ONE DAY


And how is Rome? How is La Dolce Vita? (look it up). I imagine you right now at a café table, drinking one of those ‘cappuccinos’ we hear so much about, and wolf-whistling at everything. You’re probably wearing sunglasses to read this. Well take them off, you look ridiculous. Did you get the books I sent you? Primo Levi is a fine Italian writer. It’s to remind you that life isn’t all gelati and espadrilles. Life can’t always be like the opening of Betty Blue. And how is teaching? Please promise me you’re not sleeping with your students. That would just be so . . . disappointing.

Must go now. Bottom of page looms, and in the other room I can hear the thrilling murmur of our audience as they throw chairs at each other. I finish this job in two weeks THANK GOD, then Gary Nutkin, our director, wants me to devise a show for infant schools about Apartheid. With PUPPETS for fuck’s sake. Six months in a Transit on the M6 with a Desmond Tutu marionette on my lap. I might give that one a miss. Besides, I’ve written this two-woman play about Virginia Woolf and Emily Dickinson called ‘Two Lives’ (either that or ‘Two Depressed Lesbians’). Maybe I’ll put that on in a pub-theatre somewhere. Once I’d explained to Candy who Virginia Woolf was, she said that she really, really wanted to play her, but only if she can take her top off, so that’s the casting sorted. I’ll be Emily Dickinson, and keep my top on. I’ll reserve you tickets.

In the meantime, I have to choose whether to sign-on in Leeds or sign-on in London. Choices, choices. I’ve been trying to fight moving to London – it’s so PREDICTABLE, moving to London – but my old flatmate Tilly Killick (remember her? Big red glasses, strident views, sideburns?) has a spare room in Clapton. She calls it her ‘box room’, which doesn’t bode well. What’s Clapton like? Are you coming back to London soon? Hey! Maybe we could be flatmates?

‘Flatmates?’ Emma hesitated, shook her head and groaned, then wrote ‘Just kidding!!!!’ She groaned again. ‘Just kidding’ was exactly what people wrote when they meant every word. Too late to scribble it out now, but how to sign off? ‘All the best’ was too formal, ‘tout mon amour’ too affected, ‘all my love’ too corny, and now Gary Nutkin was in the doorway once again.

‘Okay, places everyone!’ Sorrowfully he held the door open as if leading them to the firing squad, and quickly, before she could change her mind, she wrote—

God I miss you, Dex

—then her signature and a single kiss scratched deep into the pale blue air-mail paper.

In the Piazza della Rotunda, Dexter’s mother sat at a café table, a novel held loosely in one hand, her eyes closed and her head tilted back and to the side like a bird to catch the last of the afternoon sun. Rather than arrive straightaway, Dexter took a moment to sit amongst the tourists on the steps of the Pantheon and watch as the waiter approached and picked up her ashtray, startling her. They both laughed, and from the theatrical movement of her mouth and arms he could tell that she was speaking her terrible Italian, her hand on the waiter’s arm, patting it flirtatiously. With no apparent idea what had been said, the waiter nevertheless grinned and flirted back, then walked away, glancing over his shoulder at the beautiful English woman who had touched his arm and talked incomprehensibly.

Dexter saw all this and smiled. That old Freudian notion, first whispered at boarding school, that boys were meant to be in love with their mothers and hate their fathers, seemed perfectly plausible to him. Everyone he had ever met had been in love with Alison Mayhew, and the best of it was that he really liked his father too; as in so many things, he had all the luck.

Often, at dinner or in the large, lush garden of the Oxfordshire house, or on holidays in France as she slept in the sun, he would notice his father staring at her with his bloodhound eyes in dumb adoration. Fifteen years her elder, tall, long-faced and introverted, Stephen Mayhew seemed unable to believe this one remarkable piece of good fortune. At her frequent parties, if Dexter sat very quietly so as not to be sent to bed, he would watch as the men formed an obedient, devoted circle around her; intelligent, accomplished men, doctors and lawyers and people who spoke on the radio, reduced to moony teenage boys. He would watch as she danced to early Roxy Music albums, a cocktail glass in her hand, woozy and self-contained as the other wives looked on, dumpy and slow-witted in comparison. School-friends too, even the cool complicated ones, would turn into cartoons around Alison Mayhew, flirting with her while she flirted back, engaging her in water fights, complimenting her on her terrible cooking – the violently scrambled eggs, the black pepper that was ash from a cigarette.

She had once studied fashion in London but these days ran a village antiques shop, selling expensive rugs and chandeliers to genteel Oxford with great success. She still carried with her that aura of having been something-in-the-Sixties – Dexter had seen the photographs, the clippings from faded colour supplements – but with no apparent sadness or regret she had given this up for a resolutely respectable, secure, comfortable family life. Typically, it was as if she had sensed exactly the right moment to leave the party. Dexter suspected that she had occasional flings with the doctors, the lawyers, the people who spoke on the radio, but he found it hard to be angry with her. And always people said the same thing – that he had got it from her. No-one was specific about what ‘it’ was, but everyone seem to know; looks of course, energy and good health, but also a certain nonchalant self-confidence, the right to be at the centre of things, on the winning team.

Even now, as she sat in her washed-out blue summer dress, fishing in her immense handbag for matches, it seemed as if the life of the Piazza revolved around her. Shrewd brown eyes in a heart-shaped face under a mess of expensively dishevelled black hair, her dress undone one button too far, an immaculate mess. She saw him approach and her face cracked with a wide smile.

‘Forty-five minutes late, young man. Where have you been?’

‘Over there watching you chat up the waiters.’

‘Don’t tell your father.’ She knocked the table with her hip as she stood and hugged him. ‘Where have you been though?’

‘Just preparing lessons.’ His hair was wet from the shower he had shared with Tove Angstrom, and as she brushed it from his forehead, her hand cupping the side of his face fondly, he realised that she was already a little drunk.

‘Very tousled. Who’s been tousling you? What mischief have you been up to?’

‘I told you, planning lessons.’

She pouted sceptically. ‘And where did you get to last night? We waited at the restaurant.’

‘I’m sorry, I got delayed. College disco.’

‘A disco. Very 1977. What was that like?’

‘Two hundred drunk Scandinavian girls vogue-ing.’

‘“Vogue-ing”. I’m pleased to say that I have absolutely no idea what that is. Was it fun?’

‘It was hell.’

She patted his knee. ‘You poor, poor thing.’

‘Where’s Dad?’

‘He’s had to go for one of his little lie-downs at the hotel. The heat, and his sandals were chafing. You know what your father’s like, he’s so Welsh.’

‘So what have you been doing?’

‘Just wandering around the Forum. I thought it was beautiful, but Stephen was bored out of his skull. All that mess, columns just left lying around all over the place. I think he thinks they should bulldoze it all, put up a nice conservatory or something.’

‘You should visit the Palatine. It’s at the top of that hill . . .’

‘I know where the Palatine is, Dexter, I was visiting Rome before you were born.’

‘Yes, who was emperor back then?’

‘Ha. Here, help me with this wine, don’t let me drink the whole bottle.’ She already had, pretty much, but he poured the last inch into a water glass and reached for her cigarettes. Alison tutted. ‘You know sometimes I think we took the whole liberal-parent thing a bit too far.’

‘I quite agree. You ruined me. Pass the matches.’

‘It’s not clever, you know. I know you think it makes you look like a film star, but it doesn’t, it looks awful.’

‘So why do you do it then?’

‘Because it makes me look sensational.’ She placed a cigarette between her lips and he lit it with his match. ‘I’m giving up anyway. This is my last one. Now quickly, while your father’s not here—’ She shuffled closer, conspiratorially. ‘Tell me about your love-life.’

‘No!’

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