carcinomas confined primarily to the left lung; frustratingly treatable some forty years after my mother’s diagnosis but utterly beyond the realms of science at the time.) Tobacco and laudanum are prescribed, and death swiftly follows in 1927. At her death my father falls into a silence and walks upon the hills, sometimes not to be seen for many days. I tend to myself perfectly competently and now, in expectation of my mother’s death, stockpile some food to see me through his long absences. On his return, he remains silent and unapproachable, and though he does not rise to any approaches from my infant self with anger, that is largely because he does not rise at all. In my first life I did not understand his grief nor how it manifested, for I myself was grieving with the blind wordlessness of a child who needed help, which he did not provide. In my second life my mother’s death happened while I was still under the asylum roof and I was too concerned with my own madness to process it, but in my third it came as a slow-moving train towards a man tied to the tracks; inevitable, unstoppable, seen far off in the night and the imagination of the thing, for me, almost worse than the event. I knew what was to come, and somehow when it came, it was a relief, an ending of expectation, and so a lesser event.

 

In my third life my mother’s impending death also gave me something of an occupation. The prevention of it, or at least the management of it, concerned me profoundly. As I had no explanation for my situation save that, perhaps, some Old Testament god was acting out a curse upon me, I genuinely felt that by performing acts of charity, or attempting to affect the major events of my life, I might break this cycle of death-birth-death that had apparently come upon me. Having committed no crimes that I knew of which needed redeeming, and with no major events in my life to undo, I latched on to the welfare of Harriet as my first and most obvious crusade, and embarked on it with all the wit my five-year-old mind (pushing ninety-seven) could muster.

 

I used my ministrations as an excuse to avoid the tedium of school, and my father was too preoccupied to see what I did; instead I tended to her and learned as I had never learned before how my mother lived when my father was away. I suppose you could call it a chance to get to know, as an adult, a woman I had only briefly known as a child. It was in this capacity that I first began to suspect that I was not my father’s son.

 

The Hulne family as a whole attended my adopted mother’s funeral, when she finally died in that third life. My father said few words, and I stood by him, a seven-year-old boy dressed in borrowed black trousers and jacket from Clement Hulne, the cousin three years my senior who had tried in my previous life to bully me, when he remembered that I was there to bully. Constance Hulne, leaning heavily on a walking stick with an ivory handle carved in the shape of an elephant’s head, spoke a few words about Harriet’s loyalty, strength and the family she left behind. Alexandra Hulne told me that I must be brave; Victoria Hulne bent down and pinched my cheeks, inducing in me a strange childish urge to bite the black-gloved fingers that had violated my face. Rory Hulne said nothing and stared at me. He had stared once before, the first time I had stood here in borrowed clothes burying my mother, but I, consumed with grief that had no means of expression, hadn’t comprehended the intensity of his gaze. Now I met his eyes and for the first time saw the mirror of my own, of what I would become.

 

You have not known me in all the stages of my life, so let me describe them here.

 

As a child I am born with almost red hair, which fades over time to what the charitable would describe as auburn, and which is more fairly carrot. The colour of my hair comes from my real mother’s family, as does a genetic predisposition towards good teeth and long-sightedness. I am a small child, a little shorter than average and skinny, though that is as much from a poor diet as any genetic inclination. My growth spurt begins when I turn eleven, and continues until the age of fifteen, when I can, thankfully, get away with pretending to be a boyish eighteen and thus skip three tedious years until manhood.

 

As a young man, I used to sport a rather ragged beard in the manner of my adopted father, Patrick; it doesn’t suit and in its untended state I can often come to look like a set of sensory organs lost in a raspberry bush. Once this revelation was made I began to shave regularly, and in doing so revealed the face of my true father. We share the same pale grey eyes, the same small ears, lightly curling hair and a nose which, along with a tendency to bone disease in old age, is probably the least welcome genetic heritage of all. It is not that my nose is especially large–it is not; but it is undeniably upturned in a manner that would not be ill-suited to the pixie king, and where it should be angularly delineated from my face, rather it seems to blend into my skin like a thing moulded from clay, not bone. People are too polite to comment, but the merest sight of it has on several occasions reduced honest infants from neater genetic lines to tears. In old age my hair turns white, in what feels like an instantaneous flash; this event can be brought on by stress earlier than its norm, and cannot be prevented by any cure, medicinal or psychological. I require glasses for reading by the age of fifty-one; distressingly my fifties fall in the 1970s, a poor decade for fashion, but like nearly all I return to the fashions I was comfortable with as a youth and choose rather demure spectacles in an antique style. With these balanced across my too-close eyes I look every bit the ageing academic as I examine myself in the bathroom mirror; it is a face which, by the time we buried Harriet for the third time, I had had nearly a hundred years to become acquainted with. It was the face of Rory Edmond Hulne, staring at me from across the casket of the woman who could not have been my mother.

 

 

 

 

 

Chapter 5

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